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Today's Trump Tidbit: The Constitution, The First Amendment, The Civil War And The Philippines

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Wow! It's been a busy few days for Glorious Leader, as he rushed from interview to interview, spewing his patented incoherent ramblings and threats to our way of life to anyone who pointed a mic in his direction. 

Let's take a look at a few of the things our beloved president recently said, shall we?

During an interview with Fox News, Glorious Leader actually denounced the Constitution Of The United States Of America, blaming it for many of the problems and setbacks his administration has faced during his first one hundred days in office. Said Trump:
“It’s a very rough system. It’s an archaic system. It’s really a bad thing for the country.”
Jesus Fucking Jet-skiing Christ On A Motherfucking Cross!!!

Yes, Don, the Constitution is bad for the country, if by bad you mean "a safeguard to prevent would-be tinpot dictators like yourself from doing whatever the hell they want, with no way to keep them in check."

There's a slight possibility that Trumpenstein may have been talking about the filibuster process here, which actually is an outmoded and often counterproductive facet of our Constitution. If so, he should have clarified this, and not attacked the Constitution as a whole. Heh. Donald Trump actually clarifying something. What am I thinking?

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Meanwhile in an interview with ABC, White House Chief of Staff and Member of Slitherin House Reince Priebus actually said the president is thinking about amending or even abolishing the First Amendment of The Constitution, in an effort to eliminate what Trump considers to be unfair media criticism. Said Priebus: 
“I think it’s something that we’ve looked at. How that gets executed or whether that goes anywhere is a different story.”
I... I don't even know how to respond to that. Is this real life? If the idea of the Trump administration wondering how to eliminate the First Amendment doesn't send a trickle of pee down your leg, you're already dead.

For those of you scoring at home, the First Amendment is the one that, among other things, guarantees free speech. You know, the one that allows me to say I think Trump is a bloated, orange, semi-sentient despot with a rotted pumpkin for a head.

Despite my white-hot loathing for our "president," I admit there's a lot of misinformation in the media these days. You might even call it "fake news." But shutting down the goddamned First Amendment is not the way to fix it. You don't burn down your house because the faucet's dripping.

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Is Donald Trump smarter than a fifth grader? No. No he is not.


In yet another interview, this time with Sirius XM Radio (?), Trump went on an unintelligible and unhinged stream-of-consciousness rant about Andrew Jackson. Said Trump:
“I mean, had Andrew Jackson been a little later, you wouldn’t have had the Civil War. He was a very tough person, but he had a big heart, and he was really angry that he saw what was happening with regard to the Civil War. He said, ‘There’s no reason for this.’ People don’t realize, you know, the Civil War, you think about it, why? People don’t ask that question. But why was there the Civil War? Why could that one not have been worked out?”
The President Of The United States Of America, ladies and gentlemen! Jesus wept. I need to go lie down in a dark room. I'm getting one of my sick headaches.

First of all, I'd just like to point out that Andrew Jackson died in 1845, sixteen years before the Civil War even began. Trumpy seemingly realizes this at first, but then forgets it again in his very next sentence.

Trump's claim that Jackson "had a big heart" seems dubious at best as well. At the time of his death, Jackson owned around one hundred and fifty slaves, who lived and worked on his Hermitage plantation. He also signed the Indian Removal Act, which uprooted tens of thousands of Native Americans from their land. Jackson forced them to trudge westward on a literal death march, in a little incident called The Trail Of Tears. 

Oddly enough, Trump has often compared himself to Andrew Jackson (!), no doubt accounting for his romanticized and completely nonsensical view of him.

Additionally, Trump honestly doesn't seem to know why the Civil War was fought. Christ on a cracker, do I even have to go into this one? Slavery, Don. The Civil War was fought over slavery. There's more to it of course, but that's the simple answer.
By the way, how the hell does Glorious Leader have time for all these interviews? Doesn't he have a country to undermine and destroy run?

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And if all this wasn't bad enough, this past Saturday Trump made a phone call to Philippine President Rodrigo Duterte, going so far as to invite him to the White House (or more likely, Mar-a-Lago). 


Trump said the two had a "very friendly conversation," chatting about North Korea (!), as well as Duterte's efforts to rid his country of drugs.

Yeah, about that. Since becoming the Philippine president last year, Duterte's waged a bloody and grisly war on drugs in an effort to clean up the streets. The trouble is it's not just dealers being killed— many are publicly executed after having evidence planted on them, while hundreds of innocents are simply caught in the crossfire. Critics of Duterte say he's not declaring a war on drugs, but a war on the poor in his country.


Duterte is by all accounts a thug and a dictator, who has no business in the White House. So of course it only makes sense that Trump would want to rub shoulders and play a few rounds of gold with a merciless despot like this, who he obviously admires. 

2017 Box Office Predictions Part 2 (May Thru August)

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Last year my nephew Kyle sent me a list of his 2016 box office predictions, and I posted them here on my blog, along with my own thoughts and comments about the upcoming films.

Unfortunately we didn't do so well, as Kyle's predictions had a 41% accuracy rate, and mine was even worse at 37%. That's less than an F on the standard grading scale! I guess we vastly underestimated the general moviegoing public's willingness to sit through literally anything.

I found a list of upcoming 2017 releases, so we decided to try our hands at predicticating again. 
There were way too many movies to cover all in one go, so I'm splitting them up. The following reviews are for May through AugustYou can see our predictions for January through April here.

My comments are in red, while Kyle's are in blue. Note that he isn't making very many predictions this year, as he's only concerned with films he plans to see.

May
Guardians Of The Galaxy Vol. 2
Marvel’s space opera hit gets a sequel, bringing back all your favorite characters and adding a few new ones too, including Kurt Russell as Star-Lord's dad. 
Premieres May 5.

Bob: No question this will be another major hit for Marvel. The first Guardians grossed $773 million worldwide. I would expect this one to do at least $800 million, if not more.

Kyle: $850-900 million easy. One of the biggest hits of the summer.


King Arthur: Legend Of The Sword

Guy Ritchie's take on the Arthurian legend was announced way back in 2014, as the first of a SIX film series (!). 

Bob: I reeeeeeally wouldn't get my hopes up for five more sequels. The trailer doesn't look bad, but it's got a brutal release date, coming out just a week after Guardians Of The Galaxy. Ouch! 

It was supposed to come out in July of 2016, but Warner Bros. moved it back to February of 2017, then March, and then finally May. Multiple delays like that are never, ever a good sign.

Plus I don't see the public turning out in droves to see Charlie Hunnam. I don't see it passing the $100 million mark. I think it'll be lucky if it makes $80 million.

Alien: Covenant
Sigh... somebody please stop Ridley Scott! He's making yet anotherALIEN prequel, and says he wants to make SIX more! It's got a great cast, including Michael Fassbender, Danny McBride and Billy Crudup, but it looks like a virtual remake of the first film. 
Premieres May 19.

Bob: I have a strange love/hate relationship with the ALIEN franchise. I like ALIEN a lot, I absolutely love ALIENS, I've never seen ALIEN 3 and refuse to acknowledge that it even exists, and I was disappointed and underwhelmed by ALIEN: Resurrection.

I was also NOT a fan of Prometheus, as I thought it was nothing more than a lame stealth remake of ALIEN. It made an astonishing $403 million though, proving people will see anything with a title they recognize. I think some viewers will feel burned by
Prometheus (HAW!) though, and may skip this one. I'm predicting it'll make around $200 million.

Kyle: Like with King Kong: Skull Island, this is another movie I wish would hurry up and get out of the way so we can get Neil Blomkamp's Alien 5, which will see the return of Sigourney Weaver and Michael Biehn, and will ignore the events of Alien 3 and Alien: Resurrection (I'm assuming that Alien 5 will not be the final title). 


This was about to enter production when Ridley Scott "politely asked" (read: strong armed) the studio to delay that movie until after his Prometheus sequel. Alien 5 is now planned to enter production in late 2017 with a possible release in late 2018 or early 2019. Thanks for nothing Ridley.

Box office prediction: I hope it bombs hard enough to end Ridley Scott's career, but not hard enough to delay Alien 5 any further.


Bob: Don't mince words, Kyle. What do you really think?

Pirates Of The Caribbean: Dead Men Tell No Tales
Six years after his last cinematic outing, Captain Jack Sparrow returns and gads about the screen again, muttering incoherently about treasure or something. Johnny Depp, Javier Bardem and Geoffrey Rush star, and Orlando Bloom and Keira Knightly reprise their roles as well. 
Premieres May 26.

Bob: Ugh, another one of these? I saw the first three, but gave the fourth a miss. I guess I can see why Johnny Depp wants to keep pumping them out though, as he's not exactly setting the box office on fire these days, and this series is about all he's got going for him. The alleged domestic abuse case against him was eventually proved false, but the damage is already done, as it irreparably tarnished his image.

The fourth film premiered a whopping six years ago, and only grossed $241 million in the States. However it made an unbelievable $804 MILLION in the rest of the world, for a grand total of over a BILLION DOLLARS!!!

I think it'll be a flop here, grossing less than its $320 million budget, but the worldwide market will save it.


June

Wonder Woman
DC's latest attempt to emulate Marvel and cash in on that sweet, sweet shared-universe pie. Critics and fans haven't been kind to the DC Extended Universe films, so there's a lot riding on this one. If it tanks, it's gonna damage the upcoming Justice League as well, and may do in the DCEU altogether. Premieres June 2.

Bob: Batman V. Superman and Suicide Squad made $875 million and $745 million respectively, despite both being steaming piles of hot garbage. So it doesn't matter if Wonder Woman is a good film or not, it'll inexplicably make a crap-ton of money as well. I don't think it'll do quite as well as Suicide Squad though, so I'm gonna say it'll gross around $600 worldwide.

Captain Underpants
Based on the popular series of kid's books, and starring Ed Helms as the title voice. 
Premieres June 2.

Bob: Kids love the book series, and it's a CGI cartoon, so it's already a hit. If Boss Baby can gross almost $400 million worldwide, I see no reason why this won't do the same or better.

The Mummy
Tom Cruise hunts an ancient evil Egyptian princess in modern times. Depending on who you ask and which story you believe, the film may or may not be an attempt at starting a new Universal Monsters shared universe. 
Premieres June 9.

Bob: The trailer didn't do anything for me, as it looked more like another Mission: Impossible movie than a horror film. The film went through three directors, which is never a good sign, and it's produced by Alex Kurtzman and Roberto Orci, the hacks, er, producers who brought the world such fine cinematic achievements as Star Trek Into Darkness, Now You See Me 1 & 2 and Enders Game

As a result of this I have absolutely zero confidence in the film, and no desire to see it whatsoever. Despite this, I think it might gross around $250 million.

It Comes At Night
A moody horror film about a man (Joel Edgerton) trying to protect his family in a remote location after a world-wide disaster. Premieres June 9.

Bob: The trailer certainly looks good, but I've been burned by flashy previews before. I can't tell if the titular threat is an actual creature stalking the characters (good!) or if it's one of those "The Real Danger Is Man!" movies (bad!). 

There's a lot of buzz about this film, and low budget horror films generally always make a small profit. This comes out the same weekend as The Mummy though, so I have a feeling it's gonna get buried. I think it'll make around $50 million.

Cars 3
It's been six years since the previous movie came out— will kids flock to this followup, or will they finally tire (get it?) of talking cars? The trailer indicates the franchise is taking a very dark turn, which seems ill-advised for a kids' film. 
Premieres June 16.

Bob: I wasn't a big fan of Doc Hollywood, er, I mean Cars when it came out, and I didn't even bother seeing the second one. They're not making these movies for me though, so what I think doesn't matter. It's Pixar, so it'll automatically gross at least $350 million.

Transformers: The Last Knight
Michael Bay hates humanity with a white hot passion, as evidenced by the fact that he keeps pumping out these films. This one's supposedly a soft reboot of the franchise. Yes, we wouldn't want the Transformers movies bogged down with too much story and continuity now, would we? 
Premieres June 23.

Bob: I have just one question for Michael Bay: How the hell did he talk Sir Anthony Hopkins into starring in a goddamned Transformers movie?


Man, Transformers: Age Of Extinction will go down in my personal history as the film that almost broke me. It was a grueling endurance test to sit through, felt like it was six hours long, and I just wanted to get up and go home. I would have, but I didn't drive to the theater. Maybe I should have sprang for a taxi.

Against all logic and reason, these films have always been huge hits— Age Of Extinction grossed over ONE BILLION DOLLARS!!!! I expect no different from this one. I'm gonna predict it'll gross at $800 million at the absolute least.


Amityville: The Awakening
According to wikipedia, this is the 
tenth installment in the main Amityville franchise and nineteenth overall. I have no idea what that means, but I do know that nineteen Amityville movies is about eighteen too many. Premieres June 30.

Bob: No lie, I've been seeing the trailer for this cinematic turd off and on since 2014. That is not an exaggeration. It must be exceptionally bad if it's been delayed for three years. I smell a bomb.

Despicable Me 3
Gru's back, and this time clashes his long-lost, more successful brother Dru. Oh, and the Minions return too, of course. 
Premieres June 30.

Bob: The first film grossed $543 million, while the second made a mind boggling $970 million. Could this one cross the billion dollar mark? I'm gonna say no, as the all-Minions Minions movie may have stolen some of this film's thunder. I predict around $750 - $800 million.

July

Spider-Man: Homecoming
Yay, Spider-Man's getting rebooted yet again, for the THIRD time in just fifteen years. This one's produced by Marvel Studios though, which may make it worth a look. 
Premieres July 7.

Bob: You know the story by now— after the two subpar Andrew Garfield Spider-Man movies, Sony admitted they have no idea what they're doing and asked Marvel Studios to make a new film for them. So it's got the Marvel Studios magic touch going for it.

On the other hand, this is the SIXTH Spider-Man film and the THIRD reboot in just fifteen years. I'm afraid the general public might be Spider-Manned out.

On the other other hand, fans made a huge deal out of his small cameo in Captain America: Civil War, so there may be some life left in the franchise after all. I'm gonna guess it'll gross around $600 million.


Kyle: Despite this being a Marvel movie on paper, Sony still has some influence on this movie, and that concerns me. This is the studio ran by Amy Pascal (who greenlit Ghostbusters 2016 and is currently pushing hard for a live action Barbie flick staring Amy Schumer) and Tom Rothman (former fox executive who fought against a Deadpool movie for over a decade, saying that he "didn't get it" and that it would never be a big hit, and who also greenlit Passengers and thought it would be a giant hit for the studio). 


Needless to say, despite Marvel's involvement, I'm not confident that Spider-Man is in good hands yet. Still, should gross at least $750-800 million.

War For The Planet Of The Apes
The third (and final?) film in the rebooted Planet Of The Apes series. This time Caesar the chimp leads his ape army against human Woody Harrelson for control of the world. 
Premieres July 14.

Bob: Rise Of The Planet Of The Apes grossed an impressive $481 million, while the sequel, Dawn Of The Planet Of The Apes nearly doubled that, at $710 million. I'm betting this one will do at least as well or better than Dawn. I predict around $850 million.

Kyle: I really like the last two planet of the apes movies, and I believe that they are some of the best examples of how to do a reboot-sequel-requel-prequel the right way. The last two entries in the series grossed $481 and $710 respectively, I think this one will split the difference, and land somewhere between $550-$625, which should be enough to ensure a 4th film to wrap up the series, assuming that this is not planned as the final part.

Dunkirk

Christopher Nolan's big budget WWII film, which, as you might expect from the title, is about the Battle Of Dunkirk. Premieres July 21.

Bob: I'm not a huge fan of Christopher Nolan. I liked Inception quite a bit, but his Dark Knight movies didn't do anything for me, and I hated Interstellar. So I have little interest in this one.

Oddly enough, Michael Caine's nowhere to be seen in this movie, but Nolan regulars Tom Hardy and Cillian Murphy are in it of course. It also stars Harry Styles. Yeah, that Harry Styles, of One Direction fame.

I can't find any info on the film's budget yet, but Nolan reportedly earned a whopping, record-breaking $20 million dollars to direct (!). Nolan's insisting on practical effects again, refurbishing old WWII ships to use in filming. Given all that, I'd expect the budget to be at least $200 million. It's gonna have to be a massive hit just to break even. I think it'll probably make $100 to $150 million here, but be saved by the overseas grosses.

Valerian And The City Of A Thousand Planets
From the director of The Fifth Element comes The Fifth Element 2, er, I mean this big budget sci-fi epic based on the long-running French comic book. 
Premieres July 21.

Bob: I've been a fan of the comic for years (the art more than the story), so I hope this does well. It looks a lot like The Fifth Element, which makes sense since both were directed by Luc Besson.

Unfortunately it also looks a lot like Jupiter Ascending, which was a huge bomb a couple years ago. Could its failure taint Valerian? Possibly.

The comic's pretty well known in Europe, but virtually unknown here in the States. It'll definitely do better overseas than it does here. Sadly I think it'll get lost among all the other summer movies— especially Dunkirk, which opens the same weekend— and flop hard here, but be saved by the foreign market. I'm betting it'll gross around $300 million worldwide.


The Dark Tower
Stephen King's epic fantasy gets the live action movie treatment. Idris Elba stars as the Gunslinger, a man who wanders an otherdimensional world as he searches for both the Man In Black and the Dark Tower. Premieres July 28.

Bob: I've been a Stephen King fan for decades, but I tried to read the first novel in this series and quickly gave up,. As a result I know little or nothing about the property and have zero attachment to it. From what I've read, the movie takes great liberties with the novel, changing a LOT of elements, which is sure to piss off the hardcore fans. I don't see it being a huge hit, and bet it'll barely break even.

Kyle: Never heard of this? You're not alone. This is based on Stephen King's seven part Dark Tower series of novels. Depending on who you ask it's either King's magnum opus or his half-assed attempt to do a Lord Of The Rings style fantasy epic. Like George R.R. Martin's Game Of Thrones series, King was notoriously slow to write this series, with Book 1 released in 1982, book 2 in 1987, book 3 in 1991, and book 4 in 1997. In between books 4 and 5, King had his famous accident in which he was hit by a car and came very close to death. Realizing that he had a responsibility to the fans, he finished the series and book 5 was released in 2003, and books 6 and 7 were both released in 2004. Unfortunately, the rush job shows and (in my opinion) parts of book 5, and most of book 6 and 7 are basically unreadable.

A film adaptation has been in development since 2007, which J.J. Abrams and Damon Lindelof attached, which would have meant a version of the film that posed countless questions it had no intention of answering. Ron Howard become attached in 2010, and for a few years the plan was to have the franchise start with a film, go to a season on TV, have another film, then another TV season, and then conclude with a final film.
This was dropped due to the logistics of such a project and fears of audience confusion. (No doubt! I got confused just reading that sentence!)


In terms of what this film will be, see spoilers below (drag your cursor over the text to highlight it):

This will be pretty oversimplified, but the seventh book ends with the timeline essentially reset, with the main character starting his journey all over again, but this time with a special artifact that was broken and destroyed in the original timeline, and with it the journey will be able to be finished for reals this team. (told you it was stupid and nearly unreadable). 


Thus, the movie will apparently serve was a sequel or sorts to the book series, and not an adaptation. I’m confused by that, and general audiences who have no context for the books will be as well. I’m not sure why this is being made, and I can’t see it being anything other than a massive box office bomb.

August

The Emoji Movie
Another week, another CGI animated kids' movie. This one, as you might have guessed from the title, concerns talking emojis. It features an impressive cast, including T.J. Miller, Anna Faris, James Corden, Maya Rudolph, Steven Wright and Rob Riggle. 


It also stars Sir Patrick Stewart, who voices the Poop emoji (!). Remember when Patrick Stewart was a respected actor, and a member of the Royal Shakespeare Company? I miss those days. Premieres August 4.

Bob: I realize I'm not the target audience for this kind of film, but this looks dreadful. And really, Sony? You're doing "Sh*t Happens" on posters for kid's movies now? Classy!

Sony's had some moderate success with their Cloudy With A Chance Of Meatballs series, The Smurfs movies and The Hotel Transylvania franchise. I'm gonna say this one will make $400 million at the most.


Blazing Samurai
Earth 2 Kung Fu Panda, er, I mean Blazing Samurai concerns a dog who yearns to become a master swordsman. It features the requisite all-star voice cast, including Ricky Gervais, Michael Cera (!), Mel Brooks, Michelle Yeoh and Samuel L. Jackson. Premieres August 4.

Bob: Looks like a Kung Fu Panda clone. Do we really need another one of those? It has an amazing voice cast, but CGI kid movies don't tend to do well unless they're made by Pixar, Disney or Dreamworks. This one's made by Jam Filled Toronto, whatever the hell that is. 


I don't see it being a hit, plus it comes out the same weekend as The Emoji Movie, which seems like bad planning to me. The Emoji Movie is gonna absolutely bury this one.. I'll be surprised if this one makes $150 million.

Annabelle 2
I like The Conjuring movies quite a bit. The Annabelle spinoff, not as much. Now we're getting Annabelle's completely unnecessary origin story, in what has to be a first-- a prequel to a spinoff of a movie in a successful franchise. 
Premieres August 11.

Bob: The first film was a surprise hit, grossing $256 million against its meager $6 million budget. Wow! I would expect this one to be no less successful. I predict it'll make around $300 million.

Cadaver
An ex-cop takes a job in a morgue. Hijinx ensure when an evil entity possesses one of the corpses. Premieres August 25.


Bob: I've never heard a peep about this film until now. It's the usual situation— if the budget is low enough, it could be a moderate hit. One again, it comes out the same weekend as another horror film, which seems like an idiotic idea to me. I'm betting it'll make around $40 million.

Polaroid
Another small horror movie, this one about an old polaroid camera that kills anyone whose picture gets taken with it. Premieres August 25.

Bob: I'm pretty sure The Twilight Zone did this exact same plot fifty years ago. No matter how scary it might be, it's gonna suffer from coming out the same weekend as Cadaver. I'm betting it'll make $50 million at the most.

Doctor Who Season 10, Episode 3: Thin Ice

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This week the Doctor takes his new companion Bill on her first trip to the past, to the Frost Fairs of Regency London to be exact. Naturally complications arise, as they encounter a seemingly deadly monster that's actually being held against its will, and killing purely in self defense.

It's a well-worn plot that the show's used many times before, most recently in The Beast Below. Heck, Doctor Who spinoff Torchwood even used the same storyline in Meat (and the less said about that episode, the better). 

Despite the familiar storyline, it's still a pretty good episode, due solely to the chemistry between Peter Capaldi and Pearl Mackie. Honestly I'd have been happy if they ditched the plot altogether and just given us forty five minutes of the two of them wandering around the Frost Fair. I'm definitely going to miss their interactions after Capaldi leaves.

Wow, three decent episodes in a row... what gives, Moffat? Did you start taking "writing pills?"

This week's episode raises some hard questions about both racial tensions and death. It doesn't necessarily answer these questions, but at least it spends a few minutes addressing the topics, which was surprising. So kudos for that. Bill holding the Doctor's feet to the fire over the amount of death he's seen and caused over his long life was one of the greatest moments in the entire history of the series, and something that's not often examined.

There wasn't much of Nardole this week, but his brief scene at the end of the episode gave us a pretty good hint (or possibly a red herring) as to who's inside the vault he and the Doctor are guarding.

SPOILERS!

The Plot:
The Doctor and Bill return from planet Gliese 581d to London. As they peer out of the TARDIS, they see a real live elephant stomping down the frozen Thames.

Bill thinks they've on a parallel world, but the Doctor says they've landed in 1814 London, at the last of the Frost Fairs. Bill worries that her dark skin will cause problems in an era that still has slavery, but the Doctor assures her there's no danger. They don period-appropriate clothing and explore the Fair. Back in the TARDIS, its sensors pick up a massive life form under the ice. Too bad there's no way for it to warn the Doctor.

As Bill wanders through the fair, she occasionally sees bright green lights moving under the ice. She's afraid she's experiencing some kind of side effect from time travel, but the Doctor admits he's seeing the lights as well. They encounter a team of child pickpockets, and one nabs the Doctor's sonic and runs off with it.

The Doctor and Bill chase the urchins, and corner Spider, the one who stole the sonic. Suddenly the green lights appear below him, and begin moving around him in a circle. They move faster and faster until they create a hole in the ice, and he drops through. The Doctor tries to save him (or does he?) but only manages to grab his sonic before the child disappears under the ice. The hole immediately closes back up. The Doctor tries to question the other street kids, but they run off in fear.

The Doctor finds a distraught Bill sobbing some distance away. When he asks what's wrong, she says she never saw anyone die before. She notes that he doesn't seem very upset, and asks how many people he's seen die. He admits he doesn't know. She then asks how many he's killed, and he refuses to answer, saying sometimes it's the only option available. An angry Bill says that's not what she asked.

Eventually they track down the kids, who are led by a girl named Kitty. He talks her into taking them back to their hovel. There, the kids admit that they're paid to lure people to the Frost Fair, some of whom end up going missing. Kitty doesn't know who the man is who pays them, other than that he has a tattoo of a ship on his hand.

The Doctor and Bill "acquire" diving suits, then gear up and visit the Frost Fair after it's closed. When Bill asks why they need diving suits on top of the ice, and the Doctor says if all goes according to plan, the lights will come and take them under. Suddenly the lights come and take them under. Deep below the surface, they see a massive (alien?) sea creature, chained to the bottom of the river. It's surrounded by some sort of mutated angler fish (its offspring?), the source of the green lights. They swim melt the ice above, allowing people to fall through and provide food for their massive host. The creature spots the Doctor and Bill and moans plaintively.

They return to the surface, and eventually discover that Lord Sutcliffe is the man who pays the urchins to lure people onto the ice. They visit a workhouse owned by Sutcliffe, where hundreds of men dredge the river for the giant creature's waste. They mold it into bricks, which, according to the foreman, burn a thousand times longer than coal, and hotter than they can measure. The Doctor notes that this "fuel" is suitable for interstellar travel, and wonders if Sutcliffe is secretly an alien.

The two of them then pay a visit to Lord Sutcliffe's mansion, The Doctor tells Bill to let him do the talking, as getting info from a potential alien like Sutcliffe will require tact and finesse. They're taken to Sutcliffe's study, and he immediately treats Bill like a slave. The Doctor punches Lord Sutcliffe, knocking him out. So much for diplomacy!

The Doctor asks Lord Sutcliffe where the creature came from, and he says its secret has been passed down in his family for generations. He defends what he's doing, saying the city's industry runs on the creature's waste. Without it, they'd need coal, and thousands would die in the mines.

Sutcliffe orders the Doctor and Bill be placed inside a tent on the ice, which is filled with explosives. Sutcliffe plans to detonate the explosives (under the guise of fireworks gone wrong), collapsing the ice and sacrificing thousands to the creature. The Man With The Ship Tattoo ties them up and conveniently leaves.

Fortunately for the Doctor, Sutcliffe's men didn't search him, and he still has his sonic. He activates it, and a henchman hears it and runs into the tent. He grabs the sonic and looks at it, as its sound attracts the angler fish. The Doctor yells to the man to toss him the sonic. For some reason he does, just as the ice opens beneath him and he disappears. The Doctor uses the sonic to free himself and Bill.

The Doctor asks Bill what they should do next— free the creature, or leave. She asks why it's up to her, and the Doctor says he can't decide for her, saying, "Your people, your planet." She worries that if they release the creature, it could break through the ice and kill thousands. He tells her it's a risk, but says, "If your future is built on the suffering of that creature, what's your future worth?" She finally decides they should free it.

Bill finds the urchins, and together they try to chase everyone off the ice. Meanwhile, the Doctor dons his diving suit again, and attaches Sutcliffe's explosives to the creature's chains. Bill manages to get most of the people off the ice, but realizes she can't save them all. She suddenly has a newfound understanding of the Doctor, and his attitude toward death.

Sutcliffe sees people fleeing the river, and detonates the explosives. They free the creature, which breaks through the ice. Sutcliffe falls into the cold water, and is maybe eaten by the creature?

The Doctor and Bill watch as the creature, which does not eat anyone, sails down the Thames and out to sea. Later the Doctor invites the street urchins to Lord Sutcliffe's manor. He expertly modifies the deed to the manor, placing it in the hands of Perry, one of the urchins.

The Doctor and Bill return to the present, parking the TARDIS in his office again. Nardole appears with a tray of tea, indicating they've returned a few seconds after they left back in Smile. Nardole realizes they've gone off-world, and accuses the Doctor of breaking his oath to stay on Earth and guard the vault.

Bill looks up and old newspaper, and sees that Perry and the others lived the rest of their lives in luxury in Sutcliffe Manor. She's puzzled though as to why there's no mention of a giant sea creature sailing down the Thames. The Doctor tells her "Never underestimate the collective human ability to overlook the inexplicable."

Meanwhile, Nardole checks on the vault below the University. Something inside the vault knocks three times on the door. Nardole tells whoever— or whatever— is inside that it won't get out while he's around.

Thoughts:
• There are a lot of similarities between Bill's first visit to the past in this episode, and 
Season 3's The Shakespeare Code. And I do mean a lot.


When the TARDIS lands in Regency England, Bill worries that as a black woman, she may be in danger, since slavery's still very much a thing. The Doctor dismisses her concerns, saying she'll be fine:

Bill: "Wait, you want to go out there?"
The Doctor:"You don’t?"
Bill:"It’s 1814. (pointing at her face) Melanin!"
The Doctor:"Yes?"
Bill:"Slavery is still totally a thing."
The Doctor: "Yes, it is."
Bill: "It might be, like, dangerous out there."
The Doctor: "Definitely dangerous."
Bill: "So, how do we stay out of trouble?"
The Doctor: "Well, I’m not the right person to ask."

This is almost word-for-word the same thing Martha Jones said when she and the Tenth Doctor visited Elizabethan England in The Shakespeare Code:

Martha:"Oh, but hold on, am I all right? I’m not going to get carted off as a slave, am I?"The Doctor:"Why?"
Martha:"I’m not exactly white, in case you haven’t noticed?"
The Doctor:"I’m not even human. Walk about like you own the place. Works for me."Bill also worries about accidentally altering the future, bringing up the Butterfly Effect:

Bill: "So what are the rules?"
The Doctor:"Rules?"
Bill: "Yeah. Traveling to the past, there’s got to be rules. If I step on a butterfly, it could send ripples through time that mean I’m not even born in the first place, and I could just disappear."
Again, this is almost verbatim what Martha says in The Shakespeare Code:

Martha:"But, are we safe? I mean, can we move around and stuff?"
The Doctor: "Course we can, why’d you ask?"
Martha: "In those films, you step on a butterfly, you change the future of the human race."
The Doctor: "Tell you what then, don’t step on any butterflies. What have butterflies ever done to you?"
Martha:"What if, I dunno, what if I kill my grandfather?"
The Doctor: "Are you planning to?"
Martha: "No!"
The Doctor: "Well then."

I suppose when you have two different episodes in which a black character visits the past for the first time, there are bound to be a few similarities, but this was definitely pushing it. 

• When Bill first looks out of the TARDIS and sees the Frost Fair, she thinks they've landed on a parallel world. The Doctor assures her they haven't, but he's visited alternate Earths before. 

The Third Doctor visited an "evil" parallel world way back in 1970s Inferno. The Tenth Doctor and Rose Tyler visited an alternate Earth they dubbed "Pete's World" (after Rose's father) in Rise Of The Cyberman/The Age Of Steel. Rose eventually even went to Pete's World to live.

• The London Frost Fairs were actually a real thing! Between the 14th and 19th Centuries, the Thames would regularly freeze over every winter. When it did, they'd hold a fair on the frozen river, and all of London would show up. They even had live elephants stomping around the Fairs from time to time!

For some reason though, the river never froze again after 1814— the year this episode takes place. Thin Ice attempts to explain this, implying that the creature was the one causing the Thames to regularly freeze. Once the Doctor freed it, no more frozen river!

• This isn't the Doctor's first Frost Fair. In 2011's A Good Man Goes To War, River Song tells Rory Williams:

River: "The Doctor took me ice skating on the River Thames in 1814. The last of the great Frost Fairs. He got Stevie Wonder to sing for me under London Bridge."
Rory: "Stevie Wonder sang in 1814?"
River: "Yes, he did. But you must never tell him."

Fortunately the Twelfth Doctor didn't run into his previous self in this episode!

• The Doctor and Bill go off to explore the Frost Fair. Back in the TARDIS, its sensors pick up a massive life form under the ice. It displays a warning on its view screen, which of course goes unseen by the Doctor.

Gosh, it's too bad this ultra-sophisticated time and space machine doesn't have any way to remotely warn him of danger. Some sort of communication system, like, oh, I don't know... a phone maybe? The TARDIS took the phone of a police call box, and even has a goddamned working telephone in it!

• In the street urchins' hovel, the Doctor entertains the kids by reading to them. His story choice isn't a particularly pleasant one, as he reads from the 1845 German book Der Struwwelpeterabout a tailor who cuts off the thumbs off naughty children with a giant pair of scissors!

Since the book came from 1845 and the Doctor's currently in 1814, I'm assuming he carries a copy of it around with him in his infinite Time Lord pockets.

• When Bill sees the boy fall through the ice and die, she lashes out at the Doctor for not doing anything to save him. She accuses him of not caring, which he assures her is not true. He tells her that sometimes it just isn't possible to save everyone, and he has to move on. It's the best part of the episode, and one of the best I've seen in the entire series.


Later on, Bill tries to get everyone off the ice and save them before Lord Sutcliffe detonates his explosives. She manages to get most of the people to safety, but realizes it's impossible to save them all. It's then and there that she realizes what the Doctor was trying to tell her.

It's a small little moment, but an important and very effective one.

• After they return to the present, Bill does an internet search for historical info regarding the giant creature they just freed.  A couple things here:


First of all, she uses the Search-Wise search engine to look for historical records. It's been a while since we saw Search-Wise, which last popped up in Rose, the first episode of the revived series. It's a fake search engine of course, used so the BBC doesn't have to pay licensing fees to Google or Bing.

Secondly, Bill's puzzled as to why there's no mention of a miles-long creature sailing down the Thames in 1814, and why it wasn't headline news. The Do
ctor says, "Never underestimate the collective human ability to overlook the inexplicable. Also, the Frost Fair involved a lot of day drinking."

This isn't the first time the Doctor's mentioned the human race's short memory. In Remembrance Of The Daleks, the Seventh Doctor's companion Ace notes that there's no record of the Zygon's robotic Loch Ness Monster. He tells her, "Your species has the most amazing capacity for self-deception!"

In the nonsensical and execrable In The Forest Of The Night, the Doctor tells Clara, "The human superpower is forgetting extraordinary events."

• At the end of the episode, Nardole visits the mysterious vault under the college and has a one sided conversation with the occupant. We hear a series of knocks coming from inside the vault, so chances are the Doctor's got his arch enemy the Master locked up inside it. Makes sense right, especially after the events of The Sound Of Drums? Plus the trailers have shown us that at least one version of the Master (and possibly more) is showing up this season, so he/she seems like the likeliest candidate.

Of course that's probably what the writers want us to think, and the occupant of the vault could be someone completely different. I'm too worn out from The Flash's Savitar storyline to deal with another mystery right now.

• This Week's Best Lines:
Bill: (after arriving in 1814 instead of the present) "Hang on, why aren't we home? Can't you steer this thing?"
The Doctor: "I told you. You don't steer the TARDIS, you reason with it."
Bill:"How?"
The Doctor:"Unsuccessfully, most of the time She's a bad girl, this one."

Bill:"So, what are the rules?"
The Doctor:"Rules?"
Bill: "Yeah. Travelling to the past. There's got to be rules. If I step on a butterfly, it could send ripples through time that mean I'm not even born in the first place, and I could just disappear."
The Doctor:"Definitely. That's what happened to Pete."

Bill: "Pete?"
The Doctor:"Your friend, Pete. He was standing there a moment ago, but he stepped on a butterfly and now you don't even remember him."
Bill: "Shut up! I'm being serious!"
The Doctor:"Yeah, so was Pete."
Bill: "You know what I mean. Every choice I make in this moment, here and now, could change the whole future."
The Doctor:"Exactly like every other day of your life. The only thing to do is to stop worrying about it."
Bill: "OK. If you say so."
The Doctor:"Pete's stopped worrying."

Bill: (at the Frost Fair) "I hope you realise I'm going to try everything. Everything!"
Frost Fair Vendor:"Tasty ox cheek, piping hot! Lapland mutton! Lapland mutton, cooked right on the ice! Get your sheep hearts here! Juicy, juicy sheep hearts!"
Bill:"Yeah Maybe not everything."

Bill: (after seeing strange lights under the ice) "Are there side-effects to time travel? Like, physical symptoms?"
The Doctor: "Oh, yeah. Yeah, yeah Sometimes you see lights under the ice."
Bill:"OK, so you've seen the lights."
The Doctor:"Of course."
Bill:"Well, why didn't you say something?"
The Doctor:"Well, you're enjoying yourself. I assumed we'd get to work eventually."

Bill: (chasing after the street urchins) "The boy's the one with your magic wand!"
The Doctor:"Sonic screwdriver."
Bill: "How is that a screwdriver?"
The Doctor: "In a very broad sense."
Bill: "How's it sonic?"
The Doctor: "It makes a noise."

The Doctor: "What's wrong?"
Bill: "What's wrong? Seriously, 'What's wrong?' I've never seen anyone die before!"
The Doctor: "A few hours ago, we were standing in a garden full of dead people."
Bill:"That was different."
The Doctor: "How?"
Bill:"They were dead already."
The Doctor: "Morally and practically, that's not a useful distinction. Unlearn it."
Bill:"Don't tell me what to think! "
The Doctor:"I'm your teacher! Telling you things is what I do."
Bill: "Yeah? Tell me this: You've seen people die before, yeah?"
The Doctor: "Of course."
Bill: "You still care?"
The Doctor:"Of course I care."
Bill: "How many?"
The Doctor: "How many what?"
Bill: "If you care so much, tell me how many people you've seen die?"
The Doctor: "I don't know."
Bill: "OK. How many before you lost count?"
The Doctor: "I care, Bill, but I move on."
Bill: "Yeah? How quickly?"
The Doctor:"It's not me you're angry with."
Bill:"Have you ever killed anyone? There's a look in your eyes sometimes that makes me wonder. Have you?"
The Doctor: "There are situations when the options available are limited."
Bill: "Not what I asked!"
The Doctor: "Sometimes the choices are very..."
Bill: "That's not what I asked!"
The Doctor: "Yes."
Bill: "How many? Don't tell me. You've moved on."
The Doctor: "You know what happens if I don't move on? More people die."

Bill: (to Kitty) "The Doctor he helps people. That’s what he does."
Kitty: "And you? What do you do? Apart from shout at him?"
Bill: "We were fighting. It happens."
Kitty: "Are you still fighting now?"
Bill:"No. I moved on."

Bill: (talking to the street urchins) "So, this guy, where would we find him?
Urchin:"He finds us."
Bill:"But a tattoo on his hand. I mean, we could ask around?"
The Doctor:"Boring! I know something that’s much easier to find."
Bill:"Where are we going?"
The Doctor:"All right, you guys, hang tight! Laters!"
(the kids look quizzically at one another)
The Doctor: "I was being all 'down with the kids' there, did you notice?"
Bill:"Yeah, my hair was cringing!"
The Doctor: "Awesome!"
Bill:"Please, stop!"

Bill: (after finding out they're jumping into the Thames in diving suits) "But we’re not going to be completely defenseless down there, though?"
The Doctor: "No, no, no... Well, yes. But don’t worry about it."

The Doctor: (to Street Vendor) "Have you ever seen a man around here with a tattoo of a ship? What’s that face? Is that a 'no' or are you against tattoos? I’m against tattoos, too. I think that we’re bonding!"

Foreman: (explaining how the creature's poop is turned into highly volatile fuel) "I keep my ear to the ground."
The Doctor:"And what is the ground saying these days?:
Foreman:"That this stuff burns a thousand times longer than coal?"
The Doctor:"Very good."
Foreman:"Hotter, too. Hotter than they can measure."
The Doctor: "Excellent! First class."
Foreman: "I’m right, aren’t I, sir?"
The Doctor: "Oh, there’s no stopping you. You keep this up, you won’t be working in this yard for very long."
Foreman:"You think not?"
The Doctor: (ominously) "I can almost guarantee it."
(it most definitely felt like Peter Capaldi was channeling Tom Baker's Fourth Doctor here, which is a good thing!)

The Doctor: (to Lord Sutcliffe) "I preferred it when you were alien."
Sutcliffe:"When I was?"
The Doctor: "That explained the lack of humanity. What makes you so sure that your life is worth more than those people out there on the ice? Is it the money? The accident of birth that puts you inside the big, fancy house?"
Sutcliffe:"I help move this country forward. I move this empire forward."
The Doctor: "Human progress isn’t measured by industry, it’s measured by the value you place on a life. An unimportant life. A life without privilege. The boy who died on the river, that boy’s value is your value. That’s what defines an age. That’s what defines a species."
Sutcliffe:"What a beautiful speech. The rhythm and vocabulary, quite outstanding. It’s enough to move anyone with an ounce of compassion. So, it’s really not your day, is it?"

The Doctor:"I don’t know the answers. Only idiots know the answers."

Marvel's Agents Of S.H.I.E.L.D. Season 4, Episode 20: Goodbye, Cruel World!

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This week on Agents Of S.H.I.E.L.D., The Framework storyline is seemingly wrapped up, as the agents finally manage to escape from the virtual world. Well, almost all of them. oddly enough there are still two more episodes to go in the season, so even though they're out of The Framework, they ain't out of the woods yet.

When this Framework storyline started, various old characters on the show began popping up in the virtual world. Trip, Bakshi, Burrows and even Grant Ward. I said that this story arc would be the perfect opportunity to bring Mockingbird and Hunter back for a couple of guest appearances. Sadly, that didn't happen.

A couple weeks ago I noted that Mack's daughter Hope was alive and well inside The Framework, and wondered if he'd want to leave her when the time came. Welp, looks like I was right. This week he declines to return to the real world with Daisy and the others, preferring to stay in The Framework with his fake daughter. Don't worry, I'm sure he'll eventually come back. There's no way they're gonna leave him in there from now on.

Where the hell was Framework Ward in this episode? He was conspicuous by his complete and total absence. The last time we saw him was in the previous episode, where he was preparing to sacrifice himself to make sure Coulson's call to arms TV message was broadcast.

He's too important a character to just fade away like that without a final appearance. I have a feeling that despite how it appears, we haven't seen the last of him.

Lastly, at the end of the episode, they said something about the "season finale." Note that they didn't say "SERIES" finale. So I'm taking that as a hopeful sign that Agents Of S.H.I.E.L.D. will be back for a fifth season.

SPOILERS!

The Plot:
We flash back to a few weeks ago, as Daisy and Simmons are about to hack into The Framework onboard Zephyr One. They warn Yo-yo and the handful of remaining S.H.I.E.L.D. agents NOT to yank them out of the virtual world, or their brains will be fried. A whopping TEN DAYS then pass (!), and the plane's STILL flying around, as Daisy and Simmons are STILL in The Framework.

In the present, the S.H.I.E.L.D. agents discuss the situation, saying they're almost out of fuel and can't stay aloft much longer. One of them suggests that if they deactivate their cloaking device, it'll make their power last a bit longer. Yo-yo agrees, and shuts off the cloak.

Inside The Framework, Simmons and Trip return to the Resistance/S.H.I.E.L.D. base. Daisy's amazed to see Trip alive and well inside the virtual world and hugs him. She realizes he has no idea who she is and apologizes. Simmons tells Daisy about AIDA's plan to create an organic body for herself in the real world. Once she transfers her mind into this new body, she'll be freed her from her programming and be able to kill them all.

Daisy tells Simmons about Radcliffe's secret way out of The Framework, and says they need to get everyone there so they can exit immediately. Simmons says she can't leave without Fitz, but Daisy says it's impossible to reach him while he's sitting in the middle of the Hydra Triskelion. She promises once they're back in the real world, they'll figure out a way to save him.

Daisy goes to get Mack, and sees him leaving the Resistance with his daughter Hope. She tells him he can't leave, and makes up an excuse to get him to accompany her on a "special mission." He's reluctant to go, but eventually agrees. Coulson explains the concept of The Framework and the real world to May. Needless to say, she's skeptical.

Meanwhile at Hydra, Fitz interrogates Radcliffe, trying to find out where he placed The Framework's back door. When Radcliffe refuses to talk, Fitz tells him about Project Looking Glass. He says he knows Radcliffe's dead in the real world, and the Project could create a new living body for him. He could live forever in the real world, if only he'll talk. The temptation is seemingly too much for Radcliffe, and he agrees.

Simmons chats with May, who mentions Fitz's father Alistair. This is the first time Simmons has heard that Alistair's inside The Framework (Really? I could swear she already knew that, but whatever), and she realizes he's the one who turned Fitz into a supervillain. With May's help, she tracks down Alistair's address and appears at his home, holding him at gunpoint.

Simmons orders Alistair to call Fitz and tell him to meet them at the house, so she can try to fix him. Alistair calls Fitz, who's on his way to intercept the Rebellion at The Framework's back door. Alistair tells Fitz that he loves him, then throws the phone at Simmons. He attacks her and they struggle. Fitz listens intently on the phone, and hears a gunshot.

Daisy tries to round up everyone so they can exit The Framework. She can't find Simmons, and May tells her she went to see Alistair. Fitz and his Hydra goons arrive at Alistair's house, and find him dead on the floor. The Hydra soldiers start to search the neighborhood for Simmons, but Fitz calls them back, saying he knows where she's going.

In the real world, Yo-yo and the others nervously wait for Daisy and Simmons to wake up. Suddenly Zephyr One is attacked by one of the Superior's planes. Unfortunately they don't have enough power to fire back. The agents realize deactivating the cloaking device was a bad idea.

Simmons returns to the S.H.I.E.L.D. base, upset that she killed Alistair. Daisy reminds her that she didn't actually kill anyone, and all she did was "make some ones and zeroes disappear." Simmons worries that Fitz will never listen to them now, and she's lost him forever.

Meanwhile, AIDA, aka Madame Hydra, is informed that Alistair's dead. She orders Fitz to return to the Triskelion immediately. He receives the order but rejects it, determined to meet Simmons at the back door of The Framework and kill her.

Daisy and the others finally prepare to leave. She says goodbye to Trip, and encourages him to become the new Patriot. She, Coulson, May, Simmons and Mack take off for the back door of The Framework. According to Radcliffe, it was supposed to be in a secluded spot in a park. Apparently AIDA discovered its location and rearranged the virtual world so it's now inside a steel mill.

The group lands in the mill and search for the door. Unfortunately it's now under a pool of molten steel, which they can't penetrate.

AIDA's secretary reports that Fitz received her message to return, but ignored it. AIDA's furious, and orders Project Looking Glass to proceed. A group of scientists wheel in a device that scans her. In the real world, the Project Looking Glass device begins weaving her a new, organic body.

In the mill, the S.H.I.E.L.D agents wonder what to do next. Daisy tries quaking the molten pit, which disrupts the digital world and reveals a deep portal. Suddenly Fitz's forces arrive. Both sides begin firing at one another, and the S.H.I.E.L.D. agents manage to wipe them all out.

Daisy quakes the portal again, and Coulson starts to jump through it. Suddenly he's shot several times by more Hydra agents. May kills them all, and tends to Coulson. She tells him she'll get him help, but he says to push him through the portal now, before he dies on this side. May's reluctant, as she still doesn't believe all the real world stuff. She helps him up, and he pitches forward. He falls into the portal and disappears. As he does so, shockwaves ripple through The Framework, momentarily revealing the wireframe it's built around. Mack looks at himself and the world around him, realizing that Daisy was right, and his world isn't real.

In the real world, Coulson gasps and removes his headset. He jumps off his table and stands in front of May, practically willing her to hurry up and follow. Suddenly May wakes up as well, indicating she jumped through the portal. He sees the unconscious AIDA hooked up to The Framework, and grabs a scalpel.

Somewhere in the real world (on the Superior's oil platform?), AIDA's new body is almost complete...

In The Framework, Daisy quakes the pit and tells Simmons she's up next. As she starts to jump in, she's grabbed by Fitz, who pulls her into an office. She apologizes for killing his father, and pleads with him to follow her into the portal so she can save him. He orders her to her knees, but she refuses. He then shoots her in the leg, forcing her to kneel. He holds his gun to her head and orders her to say, "I am nothing to you."

Suddenly Radcliffe punches Fitz in the face and takes his gun. He apologizes to Simmons for everything he's done, and says pretending to go along with Fitz was the only way he could think of to get him out of The Framework. They toss Fitz into the portal, and then Simmons jumps through as well.

Simmons wakes on Zephyr One, as she wasn't hooked up to The Framework by AIDA. The plane rocks and shudders, as the Superior's forces continue their attack.

Back in The Framework, Daisy tells Mack it's his turn. He asks about his daughter Hope, and if he'll see her in the real world. Daisy tells him no, that Hope isn't alive there, and was someone AIDA created here inside The Framework. Mack says he can't leave her, and decides to stay. Daisy begs him to come with her, but he refuses.

Daisy jumps through the portal and wakes up on Zephyr One. Yo-yo asks about Mack, and Daisy tells her he's staying behind. Meanwhile at AIDA's HQ, Fitz is awake and freaking out over what he did in The Framework. Coulson tries to calm him down. We see AIDA's robot body crumpled in the corner, her severed head lying nearby (!).

Suddenly the new, flesh and blood AIDA appears, marveling at her new sensations. She sees Fitz and greets him. May grabs a gun and tries to shoot her, but Fitz is in the way. Coulson yells for her to take the shot anyway. Suddenly AIDA grabs Fitz and they teleport away, which is apparently a thing she can do now. I guess she gave her new body super powers while she was at it?

Mack returns to the Resistance base inside The Framework, where Trip is babysitting Hope. She wakes and asks Mack what happened to "Skye" and all the other agents. He says they went back to Kansas, like Dorothy did in The Wizard Of Oz.

Thoughts:
• According to the on-screen caption at the beginning of the episode, Daisy and Simmons have been inside The Framework for TEN days. All while Yo-yo and the other S.H.I.E.L.D. agents have been flying them around the world non-stop in Zephyr One. A couple things here.

First off, most jets can fly about for around eighteen hours on a standard load of fuel (it varies depending on the type of jet, its speed, etc). They can extend their time aloft to around forty hours with periodic mid-air refueling. 
Supposedly the agents we see onboard Zephyr One are the last members of S.H.I.E.L.D., so it's unlikely anyone's going to come by and refuel them. It doesn't matter anyway, because once a jet hits the forty hour mark, the engines run out of oil and will burn up if they don't land.

Maybe S.H.I.E.L.D. powers its planes with something besides jet fuel? If that's the case, then I suppose it might be possible to be aloft for ten days.

Secondly, I was surprised to hear that Daisy and Simmons have been inside The Framework for so long. I kind of figured time would move much faster inside the virtual world, so that one Framework day would equal maybe an hour in the real world.

Lastly, Daisy and Simmons have been lying on those tables for ten whole days. I hope someone's been feeding them somehow, and um... cleaning up after them!


• At the Resistance HQ, ex-Hydra Agent Melinda May does her part by passing out blankets to some Inhuman refugees. Say, Agent May, you know what would be a good idea? How about after you switch sides, you stop wearing the uniform of the oppressive enemy organization you used to work for? That way the people of the Resistance wouldn't be so terrified, and might be a bit more inclined to  trust you.

• As Daisy's preparing to leave for The Framework's back door, she takes time to say goodbye to Trip. She encourages him to take up Mace's mantle and become the new Patriot.

It's a nice little scene, but what's the point of trying to inspire him? Is she just being nice here, and trying to make him feel better for some reason? Surely she knows The Framework's likely going to be switched off at some point, at he'll cease to exist, right? Or do they plan to leave it running, so as not to "kill" all the simulated people inside?

• Inside The Framework, AIDA has her minions scan her body with a high tech device. This scan is then emailed to the real world, where it's used by Project Looking Glass to build her a real flesh and blood body.

I'm assuming it's not an EXACT scan, since her Framework body currently has a shattered spine. Obviously after the procedure, somebody must have edited the scan a bit to give her a fully functioning spinal column.


By the way, that was one freaky-ass visual when Project Looking Glass started knitting AIDA's new body!

• AIDA reprograms The Framework so that the back door is no longer in a park, but under a pit of molten steel. The S.H.I.E.L.D. agents are now trapped, as they can't penetrate the pit and go through the portal.

At first I couldn't figure out why this would matter, but after thinking about it more I think I finally understand. The molten pit probably had a solid bottom to it, which covered up the portal, so they couldn't go through. Even if it didn't have a bottom, jumping into molten steel would likely be fatal, and they'd die a split second before entering the portal, and then they'd die in the real world too.

So kudos to the writers, for thinking of an effective barrier for exiting The Framework.

• Oddly enough, the steel mill seems to be fully functioning, as there's an active pit of molten steel in it. Yet it seems to be completely devoid of workers. I guess this is one of those incongruities we can chalk up to The Framework not being a completely perfect world.

• In the real world, Daisy can't use her quake power for long without her protective gauntlets, or her bones will be vibrated into dust. I guess she doesn't have that problem in The Framework?

• This is the second time S.H.I.E.L.D. agents have had to save themselves by diving through an interdimensional portal. Last time it happened was in Season 3, in Maveth.

• For weeks now I've been wondering just where in the real world AIDA's Framework machine is located, and where she's holding Coulson and the others. This week I think I finally figured it out it's in the Superior's oil rig! 

See, last week Simmons and Trip went to the oil rig inside The Framework, to find Project Looking Glass. It wasn't there, and Simmons realized it was actually being built in the real world, so AIDA could construct a human body for herself.

And that's just what happens this week. We see the Looking Glass device knit a real, flesh and blood body for her inside the oil rig. Seconds after it's finished, she downloads her mind into her new body, then wanders into the Framework room, where she confronts Coulson and the others.

It's entirely possible that they mentioned this in a previous episode, but if they did I didn't notice it. And I'm sure many other viewers figured this out weeks ago, but I just didn't pick up on it until now.

• So about AIDA's new human body. She can apparently now teleport, and may or may not have additional powers. Did she tweak a few lines of genetic code while her new body was being built, and turn herself into an Inhuman? That'd be an interesting twist, considering she spent all of her time inside The Framework hunting them down.

• As I expected, Mack can't bear to leave his fake daughter Hope, and chooses to stay with her inside The Framework. At one point he tells Daisy to leave without him, saying, "I don't want to live in a world without hope." Ouch! I just sprained my eyeballs rolling them so hard.

It's left up to the viewer to decide whether Mack meant "hope" or "Hope."

• Daisy tries to get Mack to come back to the real world with her, but he refuses. She seems powerless to stop him, and ends up returning by herself.

Here's an idea. What if she told him The Framework is likely to be switched off at some point in the near future, and if he's still hooked up to it when it is, he's going to die in both the virtual and real worlds. Maybe that would have lit a fire under his ass.

• Now that Project Looking Glass is a thing, I foresee a ninety five percent chance that Framework Ward is going to scan himself, have a new body constructed and live out his life in the real world. It would be a clever way and logical way for the character to return to the show.

In fact, I wouldn't be surprised if Hope doesn't get scanned as well, so she and Mack can be together in the real world as well.

The Flash Season 3, Episode 20: I Know Who You Are

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Sorry this review is so late, but it was unavoidable. For the past three years I've been watching The Flash over the air on my local The CW station, Channel 7. This past Tuesday I sat down to watch it, and Channel 7 was just... gone.

All the other channels were still there, but for some reason that one wouldn't come in. I have this stupid indoor antennae that looks like a black plastic placemat, and I moved it all over the room trying to pick up the signal, but no dice. I even called the station to see if they were having technical difficulties, and they had no idea what I was talking about. 

Apparently sometime in the past week, someone erected a fifty story, lead-lined building between my house and the Channel 7 broadcast tower. So I didn't get to watch The Flash on Tuesday, and had to scramble to find an alternate source, hence the delay. I guess I'm gonna have to invest in a bigger and better antennae. Or move to a new house with better reception.


This week on The Flash, we finally, at long freaking last, learn the true identity of Savitar. It's about goddamned time too! I like mysteries as much as the next person, but this one was dragged out wayyyy too long. As I said last week, I hoped they revealed the secret soon, because I was about five seconds away from no longer giving a sh*t.

MASSIVE SPOILERS FROM THIS POINT ON, INCLUDING DISCUSSIONS OF SAVITAR'S TRUE IDENTITY! PROCEED AT YOUR OWN RISK!

Welp, I've been trying to guess Savitar's identity for weeks now, and named virtually everyone on the show as a possibility, including Barry. I'm not gonna say I called it though, because every week my choice of prime suspect would change. First I was sure it would be Wally, then I started suspecting HR, then Barry, Julian and even Eddie Thawne and Ronnie Raymond!

The writers laid the clues right out in the open for us all season. The biggest one of course came back in The Wrath Of Savitar. In that episode, Julian channeled Savitar, who spelled out a series of prophecies for the Gang, and ended with the somewhat cryptic statement, "I am the Future Flash!" 

There was much online debate over what Savitar actually meant here. Was he saying, "I am the future, Flash" with a big ol' comma? Or was he declaring his identity by saying, "I AM THE FUTURE FLASH!" We now know it was the latter. This is why punctuation is important, kids!

I'm not particularly crazy about the Barry As Savitar revelation, especially since it doesn't make any sense (more on that in a bit). I think Eddie Thawne would have been a much better candidate, and it would have been a cool way to bring him back to the show. Ah well.

The idea of introducing yet another Future Barry after we just met Future Barry in 2024 a couple weeks ago is a bit silly, and more than a little confusing. I guess this version is Future Future Barry?

The way Cecile suddenly received so much prominence this week, I was half expecting her to climb out of the Savitar armor at the end! That didn't happen of course, but I'm convinced the writers were using her as a last-ditch red herring.

Actually I think there's another reason why the show's desperately trying to remind us that Cecile exists. I'm calling it right now— she's going to get the spear through the heart instead of Iris in the season finale. Check back and see if I'm right.

I like this Killer Frost story arc, as she's one of the coolest (heh) and most kick-ass villains the show's ever had. The writers seem reluctant to let her cut loose and actually kill though. No doubt because that would taint the legacy of the Caitlin Snow character and prevent her from returning to Team Flash. 

I actually wouldn't mind seeing Killer Frost become the Big Bad of Season 4, but I know it'll never happen. The writers aren't that bold, and will no doubt restore Caitlin sometime in the season finale.

This week we're introduced to brand new character Tracy, er, Brand. It seems awfully late in the season to be adding new characters to the show, but what do I know?

On the other hand, what if the sudden appearance of Tracy Brand means the writers are grooming her as Caitlin's replacement, and Killer Frost is here to stay? That would mean HR is probably going to stick around too. That would be a first, as so far each season of the series has featured a completely different version of Harrison Wells.

Man, I swear, eighty percent of this week's budget must have gone toward writing pep talks for the characters. I counted at least five of them. HR gives Tracy Brand two, possibly three, Barry gives one to Joe and Julian gives a big "I believe in you, mate" to Cisco. It's grating enough when we get the requisite one pep talk each week, but five in the same episode is intolerable.

FINAL SPOILER WARNING!

The Plot:
We begin with Barry confronting Savitar on a deserted street as he says, "I know who you are!" Houston, we have a title!

But because the writers need to drag this mystery out as long as humanly possible, we then cut back to a few hours earlier. Joe and Cecile return from a run. Cecile's training for a marathon, and talks about needing to shave thirty seconds off her time, in an effort to make us wonder if SHE'S really Savitar. Joe makes a joke, and she casually says she loves him, which freaks him out. Fortunately for him he gets a call from Team Flash, and heads for STAR Labs.

At STAR, Barry fills the Gang in on his trip to the future last week. He tells them about Tracy Brand, a scientist who will eventually invent a way to trap Savitar in the Speed Force, and says they need to find her pronto.

Barry, Cisco and HR track Tracy down at Central City University. She's nothing like they expected, as she's scatterbrained, clumsy and disorganized. She says the university rejected her work, and Barry gives her Patented The CW Pep Talk #1, telling her not to let the "naysayers" get her down, as she's brilliant. He mentions her paper on "relativistic quantum mechanics and its application to inter-spatial theory to manipulate matter on a subatomic level," and quickly realizes that was a mistake, as she hasn't published it yet.


Before he can explain, Killer Frost appears and fires a deadly icicle at Tracy. Barry's able to shove her out of the way in time, and after a brief battle, Killer Frost leaves. Barry takes Tracy to CCPD to file a police report, though I can't for the life of me understand why. Barry tries to get her to stay at the station for her own protection, but she refuses and leaves. At the station, Cecile talks with Joe and says she's worried that confessing her love freaked him out.

Killer Frost meets with Savitar, who says she's not living up to her name. He orders her to kill Tracy Brand— or else.

Tracy goes to Jitters, and HR just happens to show up to keep an eye on her. He impresses her with his knowledge of her theoretical work (with the help of Cisco and Julian, who are feeding him info through an earpiece, Cyrano de Bergerac-style. Barry and Joe are also staking out Jitters, to protect Tracy from Killer Frost. Joe frets about bringing Cecile into the Team Flash fold, and Barry gives him Patented The CW Pep Talk #2, saying he needs to tell her soon or risk losing her.

Tracy tells HR that she's been studying speedsters, and she thinks they draw their powers from some energy source. HR says, "Like a Speed Force?" Tracy says that's exactly right, and the two begin hitting it off. HR takes a sip of his coffee, and sees it's frozen.

They rush outside, which seems like a bad idea, as Killer Frost appears and fires another icicle at Tracy. Barry saves her again, and Killer Frost forms an ice slide to zoom away, which may be the coolest thing this show's ever done. Barry chases her through the city, but apparently Killer Frost is somehow now at least as fast as he is, if not faster.

Barry radios Cisco and says he's going to try and herd Killer Frost toward him, and to be ready to blast her with a vibe. As she heads toward Cisco, he starts to vibe her, but hesitates. She fires a blast of ice at him. Barry manages to knock him out of the way, but is hit by the ice blast and falls down a staircase into the subway. Killer Frost follows, stabs him in the leg with an icicle and gets away.

Back at STAR Labs, Team Flash decides they have no other choice and bring Tracy in. They tell her everything that's going on, and
 how she's destined to invent a way to trap Savitar inside the Speed Force, and that they need her to do it like, right now, in order to save Iris. She flees from the building in a panic, and rightly so.

Julian asks Cisco why he didn't vibe Killer Frost and stop her when he had the chance. He says she's his best friend, and he's afraid of accidentally killing her. Barry asks Joe if he's told Cecile about Team Flash yet. Joe says no, as she's the only thing in his life that's still normal. 

HR tracks down Tracy, who's sitting in front of a statue of Galileo at the university. He brings her another cup of her favorite coffee, and instead of calling the police on this creeper who keeps following her around, she sits and talks with him. She says the revelation about her future was too much for her, and she needed time to clear her head. HR gives her Patented The CW Pep Talk #3, saying he "believes in her." Oy. The return to STAR Labs.

Meanwhile, Cecile visits Joe at his house to talk about what happened earlier in the day. Joe tells her his life is "really complicated" right now, and thinks they should stop seeing one another (!). Wow, I thought Barry was an idiot when it came to his love life, but Joe just gave him a serious run for his money. Ger it? Run for his money? Eh? Cecile's understandably upset and angrily leaves, which I'm sure was meant to make us think she's running off to put on her Savitar suit.

A second after Cecile leaves, there's a knock on Joe's door. He opens it and sees Killer Frost holding a deadly sharp icicle at Cecile's throat. Again with the icicles! She gives him an address, and tells him to bring Tracy there or she'll kill Cecile.

Back at STAR Labs, Julian gives Cisco Patented The CW Pep Talk #4, saying he believes in Cisco, and is confident he can stop Killer Frost without killing her.

HR asks Tracy if she can help them with something dangerous. Cut to yet another abandoned warehouse somewhere in Central City, as the Flash and Joe wander in with Tracy. They see Cecile tied to a chair, as Killer Frost appears and tells them to hand over Tracy. 

Barry tells her she doesn't have to do this, going on and on about how they're family. Killer Frost mocks him, saying every word a split second before he does. When Barry asks how she's doing that, Killer Frost says Savitar told her everything he'd say. She says, "You two are more alike than you know." Hmm...

Killer Frost also says she knows about the explosives that Team Flash SOMEHOW hid in the rafters, where Cisco is hiding. She blasts the explosives, setting them off. Cisco vibes himself out of harm's way just in time. Killer Frost shoots an ice blast at Joe, and Barry jumps in front of him to absorb it. He's encased in ice and incapacitated.

She then turns her attention to Cisco and attacks him. They fire their blasts at one another, which are somehow evenly matched for a while. Finally Cisco's had enough and turns up his power to eleven, blasting Killer Frost across the room and knocking her out. He takes a sample of her blood so Julian can synthesize a cure in the season finale. Suddenly Savitar appears, scoops up the unconscious Killer Frost, and leaves. Um... why didn't he just go ahead and kill Tracy while he was at it?

Back at STAR Labs, Julian takes the blood sample and says he may be able to synthesize a cure in the season finale. HR flirts with Tracy some more. She says she thinks Savitar wears protective armor because he needs it to protect himself from the enormous energies his extra super speed generates. She says she thinks she can alter the suit to trap him within the Speed Force. HR gives her Patented The CW Pep Talk #5 and says he knew she was a genius all along.

Joe and Cecile talk at the CCPD. He admits he tried to end their relationship because he didn't want her involved with all the Team Flash weirdness. He says that from now on there'll be no more lies between them, and tells her everything— including Barry and Wally's secret identities!!! Hey, why not? The whole city already knows, so what's one more person?

Joe goes home, where Barry and Iris are relaxing on the couch. Wally returns from his Earth-3 booty call, and tells them Jesse says hi. Joe informs them that he told Cecile everything, because "Love's the only thing we got in this world, and who knows what we'd become if we didn't have it?" For some reason, this causes Barry to start having flashbacks to every time he's encountered Savitar all season. 

He sees Savitar saying, "You did this to me, Barry" and "I created myself." He sees Killer Frost saying, "Savitar told me everything you'd say. You two are more alike than you realize. He's always one step ahead of you." He sees Cisco saying, "This wasn't just brushing up on days to come. This was precise. Like Savitar was there." And he sees Julian channeling Savitar, saying, "I am the future Flash."

Barry excuses himself and zooms out of the house, as we catch up to the beginning of the episode. He confronts Savitar on a deserted street and says, "I know who you are!" Savitar kneels down and his suit opens up. A future version of Barry Allen steps out, the right side of his face horribly scarred to indicate he's eeeeevil
. He says, "Like I told you from the beginning... I am the Future Flash."

Thoughts:
• It's tough to write a time travel story that isn't riddled with plot holes and actually makes sense. For example, last week Barry traveled seven years in the future, and encountered his older self. When Present Barry asked this Future Barry who Savitar was, he said he didn't know, as he still hadn't found out. So far, so good.

However, this week we see that Present Barry figures out that Savitar is really a future evil version of himself. If 2017 Barry knows Savitar's identity, then 2024 Barry should know it as well.

I suppose you could blame this massive plot hole on Barry's constant screwing with the timeline. Maybe his actions erased that 2024 version of himself that didn't know anything. But if that's true, then 2024 Barry wouldn't have been able to give 2017 Barry info about Tracy Brand, so we're right back where we started.

See? I told you writing coherent and logical time travel stories is hard!

• Another time glitch: Savitar's from the future, so he knows Tracy Brand is the person who will eventually invent the method that traps him forever in the Speed Force. So why is he just now deciding she has to be eliminated? Why didn't he killer her years ago, before the Flash became a threat to him? Why not kill her when she was a kid? Or wipe out her parents and prevent her from ever being born?

Answer: Because the writers just now thought of Tracy Brand and the Speed Force Prison idea. 

• Another missed opportunity for Savitar at the end of the episode, Barry, Cisco, Tracy, Joe and Cecile are all standing around, looking down at the unconscious form of Killer Frost. Savitar rushes in, and even though he wants to kill Tracy and she's right there, he leaves her alone as he scoops up Killer Frost and zooms away.

Um... why the hell didn't he take one ten millionth of a second to kill Tracy before making off with Killer Frost? And why the hell is he sending Killer Frost after her in the first place, instead of killing her himself? To give Killer Frost more screen time?

And while we're at it, why is Savitar waiting until a specific date in May to kill Iris? Now that Barry knows about this deadline, he's doing everything in his power to stop it. Why doesn't Savitar just kill her now, while no one's expecting it and their guards are down?

The answer is that the writers have backed themselves into a corner here, with no good way out. They've made Savitar too powerful. He's faster than Barry and Wally combined, and could easily snap the necks of everyone in Central City in between blinks. The writers can't think of a good reason why he wouldn't just do that, so they just kind of rush past it and hope we don't think about it too much either.


• At STAR Labs, Julian's angry, as he feels Team Flash isn't doing everything in their power to find Caitlin/Killer Frost. He says, "Right, so what is Wally doing swanning off to Earth-3 to be with his girlfriend?"

That's a good point, Julian. Isn't there kind of a crisis going on, what with Savitar and Killer Frost being on the loose and all? Plus wouldn't he maybe want to spend as much time as possible with his sister, before her potential death in May? Is this really the best time for an interdimensional booty call? Because obviously that's why he went, right?

I could almost understand this if there was some kind of scheduling conflict, and actor Keiynan Lonsdale was unavailable for filming and needed to be hastily written out this week. But later on he pops up at the end of the episode! Weird.


• Back in Shade, the Gang decided to tell HR that he has the same face as wanted murderer Harrison Wells here on Earth-1. This means that HR can't ever leave STAR Labs, or he'll be arrested on the spot. Instead of killing Cisco and the Gang for putting him in such an unpleasant situation, HR simply uses some kind of Earth-19 morphing tech to alter his face, so he can safely move about on Earth-1. I know, it's kind of confusing.

So when HR starts flirting with Tracy, which face is she seeing? Is she seeing his morphed face, or his Harrison Wells murderer face?

Now that I think about it, this morphing face deal caused a huge plot hole a couple weeks ago in The Once And Future Flash. In that episode, we see HR in the year 2024, reading from his latest romance novel to a crowd of adoring MILFs (well, that's what they are). 

On the back of the dust jacket, we see a publicity photo of HR's true face. So... did no one in 2024 notice that this writer has the exact same name and face as a wanted killer? There's no statute of limitations on murder, so Harrison Wells would still be wanted even in 2024. Whoops!

I have a feeling the writers hoped we'd all forgotten about the whole "morphing face" thing by now.

 Apparently Central City University has a Theoretical Physics program. I dunno just how big Central City is, but I get the impression it's a medium-sized place, with a population of well under a million. Probably about the size of Indianapolis or Louisville. I will let the reader decide if a city of that size would have a school with such an advanced program.

After Killer Frost attacks Tracy for the first time, we immediately cut to the CCPD. There Tracy apparently files a report, and describes Killer Frost to a police sketch artist.

Whose idea was THAT? Barry and Joe know all too well what Killer Frost looks like and who she is. So why go through the motion of involving a sketch artist? Or filing a police report, for that matter.


I guess maybe Tracy insisted on doing both, since that's standard procedure when someone tries to kill you? It still doesn't make much sense in the context of the episode though.

And how much do you want to bet that the "police artist" was a penciller at DC Comics?

• I've been pretty hard on The Flash costume designers this season, and with good reason. More often than not, they stick an actor in a tight-fitting, generic black leather suit and call it a day. Their costumes give new meaning to the word uninspired.

Credit where credit's due, they finally stepped up and gave Killer Frost a, well, killer looking outfit. Yeah, it's still leather, but it's kind of dark blue this time, and they broke up the usual catsuit with a short skirt and thigh boots. Kudos! See, guys? I knew you could do it if you stopped playing with your phones long enough to do some actual work.

• Killer Frost's "ice ramps" may be the coolest thing I've ever seen in a live action superhero TV show or movie. Lord knows how the miles-long ramps stay suspended in the air without breaking apart, but it was still pretty darned awesome.

One small nitpick here after Killer Frost takes off on her ice ramp, Barry chases after her. She actually manages to outrun him for a while. So that has to mean when she's skating along on her ramps, she's actually faster than the Flash, right?

Of course she borrowed this mode of transportation from Iceman of Spider-Man And His Amazing Friends fame, but it was still pretty awesome. Have we ever seen Iceman do this in any of the X-Men movies? I honestly can't remember.

• Earth-19 Watch:
On Earth-19, french fries are called "finger chips."

HR claims to have written a book there about motivational speeches, called All's Wells That Ends Wells.

Also, Albert Einstein may have been named "Norbert Einstein." Or not. Here's a snippet of conversation between Cisco and HR:

Cisco: "Ahh, the soul-sucking fluorescence of academia."

HR: "Yeah, this is exciting, though. It's like meeting Norbert before he was Einstein."
Cisco: "Albert."
HR: "Norbert Albert?"

I'm actually not sure what's going on there, or exactly what Einstein was called on Earth-19.

• Last week Future Barry gave Present Barry some kind of advanced flash drive containing info about Tracy Brand. I said I hoped Cisco would be able to figure out how to read the data on a storage medium that hadn't yet been invented.

This week we see that the storage device is actually self-playing. You push a button and it projects a hard-to-see hologram in the air in front of you.


The writers know I'm watching....

• Did Barry and Iris say a single word to one another in this episode? Weird. Eh, no need to talk to your fiancee, Barry. She's got a whole three months left to live.


• After Killer Frost kidnaps Cecile, she tells Joe to have Team Flash bring Tracy to an abandoned (of course) warehouse. Once there, Killer Frost says Savitar told her all about the explosives the Gang planted in the rafters.

Um... just how were they able to accomplish that? When did they have time to sneak into the warehouse and plant the explosives? And why would Savitar let them do it, if he's really Barry and knows that's what they're planning?

• Sigh... yet another person now knows Barry's identity, as Joe tells all to Cecile. I honestly don't know why Barry even bothers with a mask at this point. Joe even told Cecile about Wally too.

I wonder if Barry told Tracy as well? They bring her into Star Labs, but I think Barry had his mask on while she was there.

• OK, so at some point in the future, Barry— or some alternate Earth version of him— becomes Savitar. All season long, Savitar's been whining about how Barry "took everything from him," which I assume means Iris. So then why is Savitar trying to kill her? Seems like ANY version of Barry, past, present or future, would want to prevent her death, not cause it.

I'm not going to chalk this up as a mistake just yet, because they've still got two episodes left to come up with a satisfactory explanation for this. I ain't holdin' my breath though.

• You can tell Future Future Barry is eeeevil, because he has a giant facial scar. I'm honestly surprised they didn't give him a goatee.

• This Week' Best Lines:
Cecile: "The Central City Marathon is in two months, and I gotta shave... ooh! I still got half a minute I gotta take off my time.You?" 
Joe: "A lot more than 30 seconds. Look, I am going to wait for you at the end of the marathon."
Cecile: "No, you’re not pulling out of this thing."
(This wasn't really that great a line, but I have to admit my inner fourteen year old giggled at the "not pulling out" line. Sorry!)

Cisco:"So you've gone full-on Killer Frost, huh? New threads and everything."
Killer Frost: "No more pencil skirts for me."

Tracy: "See, I've been studying speedsters."
HR:"Oh?"
Tracy: "And so you know how, when they run, they generate a trail of lightning behind them?"
HR: "Lightning."
Tracy:"I don't think all of that is generated by them running. I think some of it comes from somewhere."
HR:"Mm-hmm."
Tracy: "Like, it's some sort of a... like a..."
HR: (tentatively) "Speed... Force?"
Tracy:"Yeah... Wait, That is a great term for it."
HR: "Well..."
Tracy:"Speed Force."
HR: "Thanks."
Tracy: "Anyway, so I've been doing some calculations."
HR: "Mm-hmm?"
Tracy:"I think there might be a way to manipulate it."
HR: "Mm-hmm?"
Tracy: "Maybe even control it."
HR: (again, tentatively) "Maybe even turn it into a prison?"
Tracy: "Maybe. Um, yeah."
HR: "Yeah, yeah. I mean, just a random thought."
(HR and Tracy were really great together in this episode, which makes me hope they both stick around for Season 4)

Barry: "So what, you're Savitar's lackey now?"
Killer Frost: "More fun to reign in hell and all that."
(apparently Caitlin's read Paradise Lost!)

Tracy:"Okay, and the the White Witch? I'm guessing you know why she's after me."
Iris: "Well, she's teamed up with an evil speedster from the future, and apparently you developed the technology to trap him for an eternity, so..."
Tracy: "You can't be serious."
HR: "Totally serious."
Tracy: "An evil speedster?"
Barry: "He calls himself Savitar."
Tracy: "Savitar? And he's from the future?"
Barry: "Yup."
Tracy: "And I build a trap for him? Me?"
Iris:"You."
Barry: "He wants to kill you before you build it. That's why he's sending Killer Frost after you."
Tracy: "Killer Frost? Her name is Killer Frost?"
HR: "Yeah."
Joe: "We know it's a lot to take in."
Tracy: "Well, to be fair, you're basically telling me I'm Sarah Connor in Terminator."
Team Flash: (together) "Well..."
HR: "Uh, more like..."
Cisco:"Miles Dyson."
HR: "Yeah. But good effort, though."

Tracy:"I think Savitar travels so fast that he needs that suit to neutralize the charge he builds up around him."
HR: "Huh. Interesting. So without the suit, he's just a dude with a bad case of static cling."

He Chose... Poorly

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Take it from a real-life graphic designer, kids— font choice is important!

Unless this cover really is supposed to say "SOVE" At First Sight. If so, then never mind, I guess.

Doctor Who Season 10, Episode 4: Knock Knock

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This week on Doctor Who we get a haunted house tale, with all the usual ingredients: thunder and lightning, students who are picked off one by one, a creepy landlord and even the typical mystery woman hidden in a secret tower.

This isn't the first time Doctor Who's done straight up horror. The show dabbled in the genre quite often in the past, particularly during Tom Baker's Fourth Doctor run. This makes this week's episode seem like yet another throwback to the Classic Series.

So far this season the overall theme seems to be consumption

Episode 1 featured intelligent space oil that ate people.
Episode 2 gave us nanobots that ate people.
Episode 3 had a giant fish that ate people.
And now in Episode 4, we have a house that eats people.

I have no idea if this means anything or not, but I thought I'd toss it out there.

We also get a couple more clues about who's being held prisoner inside the Doctor's secret Vault. The writers sure do want us to believe it's some version of the Master in there, but I dunno... that seems way too obvious to me. 


I can think of a couple of other possible suspects, such as Susan Foreman or even an earlier version of the Doctor himself, but the I can't figure out WHY they'd be in there. For now I guess my money's on the Master.

SPOILERS!

The Plot:
Bill and five other college students— Shireen, Pavel, Harry, Felicity and Paul— search for off-campus housing they can afford. After looking at dozens of awful apartments, they're approached by a kindly, elderly Landlord (no names, please) who offers them a place to live.

The "place" turns out to be an enormous mansion, complete with suspiciously low rent. Bill and the others take a brief tour and are so impressed they immediately sign a contract. The Landlord tells them they can move in right away, and has only one rule— the mansion's tower is off limits. He taps a tuning fork on one of the wooden walls and leaves, which isn't the least bit odd or strange.

That night Pavel moves in, and sets up his record player (I guess they have hipsters in England, too). He hears a noise, and we get the usual horror movie POV shot of him screaming at something only he can see. His turntable plays steadily on.

The Doctor helps Bill move by materializing the TARDIS around her stuff, then reappearing in front of the mansion. He's suspicious of the situation, wondering how six students can afford the rent on such a vast home. He says he'll help her carry her things in. Bill, who obviously doesn't want her friends to see the Doctor, tries to discourage him, but he insists.

Inside, Bill introduces the Doctor to the others, saying he's her "grandfather," which is a not-so-subtle nod to Susan Foreman. The Doctor protests, saying there's no way he looks that old, and says he's her dad. Bill's mortified, but the others recognize the Doctor from his lectures, and think it's cool that she's somehow related to him.

Bill picks an upstairs bedroom and unpacks her mother's photo, hanging it on the wall. She wonders where Pavel is, but the others say he stays in his room a lot, listening to music. Downstairs, the Doctor pops out of the furnace room, saying he's just checking out the house. Bill tries to get rid of him, saying this is her place, and she wants to keep it separate from TARDISy adventures. They hear a knocking in the walls, and the Doctor begins investigating. He snoops around the house, knocking on the walls, which sometimes knock back.

The other students complain about the state of the house, and  the Landlord appears as if on cue. They tell him they need a washing machine, new wiring, etc., and he says he'll do what he can. The Doctor asks the Landlord if he has any children, and he says he has one daughter, who's "happily still under his care." The Doctor then asks him who the Prime Minister is, which seems like an odd thing to do. The Landlord evades the question, taps his tuning fork on the wall again and bids them goodnight, which is even odder.

Bill, Shireen and Paul head upstairs to turn in. Paul goes into his room and after a few seconds begins screaming. The girls think he's playing a joke, until they hear knocking coming from all the walls. Downstairs, the Doctor notices the doors have now somehow become walls. The shutters then begin closing by themselves. Felicity screams that she can't be locked up in the house, and dives out a window. The last of the shutters close, completely sealing everyone inside the house. Felicity runs from the house, but is grabbed by a tree and consumed by it.

Upstairs, Bill and Shireen hear music still coming from Pavel's room and open the door. They see him sticking halfway out of the wooden wall, as if the house is trying to eat him. The Landlord appears and says there's a time and place for music, but "it can be a distraction from the inevitable." He shuts off the record player, and Pavel is instantly consumed by the wall.

Bill asks the Landlord why the house is eating people, and he says "We must all pay our dues." He tells them they signed the contract, and now they must pay. He taps his tuning fork against the wall again, and Bill and Shireen run out of the room. They head up to the forbidden tower.

Downstairs, the Doctor and Harry look for a way out. The Doctor begins tapping on the walls, wondering if the wood is possessed by "wood nymphs, tree spirits or dryads." Suddenly a roach-like creature emerges from the wood. The Doctor thinks it's some kind of alien, and tries to catch it. It scurries off, and suddenly thousands of the creatures pour from the wood. The Doctor and Harry run down into the basement.

They see a storage space in the basement, and begin looking through boxes. They find several lease agreements, always for six students and always at twenty year intervals. The Landlord appears, and the Doctor asks where the former students are. He replies, "In the house." The Doctor is horrified, as he realizes the Landlord means they're IN the house, and have been absorbed by it.

The Landlord confesses that his daughter was dying, but the Dryads (which is what the Doctor decides to call the creatures) saved her. And all they asked in return was the occasional human sacrifice every twenty years. The Landlord taps his tuning fork again, and the Dryads swarm over Harry, completely consuming him. The Dryads turn toward the Doctor, and he stalls for time, telling the Landlord that he may be able to cure his daughter.

Meanwhile, Bill and Shireen make it to the top of the tower and find a bedroom there. They hear a rustling, and a woman appears from behind a screen— a woman made of wood. Bill and Shireen nervously introduce themselves, and the woman says her name is Eliza. A mass of Dryads pours out of the wall and surround the girls. They swarm over Shireen and eat her. Eliza tells Bill that her father says it's for the best, and the two of them have to survive at all costs.

Suddenly the Doctor and the Landlord enter the tower. The Landlord tells Eliza that the Doctor is, well, a doctor, and may be able to help her. The Doctor theorizes that years ago, Eliza became ill and was told nothing could be done. The Landlord then found the Dryads in the garden, and brought them inside to show her. Eliza's music box activated them, and they began turning her into wood, keeping her alive. Sort of.

Bill interrupts the Doctor's speech, saying something doesn't make sense. Like why would a grown man be playing with insects in the garden? And if Eliza was preserved seventy years ago, how can her father possibly still be alive? The Doctor realizes she's right, and that the Landlord is actually Eliza's SON.

Eliza's horrified that she's been kept "alive" like this for so long, a prisoner in her own house. The Landlord is furious with the Doctor, and orders the Dryads to consume him. The Doctor tells Eliza she can end this, but she's confused and doesn't know how. He tells her she's the parent, and her son will listen to her.

Eliza hugs her son, and says it's their time, as the Dryads swarm and consume them both. Eliza uses what's left of her energy to restore all of Bill's friends, which is mighty convenient. They all run from the house seconds before it collapses in on itself.

Back at the University, Nardole is fiddling with the Vault. The Doctor arrives with Mexican food and tells him he can take off. Nardole's surprised to hear music coming from within the Vault, and asks the Doctor why he put a piano in there. The Doctor dismisses him. He shouts to whoever's in the Vault that he has food, and the music stops. He says he's as much a prisoner as the occupant of the Vault, and says he's got a new story for them. He opens the door and goes in.

Thoughts:
• When Bill first appeared in The Pilot, I noted there were a lot of similarities between her and Rose Tyler, the first companion of the revived series. This week we get yet another parallel— Bill has a gal pal named Shireen. Guess who also had a friend by that name? Yup, Rose Tyler!

• In The Pilot, Bill was working in the University cafeteria, and admitted to occasionally sneaking into the Doctor's lectures. When the Doctor offered to tutor her privately, she pointed out that she wasn't a student. The Doctor told her not to worry about that, as he'd sort it all out later.

Apparently he was true to his word, as it looks like Bill's now a student! At least that's the impression I got from the episode, that they're six students looking for off-campus housing.

• 
I have no problem with diversity in the media, as long as it's organic and not done just for the sake of ratings.

That definitely seems the case in this episode. Bill's little circle of housemates was almost comically diverse. Half are men, half women, they're white, black, Asian, Hindu and even Scottish! It's like the BBC had a list and was checking off genders, orientations and ethnicities. I'm honestly surprised they didn't have a Muslim or a student in a wheelchair!

• Good thing for Bill the Doctor's steering has improved over the years. In this episode he materializes the TARDIS around her stuff, then lands it in front of her new place with pinpoint accuracy.


Compare that to the Classic Series, where the Doctor had little or no control over the TARDIS, and it materialized in a particular time or place at random. Many's the time he'd pick up a companion on Earth and then spend several seasons trying to get them back home!

• Bill's flustered by the Doctor's intrusion, and tells her flatmates that he's her grandfather. That is most definitely a nod to Susan Foreman, the First Doctor's original companion, who always called him "Grandfather." Whether she truly was his blood relation or not has been debated by fans for decades.

This is at least the second Susan reference so far this season. In The Pilot we saw a photo of Susan (along with one of River Song) on the Doctor's desk in his University office.

There's no way these references are random or meaningless. As the Doctor even says in this episode, "Nobody 'just does' anything." They have to be building up to something here.

I foresee several possibilities. One is that Bill is somehow a regeneration of Susan, which I hope isn't true. Showrunner Steven Moffat has an annoying tendency to turn the Doctor's companions into "The Most Important Person In The Universe," ala Amy Pond ("The Girl Who Waited") and Clara Oswald ("The Impossible Girl"). 

It's nice to have just a plain old ordinary human like Bill on the show for a change, so I really hope this isn't the direction they're going.

Another big possibility is that Susan Foreman is actually the one inside the Doctor's Vault. I have no idea why he'd want to keep her prisoner for seventy years, but he's obviously friendly with whoever's in it, so...

Lastly, actor David Bradley is scheduled to appear on the show this season. In 2013, Bradley starred in An Adventure In Time And Space, a TV movie about the early days of Doctor Who and the BBC. In the movie, Bradley played actor William Hartnell, who played the First Doctor.

Could Bradley be guest starring as the First Doctor? That might explain all the Susan Foreman foreshadowing that's been going on. Could he be the one inside the Vault? Again, I can't think of a good reason why the Doctor would keep an earlier version of himself a prisoner for almost a century, but stranger things have happened on this show.

• When the Doctor meets the Landlord, he's immediately suspicious of him, possibly even thinking he's an alien. He tries to trip him by asking, "
Who, um... who's the prime minister? Margaret Thatcher, Harriet Jones? Oh, come on. Wilson? Eden?"

Margaret Thatcher was of course the real world UK Prime Minister from 1979 to 1990.

Harriet Jones was the Prime Minister in the Whoniverse for several years. She first appeared in Aliens Of London, and was elected Prime Minister after the entire cabinet was wiped out by the Slitheen. She served three successive terms and brought about a Golden Age in London, before the Doctor took her down with just six words ("Don't you think she looks... tired?").

As for Wilson and Eden... Harold Wilson was Prime Minister from 1974 to 1976, and Anthony Eden from 1955 to 1957. I guess maybe the Doctor realized the Landlord hadn't been out of the house in a while?

• Don't worry, that's not an x-rated photo, it's just a Dryad coming out of a gash in the wood.

The Dryads seemed to be controlled by sound, so it's odd that the Doctor didn't try to use his sonic screwdriver on them. It was established on the Classic Series that the sonic couldn't affect wood, but I have no idea if that's still the case today or not. Even if it is, the Dryads themselves weren't made of wood. If a tuning fork and record player could affect them, surely the sonic could!

The Doctor does use the sonic as a flashlight in this episode, so there's that I guess.

Oh, in case you were curious, dryads come from Greek mythology: they are supernatural spirits associated with trees, especially oak trees, and tend to be very shy around humans.

• Eliza orders the Dryads to consume herself and her son, saying it's time they passed on. Immediately afterward, she uses the last of her energy to restore Bill's flatmates who were consumed earlier in the episode.


I guess all the other students who were consumed over the years are just sh*t out of luck then, right? To be fair, they were consumed decades ago, so it's no doubt far too late to reconstitute them. Bill's pals were just now absorbed, and probably hadn't been "digested" yet.

• Whoever's in the Vault is someone the Doctor's somewhat friendly with, who knows how to play the piano. When the Doctor says he has a story filled with death and destruction, the mystery person happily plays a few notes of Pop Goes The Weasel on the piano.

As I said earlier, the creators sure do want us to think he's got the Master locked up in there. It makes sense, as he/she would definitely delight in hearing a tale of "death and destruction." I just feel like the Master is way too obvious though.

• This Week's Best Lines:
Bill: "Thanks for helping, yeah? You should hire this out. Like a removal service."
The Doctor:"Removals? Bill, I'm a Time Lord."
Bill: Time Lord? What's that? Your job?"
The Doctor:"No, it's my, er people. My species."
Bill: "Doesn't sound like a species. Sounds posh, like 'Yes, my lord.' Doff my cap."
The Doctor: "Oh, well, that's why I gave it up. Ran away."
Bill: "Time Lords. That's hilarious. Do you wear robes and big hats?"
The Doctor: "No, big collars, mostly."

Bill:"Do you want the postcode?"
The Doctor:"Sorry?
Bill: "To find the house."
The Doctor: "Bill, the TARDIS uses multi-dimensional space-time coordinates."
Bill: "So you know where it is?"
(long pause)
The Doctor: "Okay, right, put the postcode in here."

Bill:"Do you sleep here?"
The Doctor: "If I need to."
Bill:“If I need to.' What does that mean?"
The Doctor: "Sleep’s for tortoises."
Bill:"Not Time Lords?"
The Doctor: "No. Unless we’ve regenerated, or had a big lunch."
Bill:"Regenerated?"
The Doctor:"Oh, the questions. The questions, the questions. Just remember: Time Lords. That’s enough for now."

Bill: (hearing strange noises in her new room) "Stop it. There’s no living puddles or Weird robots, big fish. It’s just a new house. And people you don’t know. Not scary at all."

Felicity:"I always get nervous when there’s no reception, like something bad’s going to happen."
Shireen: "We’ll have to get a landline."
Felicity:"Landline? What is this, Scotland?"

Bill: "Er, Grandfather? Hello?"
The Doctor:"Yeah."
Bill:"Perhaps you’d leave now?"
The Doctor:"No, I’m fine."
Bill: "Well, at least, um, go and sleep. Outside. (meaning the TARDIS) In the car."

Bill:"Can I have a word, please? Honestly, Doctor, there’s nothing going on. Nothing weird, nothing alien. Just an old house and a dodgy landlord, which is pretty standard for students. I’ll see you later for more exciting TARDIS action, but basically, this is the bit of my life that you’re not in. Do you know what I mean?"
The Doctor:"I know what you mean."
Bill: "Thanks."

The Doctor: (when Bill says she's going to bed) "Maybe, before you do, you should check on your friend who hasn’t been seen for a day and who has strange music coming out of his room."
Bill:"They say he just does that."
The Doctor:"Nobody '
just does' anything."
Bill:"You’re not leaving, are you?"
The Doctor:"No. Your friend will probably be fine.Knock on wood."

Bill:
"Ah, we should get The Doctor."
Shireen: "Why? What’s he gonna do? Lecture?"

The Landlord: (referring to Pavel) "He’s preserved in the walls, in the very fabric of the building, forever."
Shireen: "So, the house is eating people?"
The Landlord:"We must all pay our dues."
Bill: "But not you?"
The Landlord:"Correct! I am the exception. For I am your landlord. You came here, you signed the contract. And now (tapping his tuning fork on the wall) It’s time to pay."

The Doctor: (to Nardole) "Okay, you can take the rest of the night off. Go on, go and do whatever it is you do. Actually, what do you do? No. Never tell me that."

Leggo My EGO!

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James Gunn reveals a brand new product, available only in the Marvel Cinematic Universe!

I'm working on my Guardians 2 review guys! I hope to have it up sometime this weekend.

Things I learned while working on this image: The name of the product isn't "Eggos," it's just "Eggo." Weird. For decades now I've thought it was Eggos. Chalk it up to the Mandela Effect!

I went ahead and made my version say "Egos" even though technically it's not right. Saying plain old "Ego" just didn't sound right to my brain.

As usual, something I thought I could do in ten minutes ended up taking several hours. I started erasing the real logo from the box so I could replace it with the altered version. After a while it became apparent that it would be a hundred times easier to just repaint the entire front altogether (red waves and all) and start from scratch. 

Once that was done I made a new logo by removing a "G" from the old one, and adding an "S" I nabbed from the Kellogg's logo, which appeared to be the same font.

I then replaced the Kellogg's logo in the upper right corner with the Marvel Studios one, added an appropriate photo of Kurt Russell and BOOM! Instant fake package!

Marvel's Agents Of S.H.I.E.L.D. Season 4, Episode 21: The Return

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This week on Agents Of S.H.I.E.L.D., Coulson and May battle the Superior, Fitz deals with the fallout from his actions inside The Framework and AIDA goes all Fatal Attraction on him as she rides a rollercoaster of brand new emotions.

I was a bit underwhelmed by this episode at first, as I was expecting Coulson & Company's return to the real world to be a bit more... epic. The more I think about it though, the more I realize it was actually pretty darned monumental. There were at least two or three episode's worth of action and story crammed into these forty two minutes. In fact there may have been a bit too much going on, as some of the storylines felt a bit rushed and could have used some room to breathe. This is a minor quibble though. I'll take too much storyline over too little any day of the week.

This week we find out that all the agents who were hooked up to The Framework remember everything that happened to them there. Not just the ten days they were actually inside, but their entire virtual lives— childhood, adolescence, everything.

That's a mind blowing revelation (literally!), and it'll be interesting to see how (or if) the writers handle this in future seasons. Will their second lives alter their personalities? How could they not?

Kudos to actress Mallory Jansen, aka AIDA, who is this season's MVP. When she first appeared on the show, I assumed she was cast because she could stand stock-still and act like an emotionless robot. How wrong I was about that!

She's an incredibly talented actress with a YUGE range. In the space of just one season she's played at least five different versions of the same character— the emotionless LMD AIDA, Darkhold-corrupted AIDA, Agnes Kitsworth (the human inspiration for AIDA), Madame Hydra and now flesh and blood batsh*t insane Ophelia.

It's an amazing series of performances, and it's been a joy watching her. Too bad she's probably gonna be leaving the show after next week!

Ever since this Framework story "pod" started, I've been noting the similarities between the simulated Hydra-ruled world and the current Trump administration. Apparently I'm not the only one who noticed this. Earlier this week, someone set up a Hail-Hydra.com website. When clicked, this link went directly to the official White House webpage! Snap!

Lastly, a couple days after this episode aired, ABC finally announced that Agents Of S.H.I.E.L.D. has been renewed for a fifth season! Huzzah! It's about freakin' time! Could they have waited any longer to tell us? I was honestly worried that this Framework storyline would be the series' last. Finally, some good news for a change.

SPOILERS!

The Plot:
The Superior stands inside his secret oil rig base, reading from the Darkhold as a copy of him looks on. In another part of the rig, Coulson, May and Fitz wake up from The Framework. AIDA, who's now become a real flesh and blood person, grabs Fitz and teleports away with him (which we saw happen last week). Coulson theorizes that AIDA must have used Hydra intel to give her new body the powers of various Inhumans (such as Gordon's teleportation and Lincoln's electrical blasts).

Just then the Superior attacks, and May shoots him several times. They realize he's an LMD when he keeps on coming. He attacks Coulson, who activates his arm shield. The electronic shield slices off the front of LMD Superior's face, which I have to admit was pretty darned cool. Several more LMD Superiors come down the hall, and Coulson locks the door and shorts it out.

Coulson then catches May up on everything that happened while she was in The Framework. She notes he's acting weird, and asks if her LMD self came on to him. He lies and says no, she just tried to kill him (!).

Meanwhile the Superior's forces are still attacking Zephyr One. Daisy, Simmons & Yo-yo work together to restore weapons and blow the enemy plane out of the sky.

AIDA teleports herself and Fitz to a remote beach. She's amazed by the feeling of sand and water beneath her feet. Fitz thinks about all the things he did in The Framework, and says he's gonna be sick. AIDA says she was a slave to her programming in the virtual world, but that he made all his own choices there and he's who he's supposed to be or something. She then teleports them away.

Back on Zephyr One, Yo-yo's furious that Daisy didn't bring Mack back with her. Daisy explains that he wanted to stay with Hope, his virtual daughter, and didn't remember his previous life. Yo-yo wants to enter The Framework and drag him back, but Daisy tells her that as an Inhuman, she'd be immediately 
captured by Hydra. She says they need to find Mack in the real world and protect him.

Agent Piper informs them they're about out of fuel and power. Simmons asks why they don't just land and refuel. Piper shows them a press conference, in which General Talbot labels all S.H.I.E.L.D. agents terrorists (because he thinks they're still in the LMD story arc, and all the agents are androids).

AIDA teleports Fitz to an oceanside home. He asks her if she has empathy, and can imagine how others feel. She says yes, and that she only wants to make him and everyone else happy. She suddenly remembers the Superior, and says he's going to hurt Fitz's friends.

On the rig, a couple of LMD Superiors break into The Framework room and attack Coulson and May. When one of the Superiors stands in a puddle, Coulson tosses a live wire into it and fries him. May simply crushes the other one's head by beating it repeatedly with a hammer (!). Coulson wonders why the Superior didn't just flood the rig. Just then, the Superior floods the rig. He and several LMD copies take off in a sub and fire torpedoes at the underwater base.

Water floods the base, as Coulson and May struggle to escape. May says they can't leave the comatose Mack, who's still hooked up to The Framework. Coulson tells May he'll help her to the surface and come back for Mack.

AIDA teleports to the sub and pleads with the Superior to let the S.H.I.E.L.D. agents go. When he refuses, she threatens to kill him. He tells her to go ahead, as his body is just an LMD copy controlled by his human head, which is in a secret location. She teleports away.

Coulson and May make it to the top of the oil rig, just as Zephyr One lands. Yo-yo rushes to Coulson and asks where Mack is. Before he can answer, an explosion destroys the elevator shaft, preventing them from going back in. Suddenly AIDA teleports onto the deck with Fitz and a waterlogged Mack. Simmons shoots both AIDA and Fitz with an ICER.

Everyone piles into Zephyr One and returns to what's left of S.H.I.E.L.D. HQ (if you'll recall, LMD May blew it up real good back in Self Control). They place AIDA in an Inhuman-proof containment unit so she can't teleport away. For some reason they put Fitz in with her as well, which makes no sense, but whatever. Simmons hopes Fitz can come back from his Framework ordeal and return to normal.

Fitz comes to and sees AIDA looking at a screen displaying a landscape. He mopes about the horrible things he did inside The Framework. AIDA tells him that all she did was fix his regret of never knowing his father, plus she made sure he met her on his first day at the S.H.I.E.L.D. Academy instead of Simmons. Fitz says he's exactly like Grant Ward, and all it took was a little nudge to turn him evil. He wails that Simmons will never be able to look at him again. Unknown to Fitz, Simmons sees and hears all this on the security monitor, and bursts into tears.

Fitz goes on, saying his future with Simmons is dead. AIDA hugs him, saying she can finally understand what he's going through, and how it feels to lose the love of your life. He says there's only room in his heart for one person. AIDA nods, holding him closer, as Fitz says, "Simmons."

AIDA immediately goes all Crazy Ex Girlfriend. Her emotional immaturity causes her to lash out and threaten Fitz. Simmons moves to pull him out of the room, but just then Talbot shows up with a squad of soldiers, still believing all the S.H.I.E.L.D. agents are LMDs. He tells his squad to shoot anyone who moves a muscle.

Meanwhile AIDA tries to teleport out of the room, but can't. Piper and a couple of other agents enter the containment room and rescue Fitz. AIDA uses Lincoln's electricity bolts to fry the circuitry in the room and teleports away.

Coulson tries to explain everything to Talbot, who of course doesn't believe him. They hear one of the S.H.I.E.L.D. agents yelling, "She's everywhere!" and Daisy rushes off to help. AIDA teleports behind an agent and shoots him in the head. Another agent shoots her, allowing Fitz and Piper to get away. AIDA quickly recovers, as she apparently has a Wolverine-like healing factor now. The S.H.I.E.L.D. agents all board Zephyr One and take off, as Talbot lets them go.

Inside Zephyr One, Simmons finds Fitz sitting alone. He can't even bear to look at her. She sits down and holds him.

AIDA returns to the Superior, who's... somewhere. He says he plans to use the Darkhold to turn The Framework into reality, to make Coulson and the others suffer. AIDA says that's what she wants as well. She chugs a bottle of vodka and mounts him (!). Instead of having sex with him though, she crushes his skull. Another Superior looks on.

Talbot and his men retreat from the ruined S.H.I.E.L.D. HQ. The second they're gone, the portal that AIDA built (back in Deals With Our Devils) opens up, and Ghost Rider steps out, in all his flaming vengeancey glory.

Back on Zephyr One, Daisy wonders where Yo-yo went. She runs to the lab and sees she's hooked herself up to The Framework to save Mack.

Yo-yo wakes inside The Framework, strapped to a table in a burning room.

Thoughts:
• Why is everyone suddenly referring to The Superior as "The Russian" this week? Did the writers forget his name?

• Speaking of The Superior Russian, how's he able to casually leaf through the Darkhold?Doesn't anyone who reads it go insane? Is he unaffected by it because he's already nuts?


• Coulson activating his arm shield to "deface" the Superior may be the coolest thing I've ever seen on this show! Kudos to whoever thought of using it that way.

Note that after his face falls off, we see that the android Superior has the trademark glowing "woven brain" that all LMDs have, like the one AIDA created in Deals With Our Devils.

• For months now I've been
 trying to figure out just where AIDA's Framework machine was located. After last week's episode, I was about ninety percent certain it was underneath the Superior's oil rig. This week we get one hundred percent confirmation of that, as Coulson and May exit The Framework room and climb to the top of the rig.

So why all the confusion as to its location? Was it just poor writing and blocking, or were they trying to keep it a mystery from the audience until this week?

• A couple weeks ago when AIDA revealed the true purpose of Project Looking Glass— to construct a flesh and blood body for herself in the real world. As soon as I heard that, I was certain that Framework Ward would use the device to turn himself into a real boy. It would have been an awesome, and completely logical way for the character to return to the show. Welp, after the events in this week's episode, it looks like that's not gonna happen (unless the machine's somehow still working and can build him a real body hundreds of feet under water!). Too bad.

I have a feeling we haven't seen the last of Framework Ward though. He never got a proper sendoff, as he didn't even appear in last week's episode where Daisy and the Gang left the virtual world. Mack and Yo-yo are still inside The Framework at this point, so I'm betting they'll encounter him next week.

• Where'd AIDA get the oceanside home that she teleports Fitz to? Does it belong to Radcliffe? Or did she kill whoever owned it and move in?

• A few weeks ago in Identity And Change, AIDA started calling herself "Ophelia" inside The Framework. I assumed she named herself after the Ophelia in Hamlet, which would be an odd thing to do, considering what happens to the character.

In Shakespeare's play, Ophelia starts out OK, but she's constantly ordered around by her father, brother and boyfriend. Eventually this drives her nuts and she ends up drowning. Note that she doesn't kill herself, she just falls in the water and doesn't do anything to survive.


This actually fits pretty well with AIDA's storyline She claims Radcliffe abused her in the real world by keeping her in a closet and shutting her off when he didn't need her. There really isn't a brother figure in her life, but she most definitely has a boyfriend in Fitz, and he most definitely drives her into madness. Inadvertently, of course!

• I'm a bit confused by AIDA's rescue of Mack.

Earlier in the episode, he was the only agent still hooked up to The Framework machine, as he refused to leave the virtual world. The Superior then torpedoed his own oil rig base, flooding it. Poor comatose Mack was doomed as the water rushed in around him.

Then suddenly AIDA appears and teleports him out of the Framework room and onto Zephyr One. Hooray!

Note that Mack doesn't wake up after this teleportation. Somehow his mind is still inside The Framework, even though he's no longer hooked up to the machine!

Or is he? When we see him on Zephyr One he's got some kind of hi-tech gizmo wrapped around his head. Is THAT what's keeping him hooked up to The Framework? And how does Yo-yo enter it at the end of the episode?

Just where is the server that's hosting this virtual world? I thought it was inside the Superior's oil rig. That seems unlikely though, since the entire thing was just destroyed. Daisy and Simmons hacked into The Framework a few weeks ago with some equipment on Zephyr One, but I got the impression they just kind of remotely plugged into it somehow, similar to how you access a web page. There's got to be a protected computer somewhere that's running this vast simulation. Or is The Framework like some kind of massive wifi signal that can be accessed remotely? Maybe it's "in the Cloud?"

I'm betting the writers haven't quite figured this out for themselves, and are hoping we don't think about it too hard either.

By the way, Henry Simmons, who plays Mack, had an easy time of it this week. All he had to do was lie on a table with his eyes shut for the entire episode!

• Several months ago in Self Control, Daisy was wandering around S.H.I.E.L.D. HQ and stumbled upon a room full of scantily clad LMD copies of herself.

I assume this Daisy army must have been completely destroyed when LMD May blew up the base?

• Apparently AIDA incorporated Gordon's teleportation and Lincoln's electrical blasts into her new human body, which I guess technically now makes her an Inhuman. She also seems to have souped-up healing powers. I'm not sure who she got those from.


• In the S.H.I.E.L.D. holding cell, Fitz says his relationship with Simmons is dead. AIDA, who hasn't quite got the hang of human emotions yet, wrongly interprets this as an admission of love from Fitz, and moves in close to comfort him. He then says that even though Simmons is likely through with him, he'll always love her. AIDA immediately does a 180 degree turn and hisses "WHAT?!"

Wow. I don't think I've ever heard a single word laced with so much pain, anger, betrayal and malice. Scorned AIDA may have been the scariest thing I've ever seen on a network TV show. Her emotional immaturity combined with her superpowered body makes her a formidable threat indeed. 
She's definitely become one of the best villains in the entire Marvel Cinematic Universe (which I will admit is damning her with faint praise).

• Fitz realizing he was only a couple of bad experiences away from turning into Grant Ward was a chilling and heartbreaking moment for the character.

• At the end of the episode we see that against all warnings, Yo-yo enters The Framework to rescue Mack. I have a bad feeling one of them's not going to make it out alive... Hopefully I'm wrong, as I like both characters a lot, especially Yo-yo!

• This Week's Best Lines:
The Superior: (reading the Darkhold) "There are actually a few funny passages in here."

Coulson: (seeing AIDA teleport away) "No, no, no! She has Inhuman powers now?! Can we get a break, please?! Can we get one break?"

May: (seeing the Superior) "Who the hell is this guy?"
Coulson: "Well, you missed a fair amount, May, but the quick version is, you can go ahead and shoot him."

Coulson: "We call him the Russian. 'Cause, you know, he's Russian."
(maybe, but up until this week "we" called him the Superior)

May: (after finding out she was replaced by an LMD) "You must've spotted the decoy right away, right?"
Coulson: "Yeah, 'cause you're never robotic at all."
May: "Oh, really? How long did it take you to figure it out?"
(long pause) 
May: "Wow. I'm hurt, Phil. Guess we're not as close as I thought."

May:"So, how did things end with Robbie Reyes? Last I remember, we were chasing down his uncle."
Coulson: "Oh, you know, guy tried to become a god, so we opened up a portal beneath his quantum-power cube, then Ghost Rider dragged him to another dimension with his hellfire chain."
May:"So, things ended well, then."
Coulson: "Well as can be expected."

May: "What's up? You mad that I was Hydra in there?"
Coulson: "I don't blame you for that."

May: "Then, what? Did something weird happen with my robot self? Did I make a move on you? Phil, did I try to Kill you?"
Coulson: (awkwardly) "Kill me. Yep. That's what happened. You tried. It was messed up."

Daisy: (discussing AIDA) "She'll remain inside until we can decide what we want to do with her."
Yo-yo: "Why don't we chop off her head like last time? You need a volunteer?"
Coulson:"Let's take a moment and think about that, Sweeney Todd. She's a real person now, and she..."
Daisy:"She saved Mack."
Coulson:"She made herself real in order to escape Radcliffe's programming, so now maybe she's different."
Simmons: "I highly doubt that. People don't name themselves 'Madame Hydra' if they're open-minded."

Simmons: "What do the two of you remember of your Framework lives?"
Coulson: "As much as I remember about this life. The only difference is, I know..."
May: "It wasn't real."
Simmons: "So it's like you woke up from a dream."
May:"No. Not a dream, Simmons. A life."

AIDA: (when Fitz says he'll always love Simmons) "WHAT?"
(rarely have I heard a single word dripping with so much menace!)

Coulson: "Let's just keep our cool."
Talbot: "You shut your robot mouth, or I'll have these men weld it shut for you!"

I WONDER What They Were Thinking?

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This is the new poster for the upcoming Wonder Woman movie. Among other things, it's the perfect visual representation of the word "afterthought."

Graphic Designer:"As promised, here's the Wonder Woman poster you hired me to create."
Warner Bros. Executive:"It's perfect! We absolutely love it! It's just what we wanted! We just have one small change."
Graphic Designer:  "Uh-oh."Warner Bros. Executive: "We need to remind people that Chris Pine's also in the movie. Our research shows that women respond positively to him, so we need to include him in the poster."Graphic Designer: "But... but it's finished. I can't add another character to it NOW."Warner Bros. Executive: "Sure you can! Just drop him in there! How hard could it be?"
Graphic Designer: "It's a character poster. As in ONE character. If I add another person, it'll throw off the entire composition! I'm gonna have to start all over and it's gonna take another week at least!"
Warner Bros. Executive: "Why are you making such a big deal about this? Just add him to the poster!"
Graphic Designer: "Fine. You want Chris Pine on your poster? You got 'im!"
(works in Photoshop for literally thirty seconds)
Graphic Designer: "There ya go!"
Warner Bros. Executive: "Pefect! See? Was that so hard?"

I am 1000% positive that the above conversation took place verbatim at some point at Warner Bros. Studios.

Also: It you deleted the Chris Pine layer in Photoshop, this would be a nice poster, with a fairly striking design.

Also Also: Why does it just say "Wonder?" What happened to the "Woman" part? Did they have to delete that to make room for Chris Pine's intrusive head? Why aren't the SJWs complaining that a Wonder Woman poster doesn't have the word "woman" in it?

Also Also Also: Is... is she generating sparks by scraping her sword on her boob armor? Yes. Yes she is.

The Flash Season 3, Episode 21: Cause And Effect

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This week on The Flash, the writers have clearly lost their minds as they pause in the middle of the dark, brooding Savitar storyline to give us an oddly lighthearted and delightfully comedic episode. What the hell?

I freely admit that I'm not a fan of overly grim and gritty comic book movies and TV shows, as I feel superheroes should be fun. I know, Silly me, right? So I've been less than happy with this season of The Flash, as it's been nothing but one long bleak and ominous mope-fest.

That made the sudden appearance of this cheerful and sunny episode feel all the more out of place. And its placement was even more bizarre! Seconds after Savitar reveals he's really a future version of Barry, the episode makes a MASSIVE one hundred eighty degree turn into the comedy realm! You can almost hear the tires squealing as it turns!

The thing is, the episode was actually quite good, and surprisingly funny. If it had aired at ANY other point in the season, I'd have enjoyed it immensely. But wedging it firmly in the middle of one of the most deadly serious storylines the show's ever done prevented me from warming up to it. I was too busy scratching my head, wondering what the hell the writers were thinking, to fully appreciate the comedy.

Imagine if, in The Empire Strikes Back, the following scene plays out. Vader's just cut off Luke's hand and told him that he's his father. It's a startling revelation, and Luke's completely out of options, with no way out. Suddenly Luke's two droids appear on the Cloud City gantry, and C-3PO says, "Excuse me Master Luke. I hate to interrupt, but R2 wants to know if you'd like him to ready your X-Wing for takeoff? I told him, sir, that you were much too busy to think about such trivial matters at this time, as you're obviously discussing something of some importance with Master Vader, but... what's that? Shut my stupid metal mouth for once in my life? How rude!"

That's what this episode felt like!

Part of me wonders if this episode was the writers' response to fan criticism that this season has been too dark, and they were reacting by trying to lighten things up a bit? If so, kudos to them for trying, I guess. But it's too late to salvage this season NOW guys. There're only two episodes to go! Wait until NEXT season to lighten things up again.

SPOILERS!

The Plot:
Picking up where we left off last week, Barry and Savitar continue their stand off. Savitar, aka Future Future Barry, explains who he is and how he came to be. Settle in, because it's twisted and complicated.

It seems that Savitar technically isn't Barry after all. See, Future Barry created an army of time remnants to help him battle Savitar, who killed all of them except for one. 
This Remnant Barry grew resentful when the STAR Labs Gang shunned him, and became filled with rage and pain. According to Remnant Barry, he realized that gods feel no pain, so he decided to become one.

When Barry asks why he'd want to kill Iris, Savitar/Barry explains it's to drive Present Barry so far into the dark that he creates him. That doesn't make much sense, but let's just move on or we'll be here all day.

Barry threatens to kill himself to prevent Remnant Barry from being born, but he says time is a tricky thing, and that won't work (which is a lie, but whatever). Barry attacks Remnant Barry, but the Savitar suit comes to life and knocks him into next Tuesday. Remnant Barry leaps into the suit (which was pretty cool) and zooms off.

At STAR Labs, Barry tells the Gang what happened. Cisco and the others begin brainstorming, trying to use this new knowledge to come up with a way to defeat Savitar. Barry thinks it's impossible to beat him, as Savitar has his memories and knows everything they're saying and planning right in this moment.

This gives Cisco an idea— if Barry was to temporarily lose his memory, Savitar wouldn't know what they're planning, and for once they'd have an advantage over him. Comic Book Science! Cisco and Julian whip up a machine to block Barry's long-term memory. Joe protests, feeling it's dangerous to mess with Barry's brain. Barry says they have no choice and he's willing to give it a try.

Barry sits in a contraption that was apparently borrowed from the set of Total Recall, as Cisco powers it up. He shuts it off after a few seconds, and Julian asks Barry how he's doing. Barry looks around and says, "Who are you people?" He doesn't remember who he is either. Whoops!

Barry starts freaking out, thinking these strangers are performing experiments on him, which of course is true. Iris calms him down by showing him photos of the two of them on her phone, and he realizes they're all friends. Meanwhile, Cisco and Julian try to figure out what went wrong.

Cecile calls Joe and says she needs to see Barry at the CCPD immediately. HR checks on Tracy Brand, who's working on a way to trap Savitar in the Speed Force. They flirt a bit and nearly kiss, until they remember themselves and HR awkwardly rushes out.

Joe and Iris take Barry to meet with Cecile. She says she needs his expert testimony in the Heat Monger trial (a supervillain who's nothing at all like Heat Wave of Legends Of Tomorrow, wink wink) case, or the judge will declare a mistrial and he'll go free. Joe realizes there's no way in hell Barry will be able to testify, since he can't even remember his own name. Joe tells Iris to keep Barry busy while he tries to delay the trial.

Meanwhile, Killer Frost goes to see Savitar, who's kneeling in his headquarters somewhere. She knocks on his suit, and he suddenly springs into action, grabbing her by the throat and pinning her against the wall. He says he doesn't know who he is, confirming that Cisco's plan worked.

Iris takes Barry to lunch, and is delighted by his new, happy-go-lucky, worry-free personality. She realizes this is the Barry Allen she fell in love with, and misses him. She actually starts wishing this version could stick around forever (!).

Cut to the courthouse. Cisco and Julian give Barry a pair of Google Glass-like glasses, that can display text on the lenses. Barry takes the stand, and Cecile questions him about specialized evidence in the Heat Monger trial. Julian types out the answers for Barry, who awkwardly reads them off his glasses.

His testimony goes reasonably well until Barry becomes nervous and begins sweating, which shorts out the glasses (?). Comedy Ahoy! With Barry unable to answer any more questions, the judge dismisses the case, and Heat Monger goes free.

Joe, Cisco, Julian and Wally dejectedly return to STAR Labs, where they're met by Killer Frost. Joe pulls his gun on her, and Wally tries to stop her, but realizes his speedster powers are gone.

Iris takes Barry to their apartment, which impresses him greatly. He sees a photo of his late parents, and she explains that they died, and afterwards he came to live with her family. They kiss, and for some reason this causes Barry's superspeed to kick in. He's amazed to find that he's a speedster.

Barry and Iris return to STAR Labs, where they see see the Gang confronting Killer Frost (I guess they all stood there waiting patiently for Barry and Iris to show up, so they could continue their fight?). She explains that Barry's amnesia is affecting Savitar as planned (good). It also means that with no memories, Savitar never places Wally in a cocoon (as seen this season in Shade), and he doesn't become a speedster (bad).

Killer Frost wants to help them restore Barry's memories so Savitar can regain his. When they ask why they'd want to help her do that, she gives them a lame excuse about how there are a lot of supervillains in Central City who could wreak havoc until Barry relearns to use his powers. Amazingly, they agree to help her.

Killer Frost, Cisco and Julian work on a way to restore Barry's memories. Cisco baits her by telling a story about the good old days, when he and Caitlin were friends. Meanwhile Barry trains in the lab, as Iris says she's never seen him this happy. Joe senses she's starting to fall for this new, carefree Barry, and reminds her that he's not the version they both know and love. HR visits Tracy again to apologize for his earlier actions. They can't control themselves though, and finally kiss. For some reason, this inspires Tracy and she comes up with a way to perfect the Speed Force trap.

Cut to Heat Monger, who immediately (and I do mean IMMEDIATELY!) resumes his life of crime seconds after being released from prison. He enters an office building and sets it on fire for no good reason, other than Comic Books! The STAR Labs Gang are alerted to the fire. Barry decides he has to try and rescue the workers, even though he still doesn't have complete control of his powers.

Barry and Cisco arrive on the scene. When he sees the building, Barry's not sure he has what it takes to rescue anyone. Cisco uses the brain device that Killer Frost helped build, zapping Barry with it. Unfortunately nothing happens, and Barry still can't remember anything. Cisco explains that the "gas is in the tank," but Barry needs a way to "turn on the ignition." He needs a powerful memory to jump-start his brain.

Inside STAR Labs, Iris overhears this. She speaks to Barry over his comm-link, telling him about the night he came to live with them, and how she found him crying downstairs and comforted him. Her story causes Barry's memories to return. He pauses to pose dramatically before he rescues the office workers, and suddenly Wally joins him. Now that Barry's memory has returned, so has Savitar's, which restores Wally's powers. The two of them run around the outside of the office building, putting out the fire and capturing Heat Monger (again).

Back at STAR, Cisco and the others test Barry and determine his memory is fully restored. As Killer Frost leaves, Julian calls after her, saying he can fix her and that he loves her. She says she doesn't love him or any of the Gang, and enters the elevator. Inside it, her eyes flash back to normal for a second, before becoming icy again.

Iris tells Barry how much she liked the happy version of him (!), and he says his pain and sadness are just a part of who he is (!!). So suck on that, Iris! HR and Tracy interrupt them, and she says she's completed the Speed Force trap, several years ahead of schedule. Unfortunately it requires a massive amount of power, more than the Sun puts out (!!!).

Cut to King Shark, swimming in a tank with a red glowing power source in the center (?).

Thoughts:
• This week we find out that Savitar technically isn't the Barry we know and love, but a time remnant gone bad. This explanation is chock full of wibbly-wobbly, timey-whimey shenanigans, but as near as I can tell, this is what happened:

In 2016, Barry accidentally runs a few months into the future and sees Savitar kill Iris in May of 2017.

Barry and the Gang then spend the next few months trying to defeat Savitar and prevent Iris' death.

Iris dies as scheduled in May 2017. This sends Barry into a dark spiral of depression, and he adopts a ridiculous emo look.

Four years later, this Future Barry can't stand it anymore and decides to end Savitar once and for all, or die trying. He creates an army of time remnants to help kill him. Savitar kills all of the time remnants except one. Whether he intentionally left one alive or it just happened isn't clear. Future Barry then uses Tracy's bazooka to trap Savitar in the Speed Force forever.

There are then two Barry Allens walking around Future Barry and Time Remnant Barry. For some reason, the STAR Labs Gang shuns Time Remnant Barry, saying he's not the original. I dunno why they'd do that, and it could well be the result of Time Remnant Barry being an "unreliable narrator."

Anyway, this drives Time Remnant Barry crazy, so he goes back in time and becomes Savitar, spreading the lie that he was the First Speedster, convincing people he's a god and recruiting acolytes.

Savitar then murders Iris to drive Barry into a depression and start the whole cycle all over again.

Is that it? Did I get it right? I'm honestly not sure.

Savitar's origin is a classic example of the Bootstrap Paradox. He created himself (just like he said earlier in the season), and his origin has no definite starting point. As Cisco says, it's a closed loop, with no beginning or end. 

• At the beginning of the episode, Savitar/Barry infodumps his origin story to Present Barry. Present Barry then threatens to kill himself, which will prevent Savitar from ever being created and erase him from the timeline. Savitar/Barry smugly says, 
"Cause and effect's a tricky thing. Didn't work so well for Eddie, did it? Shot himself in the chest. Thawne's still kicking around. See, that's the thing about time travel, Barry. The more you do it, the less the rules apply to you."
For some reason, Barry takes Savitar's word for this. Not that I want Barry to kill himself, mind you, but I don't understand why he's so quick to believe an evil supervillain here.

And of course Savitar was lying! When Cisco gives Barry temporary amnesia, Savitar loses HIS memory as well! So Present Barry's death WOULD eliminate Savitar after all! He just bamboozled Barry into believing him!

• The season may be almost over, but there's still one more mystery left to solve! 

During their meeting, Savitar and Barry have the following chat:

Savitar: "God feels no pain. All I had to do was become one. And I only need two more things for Iris to die so that you are driven so far into the dark that I can be born."
Barry: "And the other?"
Savitar:"It may sound ironic given who I'm talking to, but I'll keep that one to myself."

GROANNNNN!!! This show just can't stop with the secrets, can it/ Welp, I guess we'll find out what the "other thing" sometime in the next two weeks...

• Wow, Barry and Iris actually speak to one another in this week's episode. They didn't say a single word to one another in last week's episode, which seems odd considering she's scheduled to die in a few weeks.

Also, Iris actually had something to do this week besides stand around in the background at STAR Labs.

 Funniest moment in the whole episode: After Barry loses his memory, he asks Wally how they know one another. Wally says they're "brothers." Barry then tries to surreptitiously sneak a look at his hand to check out his skin color! HAW!

Kudos to Grant Gustin (aka Barry), who actually has excellent comedy timing. Too bad he never gets to use it much on this show.

 Barry suffers temporary amnesia and can't even remember his name. He gets out his wallet and sees his ID, which says he's "Bartholomew Henry Allen." He says that's not a good name, and decides to go with "Bart," claiming it sounds cooler.

Bart Allen was actually a character in the comics. He was a teen speedster who originally went by the name Impulse, and later became the new Kid Flash. I'm pretty sure this scene was an homage to him.

 So the central conceit of this week's episode is that Savitar knows everything the STAR Labs Gang is going to do, because he lived through all this and remembers it. All well and good.

Right after Barry briefs the Gang on Savitar's origin, he asks HR how Tracy's coming with the Speed Force trap. HR says "slowly," and Barry tells him to get her to speed it up.

Whoops! If Savitar knows everything that Barry knows, why the hell is HR telling him ANYTHING at all about the Speed Force trap? He should tell Barry it's none of his goddamned business, and keep him as far away from Tracy as possible so he can't see what she's doing and remember it after he (sort of) becomes Savitar!

 Halfway through the episode, it becomes patently obvious that Iris actually prefers Innocent Carefree Barry to the Serious Mopey Barry she's currently engaged to. She even goes so far as to tell her father that she wishes they didn't have to restore Barry's memory/personality!

Does this sound like the words of a woman who should be getting married soon? Jesus Christ, if telling your dad you like the brain-damaged version of your fiance better than the normal one isn't a huge red flag, then I don't know what is. Joe needs to sit Barry and Iris down and convince them to call off this wedding, STAT! 

• Last week's cool Killer Frost ice slide scene must have broken the effects budget. She didn't use her powers even once in this episode. Not even one tiny ice blast!
• Earlier this year in the big four part Invasion! crossover event, Professor Stein and Jefferson Jackson of Legends Of Tomorrow stumbled into a secret room inside their timeship, the Waverider.

In this room they found a recording from Future Barry Allen, in which he confessed to Captain Rip Hunter that he altered the timeline, creating Flashpoint. Future Barry also told Rip not to trust anyone, including him.

So far this dangling little plot thread has gone unresolved, until now. This week when Cisco finds out that Time Remnant Barry becomes Savitar, he says, "So when the Legends found that message in the Waverider from old you saying 'Don't trust Barry Allen,' it was talking about Savitar Barry Allen."

So, plot thread resolved, I guess, in the most unspectacular way possible. By the way, I don't know why Cisco called the Barry in the message "old you," as I was under the impression that particular version was from the future. 

• Heat Monger may be the lamest supervillain the show's ever come up with. He's nothing but a very, very poor man's Heat Wave. And let's face it, as powers go, Heat Wave's not exactly that impressive to start with. He's a guy with a flamethrower! Literally ANYONE can have that power. All you need to do is pick one up and pull the trigger.

• Halfway through the episode, the incredibly lame Heat Monger's set free when Barry can't testify against him. Literally an hour later (maybe less!) he's back on the streets wreaking havoc, setting office buildings on fire. Seriously? The ink isn't even dry on his release papers, and he's committing crimes again already?

This is patently ridiculous even in a comic book world. He must have RAN from the courthouse to his hideout in order to gear up that quickly!

• Earth-19 Watch:
This week we find out that the only version of Star Trek that Earth-19 has is Voyager! Yikes! Remind me never to go there!

OK, I get the joke here, as many fans consider Voyager one of the lesser spin off series. But that's the problem it's a spin off. It cannot exist without the Original Series to inspire it. 

The only way this could work is if the Earth-19 version of Voyager is significantly different from the one in our world.

• Last week the Gang brought Tracy Brand into STAR Labs and told her all about Savitar and her future, so she could start working on her Speed Force trap several years early. I wondered if they also told her the Flash's secret identity.

This week we get confirmation that they did not. When HR announces that Tracy's made a breakthrough, Barry and Wally both suit up before they appear in front of her, indicating that they've not told her their secret identities.

I'm actually amazed at this! They've announced their true identites to every other person on the show, so it's refreshing to see them actually keep it a secret from someone. Although for the life of me I honestly don't see why they didn't tell her!

• Tracy tells the Gang she's successfully designed a "bazooka" that will permanently trap Savitar in stasis inside the Speed Force. There's just one small problem. I'll let Tracy explain:

Tracy:"In order to generate enough power to magnetize Savitar's radial field and keep him in a state of perpetual stasis inside the Speed Force, we need by my calculations 3.86 terajoules of energy."
Joe:"I'm guessing that's more energy than in a AAA battery."
HR: "Yes."
Cisco: "That's more energy than in the sun!"

Well now, hold on there, Cisco! A joule is described as "the work required to produce one watt of power for one second." A terajoule then is equal to ONE TRILLION joules.

OK, that sounds like a massive amount, and 3.86 of them sounds like even more! But the bomb that was dropped on Hiroshima released 63 terajoules of energy! I seriously doubt the first atomic bomb was more powerful than the goddamned Sun, so it must produce far, far, more than 3.86 terajoules! Cisco's way, WAY off here!

By the way, I am not a physicist or electrical engineer. I found out this information with literally thirty seconds of googling!

• At least Tracy didn't say the Speed Force bazooka needs 1.21 gigawatts of power to function!

• After Tracy explains that her bazooka needs a ridiculous amount of power, Iris says, "Guys, where are we gonna find something like that?" Barry then gets a knowing look on his face, and we immediately cut to a glowing red jewel inside some kind of high security cage, which unfortunately is guarded by (I guess?) Kind Shark.

OK, I have NO idea what's going on here. As far as I know, the last time we saw King Shark on The Flash was back in, er, King Shark in Season 2. King Shark escaped from ARGUS, and Barry helped recapture him and place him back in his high security holding pool there. 

His ARGUS holding facility was just a pool, and I don't remember any glowing red energy sources in it.

ARGUS is associated with Arrow, which I haven't been watching, so it's possible this red thing popped up there. Actually it looks like something that would be more at home on Supergirl, but she lives on a completely different Earth, so I don't see how that could be. Hopefully we'll find out what's going on here next week.

• This Week's Best Lines:
Savitar/Barry: (seeing Present Barry) "It's like looking in a mirror. (indicates the scarred right side of his face)  Well, not quite."

Julian: (after hearing that Savitar is Time Remnant Barry) "That explains why Caitlin was willing to follow him. He has a face that she trusts."
Barry:"Half of one anyway."

Barry: (seeing Cisco's mind-wiping contraption) "You want to give me a perm?"
Cisco:"It's not for your hair, Steel Magnolia."

Barry: (after being mind-wiped) "Are you guys experimenting on me?"
Julian: "No one is ex... well, yes, technically, yes. But but it was consensual."

Barry: "No, how do I know you didn't kidnap me here to do some weird brain surgery on me? Or maybe you're like those criminals who trick people into hotel rooms so they can steal their kidneys. (lifts up shirt) Do I still have my kidneys?"
Julian: "We don't want your kidneys."
(note that Barry doesn't remember who he is, but somehow he still retains the knowledge that people who travel to third world countries sometimes allegedly have their kidneys harvested)

Killer Frost:"What's that saying? 'Man plans and God laughs?' Well, men are planning.
And what's the God of Speed doing? Kneeling."
(She's been on a real literary streak the past couple of weeks)

Barry: (as he testifies in court by reading what Julian types on his hi-tech glasses) "Uh, yes, I am a CSI at the CCPD under the expert direction of Julian Albert. Smiley face."

Cisco: (trying to jog Killer Frost's memory and turn her back into Caitlin) "There was this one time we had this very strict deadline, and Dr. Wells was super hard on us. All of us, even Hartley."
Julian: "Who's who's Hartley?"
Cisco:"Oh, he was this guy we used to work with. Such a dick. You actually reminded me a lot of him when you first came onboard."
(Cisco's referring to Hartley Rathaway, aka the Pied Pipfer here, and it's been a running joke on the show that he constantly refers to him as a dick)

Not A Moment 2 Soon!

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Good news today, folks! Our long national nightmare is FINALLY overCBS just announced it's canceling 2 Broke Girls! Huzzah! Pity it took them six seasons.

I freely admit I've never watched an entire episode of this "show." I probably saw a grand total of five minutes of it over the past six years, as I waited for other shows to start. I'd see the occasional promo for the series here and there, and my god, even those were shockingly vulgar. 
It's like the show was written for and by horny fourteen year old boys.

For example, here's just a sampling of the show's "hilarious" brand of humor:

Blonde Broke Girl:
"How far should I go on the first date?"
Other Broke Girl:"Anal?"
(Stay classy, CBS!)

Other Broke Girl: "You just made it in to Oleg's 'spank bank!"
Oleg:"Congratulations!"

Other Broke Girl: (as she tries vaping for the first time) "This is silly. If. If I'm gonna suck on something this hard and get no pleasure out of it, I should just date."
(Congratulations, CBS! You just brought the blowjob joke to Prime Time TV!)

Blonde Broke Girl: "You're lucky I edited your application."Other Broke Girl: "Why? What was so bad?"Blonde Broke Girl: "You requested to work in Santa's sex toy shop. Max, that's not even a thing."

Other Broke Girl: "Tell that to my candy-cane shaped vibrator."Blonde Broke Girl: "Max!"Other Broke Girl: "I call it "Santa's big helper!"
(Yep, nothing goes together like Xmas and vibrator jokes!)

Blonde Broke Girl: "Max, the guy is coming right now."Other Broke Girl: "That's the first time anyone's been polite enough to announce that to me."
(You can practically feel the writer straining here as he bends over backward trying to make a "joke" out of this)

Other Broke Girl: "Oleg, Sophie is just feeling a little smothered."
Oleg: "She feels smothered? Have you ever tried motorboating those cans of hers?"
Other Broke Girl: "Once, but I was very drunk at the time."
(Jesus Christ, now they're doing motorboating jokes on TV!)

Blonde Broke Girl: "Oh, a surprise party. Isn't this sweet, Max?"Other Broke Girl: "I don't trust it. Last time Oleg yelled "surprise" at me, his penis was on a hot dog bun."
(HAW HAW! Indecent exposure and sexual harassment in the workplace is hiLARious!)

Ace: Hey, you know what's cool? Other Broke Girl: Short guys with big penises?
(That's... that's not even a joke...)

Max Black: "Stop fighting it; just give in to it. I don't know why I'm quoting a rapist... "
(From what I could tell, this show features an uncomfortably high number of rapist "jokes")

Sexual innuendo can be funny when it's clever and done right. There's no subtlety here though. It's just a bunch of unpleasant characters blurting out sexual positions and names of various orifices. Jeezus, you don't have to be a prude to think that this crap isn't funny.

Good riddance, 2 Broke Girls!

It Came From The Cineplex: Guardians Of The Galaxy Vol. 2

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Guardians Of The Galaxy Vol. 2 was written and directed by James Gunn.

Gunn previously wrote Tromeo And Juliet, The Specials, Scooby-Doo, Dawn Of The Dead(2014),Scooby-Doo: Monsters Unleashed, Lollipop Chainsaw and The Belko Experiment. He wrote and directed The Tromaville Cafe, Slither, Super and Guardians Of The Galaxy.

Let's all pause for a moment to consider the fact that the man who brought us hyper-violent films like Dawn Of The Dead and The Belko Experiment also wrote the fun, light-hearted Guardians Of The Galaxy space adventures.

Guardians Of The Galaxy Vol. 2 is of course a sequel to 2014's Guardians Of The Galaxy. It's also one of the most flat-out entertaining movies I've seen since the original Star Wars back in 1977. I spent the entire run time with a big, stupid grin on my face, as every frame of this film is an absolute joy to watch. It's been a long time since I've felt ANY emotion in the cineplex (other than disappointment and rage), so it was a wonderful change of pace.


Imagine, a movie that's actually fun to watch! What a concept! Are you listening to this, Warner Bros./DC?


It's hard to believe now, but back in 2014, many critics predicted that Guardians Of The Galaxy would be Marvel Studios' first big flop. They had a whole laundry list of reasons why— the source material was too obscure, the characters were all unknowns and the concept was just too weird for mainstream audiences. Industry insiders were convinced the film would spell certain doom for the studio. 


That didn't happen of course, as the first film went on to gross a whopping $773 million worldwide against its $170 million budget. So suck on that, movie critics!


It's no big secret why this film franchise is so successful
— it's all about the characters. Somehow James Gunn took these incredibly ridiculous and silly characters and turned them into living, breathing "people," He imbued them with real emotion, creating an oddly moving film. If you don't tear up a little at the end of Guardians 2, then you're already dead. It's an impressive feat, and I'm still trying to figure out how the hell he pulled it off!

Seriously, during the film I suddenly realized I was caught up in the emotional interplay between a blue man with a red fin on his head and a talking raccoon! Amazing!

Another big plus: EVERY character in the film gets their own little story arc. Even minor characters like Kraglin and Ayesha change over the course of the film, and actually affect the plot, rather than being crammed in as fan service. That couldn't have been an easy thing to accomplish, but somehow Gunn makes it look effortless.

A major plot point in the film involves Ego The Living Planet, a character from the comics that James Gunn had planned to use back in the first film. As Gunn was writing the script for Guardians 2, Marvel suddenly informed him that they didn't own the rights to Ego. He fell firmly under the Fantastic Four franchise, which is (unfortunately) owned by Fox.

Gunn was now stuck, as he couldn't think of an appropriate substitute for Ego. He then approached Fox and asked for permission to use the character. Thankfully they said yes, in exchange for being allowed to alter the powers of Negasonic Teenage Warhead's superpowers in Deadpool.


As you can tell by now, I enjoyed this movie quite a bit, but I have one small concern. As good as it is, Guardians 2 feels very much like the third leg of a trilogy, rather than the second. Gunn wraps up the major mystery of Peter's parentage, Gamora and Nebula kiss and make up and a popular character meets his doom. So what the heck is left for the third movie? Gunn seems to know what he's doing here, so I have faith he'll be able to deliver a compelling wrap-up to the series.

A study in contrasts: A couple months ago when I saw the Power Rangers movie (don't judge me!), I noted that it clocked in at a way too long one hundred and twenty four minutes, but felt like it lasted four hours. I honestly wanted to get up and leave during the many hour-long lulls in its run time. 


Meanwhile, Guardians Of The Galaxy Vol. 2 is one hundred thirty six minutes long, and it absolutely breezed by. I was honestly shocked when I looked up its run time, as I thought it was well under two hours. Imagine that! A sci-fi action film that's fun and fast-paced, and not bogged down by unnecessary exposition.

One major complaint: I would like to find the person or persons who made the trailers for Guardians 2 and punch them in the dick. There were three main trailers for the film, plus numerous "sneak peeks" and "exclusive looks." These previews revealed virtually EVERY joke, revelation and plot point in the entire goddamned film.


For example, the trailers featured the ENTIRE lengthy sequence in which Rocket explains to Baby Groot how to operate a doomsday device. Same with the part in which Mantis demonstrates her empathic powers on Star-Lord. These scenes were very funny, but think how much more humorous they'd have been in context if we hadn't seen them both IN THEIR ENTIRETY every week for six months before the film premiered!


Seriously, the ONLY plot points the trailers didn't reveal was Ego's true agenda and the major death at the end.


I get that trailers are meant to entice the public into seeing the movie. But they don't have to be a two minute version of the entire goddamned film to accomplish that. Plus was there really any doubt the public would show up for this sequel?


I knew Guardians 2 was going to be YUGE when I had trouble actually buying a ticket to see it. The day I went, EVERY showing was sold out at my local cineplexery (unless I wanted to sit in the front row and stare straight up at a fifty foot tall screen). That's something that hasn't happened around here since... ever?


I finally managed to squeak into a 3D showing of the film. I'm not a fan of 3D, as I generally hate it with a white hot passion. But the extra three bucks per ticket apparently scared off most theatergoers, so there were a few unsold seats left. Whew!


That said, I DO NOT recommend seeing this film in 3D. I don't know if it was a problem with the equipment at my cineplex or if the depth perception center of my brain is seriously screwed up or what, but there was definitely something wrong with the picture.


Closeups were OK, but any time there was a long shot or a landscape scene, the 3D made the characters look like toys. They looked tiny, like HO scale railroad figures— almost like those tilt-shift photos that were so popular a few years back. Surely it wasn't supposed to look like that?

A word or two about Disney. I saw four trailers before Guardians 2 started: Pirates Of The Caribbean: Dead Men Tell No Tales, Spider-Man: Homecoming, Thor: Ragnarok and Star Wars: The Last Jedi. It occurred to me that without fail, EVERY one of these trailers was for an upcoming Disney film. Every single one! They've become the Borg, snapping up various properties from wildly different sources and assimilating them into their own brand. It won't be long before EVERY film is from the House Of Mouse!


As I mentioned earlier, the first Guardians grossed an impressive $773 million worldwide. Guardians Of The Galaxy Vol. 2 is on track to surpass that, as it's raked in $630 million in its first ten days, against its $200 million budget! Can it pass the billion dollar mark?

BIG, HONKIN' SPOILERS AHEAD, INCLUDING THE DEATH OF A MAJOR CHARACTER! PROCEED AT YOUR OWN RISK!

The Plot:
We begin with a flashback to Missouri, Planet Earth, in 1980. Meredith Quill and her boyfriend, who looks amazingly like an Escape From New York-era Kurt Russell, enter the woods behind the local Dairy Queen. "Kurt" shows Meredith a weird alien plant in the woods. He says he was worried it wouldn't take root, and tells her that soon the plant will be "cover this whole place."Foreshadowing! He kisses Meredith, and she calls him her "space man."

Thirty four years later, we see the Guardians Of The Galaxy— Peter Quill, aka Star-Lord (played by Chris Pratt), Gamora (played by Zoe Saldana), Drax (played by Dave Bautista), Rocket (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel) standing on a platform on the planet of the Sovereign.

The gold-skinned Sovereign are a "perfect" society, as each citizen is genetically engineered to perform a specific function. As a result, they're reluctant to risk their own peoples' lives. They hire the Guardians to eliminate an interdimensional monster known as an Abilisk that feeds off their energy source.


The Guardians ready themselves, and the Abilisk appears. It plops down onto the elevated platform, and the Guardians begin fighting it, while Baby Groot dances to ELO's Mr. Blue Sky (!). After they all blast away at the Abilisk for a while, Drax notes that they can't harm it from the outside, so he leaps into its mouth to kill it from the inside. Star-Lord notices the creature has a cut on its neck, and orders Rocket to get it to look up. When it does, Gamora leaps onto the Abilisk and slices it open with her sword. It collapses and dies, and Drax spills out of the slit, thinking he killed it singlehandedly.

The Guardians enter the Sovereign throne room to collect payment. Star-Lord warns them to be careful, as the Sovereign have very strict laws, and the penalty for any infraction is death. They appear before Ayesha, High Priestess of the Sovereign. She thanks them for eliminating the Abilisk, and gives them their payment: Gamora's sister Nebula, who's to be turned over to Xandarian authorities.

Before they leave, Ayesha asks Peter where he's from. He says his mother was from Earth, but he doesn't know who his father was. She says she senses something reckless in him. As the Guardians leave, Rocket nudges Drax and shows him that he stole a bag full of the Sovereign's priceless Anulax batteries. Drax roars with laughter.

The Guardians take off and head for Xandar. Suddenly a huge fleet of Sovereign drones appears and begins firing on them. Peter wonders why, and Drax blurts out that Rocket stole the batteries. Gamora notes there's a jump point to the planet Berhert ahead, but it'll take several minutes to get there. Peter goes all Empire Strikes Back and tries losing the drones in a "quantum asteroid field," but Rocket wrestles control from him, saying he's the better pilot. Their bickering gets the ship pounded by asteroids, severely damaging it. They exit the field and are immediately surrounded by more drones.

Suddenly the drones are all wiped out by a man riding on top of a large, egg-shaped ship (!). The Guardians are then able to make the jump. They appear over Berhert, but the ship is so damaged it crash lands on the planet.

They survey the damage and argue amongst themselves. Suddenly the egg-shaped ship appears and lands. A man who looks amazingly like Django-era Kurt Russell exits, along with Mantis, his alien assistant. Peter asks who the hell the man is, and he says his name is Ego, and he's been searching for them for a long time. Ego says, "I'm your dad, Peter."

On Contraxia, Yondu and his Ravager clan visit a brothel (in a Disney movie, yet!). Yondu spots his mentor, Stakar Ogord (played by Sylvester Stallone!!!) and calls to him. Stakar isn't happy to see Yondu, and exiles him from the Ravagers for breaking their code and dealing in children (referring to the time Yondu abducted young Peter Quill in the first film). A Ravager named Taserface (!) says Yondu's going soft, and thinks they need new leadership. Yondu's right hand man Kraglin (played by Sean Gunn) agrees. Suddenly Alesha arrives on Contraxia with her entourage, and offers Yondu a job...

Back on Berhert, Ego explains to Peter that after he found out Meredith Quill died, he sent Yondu to Earth to pick him up. Peter says he doesn't understand why Ego left his mother in the first place. Ego invites Peter and his friends to his planet, saying all his questions will be answered there. Peter's suspicious, but Gamora says he's been looking for his father for years, and convinces him to go. Peter, Gamora and Drax enter Ego's ship, while Rocket and Baby Groot stay behind to repair the ship and keep an eye on the captive Nebula.

Ego's ship takes off. Inside, Peter sees Mantis touch Ego's forehead and put him to sleep. She explains to the Guardians that she has empathic powers. If she touches someone she can sense their feelings, and can also alter a person's emotions. She says Ego keeps her around to help him sleep.

Back on Berhert, a huge army of Ravagers sneak up on the Guardians' crashed ship. Most of them are taken out by Rocket's elaborate booby traps. Finally Yondu shows up with his whistle-controlled flying Yaka arrow, pointing it right at Rocket's head. They capture Rocket and Groot, but when Taserface asks where Peter is, Yondu tells him they're not turning him over to the Sovereign. Taserface says Yondu's not fit to lead and challenges him. Kraglin speaks up as well, noting that Yondu always backs down where Peter's concerned. Suddenly Nebula appears and shoots the arrow control crest on top of Yondu's head, effectively neutering him. She then aligns herself with the Ravagers, as the now powerless Yondu's taken captive as well.

Ego's ship arrives at an amazingly beautiful planet. As they sail over the surface, he explains to his guests that he actually IS the planet. He's a Celestial, an incredibly old and powerful being, who started life as disembodied brain that floated through space for millions of years. Over time he learned to control molecules, and built a protective shell around himself. Eventually he constructed an entire planet, with his brain as its central core.

Ego became lonely, and created a humanoid form to travel the galaxy and interact with various races. He met Peter's mother Meredith, fell in love and fathered a child with her. He says he's been searching for Peter ever since. Peter asks Ego why he left Meredith if he loved her, and he explains that his human form has to return to the "light" periodically, or it will wither and die. Peter asks what he means by the "light." Ego says, “It’s an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together.” Er, strike that. He says it's an energy source, 
and shows Peter how to access it. Peter holds out his hands and a ball of pure energy appears. He and Ego then literally play "catch" with the ball, just as a normal father and son would do.

On the Ravager ship, Taserface rounds up everyone who was loyal to Yondu and tosses them out the airlock. This causes Kraglin much consternation, as he regrets his decision. Taserface starts to throw Rocket and Yondu into space, but Nebula reminds him that the Kree will pay a handsome bounty for the two. Taserface throws them into a cell instead. Nebula demands a new cybernetic hand and a ship. Kraglin gives her both, and she blasts off to hunt down and kill Gamora.

On Ego's planet, Drax and Mantis bond, even though he thinks her cute and perky looks are hideous. She looks worried, and says she has something important to tell him. She clams up when Gamora interrupts, and shows them to their quarters instead.

Meanwhile the Ravagers abuse Baby Groot, kicking him around and pouring beer on his head. In their cell, a despondent Yondu tells Rocket he was a Kree slave, until Stakar rescued him and made him a Ravager. Rocket asks Yondu why he kept Peter around. He hesitates for a second, then says it's because Peter was good for thieving, as he could fit into spaces others couldn't. 

Suddenly Baby Groot shuffles by, and Yondu tells him to go to his quarters (which are now occupied by Taserface) and bring back his prototype head fin. Baby Groot sneaks into the quarters and brings back a series of increasingly ridiculous items, none of which are a fin.

Finally Kraglin returns to the cell with Baby Groot. He tosses the fin to Yondu and begs for mercy, saying he didn't know Taserface would take things this far. Yondu considers him for a moment, then tells him to ready his ship. Kraglin opens the cell door as Rocket attaches the new control fin to Yondu's head. He whistles and his arrow flies through the ship, killing every mutinous Ravager in a spectacular orgy of violence.

Yondu saves Taserface for last. Instead of piercing him with the arrow, he sends it into the engines, causing them to explode. Taserface manages to send Yondu's location to Ayesha seconds before he dies. As the rest of the ship explodes, the back third of it detaches and Yondu, Rocket, Baby Groot and Kraglin escape. Rocket sets a course for Ego's planet, which will require seven hundred hyperspace jumps (a procedure that's not recommended.

On Ego's planet, Peter puts the moves on Gamora, but she's not having it, saying there's no unspoken "thing" between them. She tells Peter something's not right with Ego, and he explodes, angrily saying she's just jealous because she's not a half-god like him, and upset that he's finally found a family. She says she thought he already had one and storms out.

Gamora sits brooding in an empty field, and sees a ship in the distance. It's Nebula, who begins diving and firing at her sister, North By Northwest-style. Gamora runs into a cave, but Nebula flies her ship right into it, crashing on a ledge far below. Gamora pulls her out of the wreckage, and Nebula immediately starts fighting her. 


After a lengthy battle, Nebula declares herself the winner. She says when they were children, their father Thanos would always praise Gamora when she won a contest of strength. Unfortunately he'd mutilate Nebula when she lost, replacing her body parts with cybernetics. This led to her resentment of Gamora, when all she wanted was a sister. Gamora says she had no idea, and the two come to an understanding. 

As the two look for the exit, they discover a huge cavern filled with thousands of skeletons. Gamora tells Nebula they need to get off the planet immediately. Meanwhile, Yondu, Rocket and the others land on Ego's planet. Rocket says he wants to rescue Peter so he can lord it over him. Yondu calls out Rocket, saying he knows he puts on a tough-guy facade because he's scared.

Ego tells Peter that as long as the Force, er, light exists within the planet, they'll both be immortal and have near unlimited power. He touches Peter's forehead, causing him to perceive the eternity of the entire universe. Ego reveals his plan to Peter, which he calls "The Expansion." For millennia Ego's been placing "seed pods" (extensions of himself) on thousands of different worlds. When activated, he'll cover entire planets and literally become the entire galaxy! He says one Celestial doesn't have the power to do this, but two just might. Mantis overhears this, and wakes up Drax to tell him what's going on.

Ego says that out of all the thousands of children he fathered in the galaxy  Peter's the only one who has Celestial powers. He admits that he eliminated all his previous "normal" children (which were the skeletons Gamora and Nebula found), and says he regrets having to kill Peter's mother by placing a tumor in her head.

This enrages Peter, snapping him out of his cosmic acid trip. He shoots at Ego, blowing huge holes in him. Ego simply reconstitutes his body and begins drawing power from Peter. On Earth, we see the seed pod that Ego planted behind the Dairy Queen grow and start consuming the entire town.

Rocket, Baby Groot and Yondu take a shuttle to the surface and meet up with Gamora, Drax and Nebula. Everyone's filled in on what's going on, and they decide to stop Ego and rescue Peter. Just then another Sovereign drone fleet arrives and attacks, destroying Yondu's shuttle. Rocket cobbles together a laser device that takes out the Sovereign fleet, much to the dismay of Ayesha (who of course is back on her planet). Ego attacks the Guardians, but Mantis touches the planet and is able to make him sleep temporarily. She says the only way to kill Ego is to destroy his brain at the center of the planet.

Rocket builds a makeshift bomb with his remaining Anulax batteries. Unfortunately he and Peter are too large to fit into the cavern leading to the planetary brain. Rocket gives the bomb to Baby Groot, with instructions on which button to push. Mantis is hit by debris and knocked out, releasing her hold on Ego. He wakes and begins attacking the Guardians, encasing them all in rock. Just before Yondu's encased, he tells Peter that he didn't turn him over to Ego because he was like a son to him.

This gives Peter the strength to fight back, using his Celestial powers against Ego. His hold on the Guardians weakens, and they're able to get free. Baby Groot places the bomb on Ego's brain and miraculously pushes the right button, activating the five minute countdown.

Kraglin lands the ship on the surface, as Drax, carrying Mantis, jumps in. Gamora and Nebula make it to the ship as well. Rocket tries to save Yondu, but he refuses to go, saying he wants to atone for his life of crime. Rocket understands and gives him a spacesuit button and rocket pack, knowing Yondu will only be able to use one of them himself. He returns to the ship. Gamora wants to go back for Peter, but Rocket stuns her, saying he's lost too many friends already.

Ego senses the bomb and pleads with Peter to help him diffuse it. He says if the light is destroyed, Peter will no longer be a god, but just an ordinary person. Peter says that sounds pretty good to him, and blocks Ego. The bomb goes off, and Ego's human form dissolves. The planet then begins breaking up with Peter deep inside it.

Suddenly Yondu, wearing the jetpack, grabs Peter and flies him into space. He slaps the spacesuit button on Peter, and it envelops him in a protective shell. Peter realizes what Yondu's doing and yells for him to stop. Yondu says that Ego may have been Peter's father, but he was never his daddy. The two exit the atmosphere and Yondu freezes and dies.

Later on the Guardians prepare to cremate Yondu. Peter delivers a eulogy, which somehow involves family and David Hasselhoff. Gamora sees Nebula lurking in the shadows and asks her to stay. She refuses, saying she's going to hunt down Thanos and make him pay for what he did to them both. Gamora awkwardly hugs her. Gamora puts her arm around Peter, saying maybe there's something between them after all. Peter gives Kraglin Yondu's arrow. He gives Peter a Zune he found in a junk shop, bragging that it holds a whopping three hundred songs (!). As Yondu's ashes float into space, Stakar and hundreds of other Ravagers show up in their ships to give him a proper sendoff.

During the end credits, Kraglin practices controlling the arrow. It inadvertently flies into Drax's chest, and Kraglin flees in terror.

Stakar reunites with his old team (the original Guardians Of The Galaxy), including Martinex (played by Michael Rosenbaum), Charlie-27 (played by Ving Rhames), Aleta (played by Michelle Yeoh) and Mainframe (played by Miley Cirus, if you can believe that).

Back on the Sovereign Homeworld, Ayesha stares at a large birthing pod, saying she's created an even more perfect being to destroy the Guardians. She says she'll call the being Adam (as in Adam Warlock, a character from the comics).

Peter enters the now teenaged Groot's room, telling him it's disgusting and to clean it up. Groot mocks him as he constantly plays a videogame.

Stan Lee sits on a distant moon, telling stories to a group of Watchers. They become bored and wander off.

Thoughts: 
• The movie begins with Meredith Quill enjoying a date with Ego, who looks just like a young Kurt Russell. The de-aging of Russell here is some of the best I've ever seen, and nothing short of amazing! 


Marvel Studios did the same trick with Robert Downey Jr. in Captain America: Civil War, de-aging him back to his early twenties. He looked very good, but there were a couple of scenes in which the effect didn't quite work. They were about 98% there.


Not so here in Guardians 2. Russell looked like he just stepped off the set of Escape From New York or The Thing to film these scenes. 


Of course it didn't hurt that even at sixty six years of age, Kurt Russell is still amazingly youthful looking. Russell insists that they achieved the de-aging effect with "90% practical makeup," and just a little bit of touching up from a computer. Eh, I don't believe that. No amount of makeup on Earth is gonna make a sixty six year old look like he's in his twenties. 


James Gunn confirmed my suspicions, saying there was some practical makeup involved, but the majority of the effect was achieved with a LOT of painstaking and time-consuming CGI work.


By the way, Kurt Russell was the absolute perfect choice to play Ego. He's charming and charismatic, with just a slight undercurrent of menace that the role needs. I honestly can't think of a better actor to play the part.


The Marvel Cinematic Universe has always had a problem with its villains, as with the possible exception of Loki, they've all been sadly lacking. Russell's Ego is most definitely the best villain in the MCU (which I will admit is damning him with faint praise).


Kurt Russell actually got his start by appearing in Disney films in the late 1960s through the early 1970s. And now he's come full circle, making movies for them again in 2017!


• In the prologue, Laura Haddock reprises her role as Peter's mom, Meredith Quill. She played Meredith briefly in the first film's prologue as well, as we saw her on her death bed.


Haddock also had a very brief appearance in 2011's Captain America: The First Avenger, playing a fan of Steve Rogers.

• Ego and Meredith have a romantic interlude in the woods behind the local Dairy Queen. Later on when Ego's "Expansion" begins, we see a giant blue blob engulf the exact same DQ, thirty four years later.


If you look closely, you'll note that the 1980 Dairy Queen looks suitably retro, with an ad for banana splits on the marquee. It's been updated to a modern DQ in the 2014 scenes, with an ad for Blizzards. Nice attention to detail!


By the way, THIS is how you do product placement in a movie— unobtrusively and in the background. You don't make Dairy Queen part of the plot and stop the movie cold for a goddamned commercial (I'm lookin' at you, Power Rangers and Krispy Kreme!).


• According to James Gunn, this film takes place just four months after the first one, in 2014. So why isn't it taking place now, in 2017? I dunno. Maybe because Marvel Studios wants Peter Quill to be thirty four and not thirty seven, which is dangerously close to forty?

• At the end of the first movie, Groot sacrificed himself to save his teammates. Luckily Rocket was able to salvage a cutting from him, which grew into Baby Groot. Obviously he's a physical clone of the original Groot, but the question is, does he have his memories as well?


According to Gunn, no he does not. Groot's memories died with him, and Baby Groot is an entirely new "person."


• Speaking of Baby Groot— before the movie came out, I was a little worried that he'd turn out to be an obnoxious and annoying "cutesy" character, one designed to elicit squeals of "Awwwww!" from the audience and sell millions of toys.


I needed have worried. As usual, Gunn knows exactly what he's doing, and uses Baby Groot sparingly and effectively. He's in the movie jussssst the right amount, and his appearances are integral to the plot and never feel gratuitous. 


I think part of the character's success lies in the fact that Baby Groot acts like an actual toddler and not some wisecracking monstrosity designed by a marketing team.

Take note, filmmakers! Wanna make a "cute" character that doesn't fill the audience with rage and revulsion? Do it like this (Yeah, I'm lookin' at you, George Lucas, and Jar Jar Binks)!


• Right after I watched Guardians 2, I immediately sat down and rewatched the first movie. In it, I noticed that Drax spoke very formally, in an almost archaic manner. He said things like, "This vermin speaks of affairs he knows nothing about,""Spare me your foul gaze woman!" and "This one shows spirit. He shall make a keen ally in the battle against Ronan!"
Suddenly in the new film Drax speaks like a standard 21st Century human. I'm assuming this happened after hanging around with the other Guardians for a few months.

I'm not complaining here, mind you, it's just an observation. Drax is also much funnier in this film as well.



• Gamora asks Nebula why she hates her so much and is trying to kill her. Nebula says that when the two of them were kids, their father Thanos would make them compete with one another. Every time Gamora won, Thanos would punish Nebula by removing a part of her body and install a cybernetic replacement. Ouch!

Gamora must have lost a few times as well! When she's arrested by the Nova Corps in the first film, we see a computer readout during her "mug shot." It's hard to see here, but the readout says:

Last survivor of the Zehoberei race
Enhancements: 

Cybernetic skeleton
Ocular & respiratory implants, enhanced
Neurological system, enhanced
Regeneration implant

Kind of sounds like Thanos replaced a lot of her body parts too. Is Nebula not aware of that? Or were Gamora's enhancements considered "rewards," to make her a better assassin?


I guess Gamora's cyborg parts are what allows her to do things like this.

By the way, during that mug shot scene, Star-Lord's readout says he has a "translator implant in neck." I guess that's to explain how he can speak to and understand different alien races?

 One of the few complaints I had about the first film was that Yondu was missing his trademark head fin, and instead had what appeared to be a pale red soap dish glued to the top of his noggin.

He finally gets his proper head fin about halfway through Guardians 2. Huzzah! Annnnnnd then he's killed off a few minutes later. Sigh...

By the way, in the film;s his fin is some kind of cybernetic control mechanism that he uses to control his flying Yaka arrow. In the comics his fin was just a natural feature of his particular race.

And speaking of Yondu's race... after his crew mutinies and he's locked up, he tells Rocket that he was a Kree slave who was freed by Stakar. That's a major change from the comics, where Yondu is a member of the Zatoan Tribe of Centauri IV.


But you know what? I'm OK with this change! It would no doubt confuse the audience if there was more than one race of blue skinned aliens in the films, so it makes sense to simplify things a bit and make Yondu a Kree.


This is the fifth collaboration between writer/director James Gunn and actor Michael Rooker, who plays Yondu. Rooker appeared in Slither, Super, Guardians Of The Galaxy and The Belko Experiment (which Gunn wrote but did not direct).


 In the comics Mantis has a very convoluted backstory that would take several hours to explain. She started out as a half German, half Vietnamese human who learned advanced martial arts skills from living with the alien Kree. Recently the character was overhauled and is now a green-skinned alien.

Gunn decided to alter the character again for the film, giving her pink skin, as he didn't want two green females on the team. He kept her alien origin as well, as he wanted Peter Quill to be the only Guardian from Earth.


• Back when Guardians Of The Galaxy came out, I said I loved the film, but even I had to admit it was pretty much just a big-budget version of Farscape.
Every main character in the film had a analogue on the show. There's the wisecracking human who's transported to the other side of the galaxy, the beautiful and deadly female assassin, the stoic, hulking strongman, the wisecracking diminutive alien, and the serene plant-like being.

Welp, that trend continues in Guardians Of The Galaxy Vol. 2In Guardians 2, an exotic-looking alien girl named Mantis joins the crew. She has psychic powers that allow her to feel and affect other people's emotions.

In Farscape, an exotic-looking alien girl named Chiana joined the crew halfway through the first season. After a while she developed psychic powers that allowed her to see the future.


In Guardians 2, Yondu vowed revenge on Peter Quill and pursued him across the galaxy. Eventually he abandoned his quest for revenge and became a member of the crew.

In Farscape, an evil Peacekeeper named Crais vowed revenge on main character John Crichton and pursued the crew across the galaxy. Eventually Crais abandoned his quest for revenge and became an ally and sometime member of the crew.


• In my review of Guardians Of The Galaxy, I said since it was so similar to Farscape, it would be a nice touch if actor Ben Browder, aka John Crichton, played Peter Quill's father.

That didn't come to pass of course, as Kurt Russell ended up playing Ego, and I have to admit he was the best possible choice.


That said, somebody at Marvel Studios must have been listening to me, because Ben Browder actually has a small part in Guardians 2! He plays the gold-skinned Sovereign Admiral, Ayesha's right hand man.


I like Browder, but unfortunately he affects the absolute worst British accent here that I've heard since Kevin Costner in Robin Hood: Prince Of Thieves!


• Guardians Of The Galaxy Vol. 2 also has a number of obvious parallels with The Empire Strikes Back. The characters and their world are expanded, the team is split up, they've got an evil space empire chasing after them, there's a chase through a bigger, more dangerous asteroid field, a character betrays the team and then redeems himself and there's even a huge father figure reveal.

• If I had to come up with one complaint about the film, it would be that James Gunn has a slightly annoying tendency to punctuate his dramatic moments with a joke. This often has the unfortunate effect of completely undercutting the movie's more powerful moments.

Case in point: Late in the film, Ego lets it slip that he killed Meredith Quill, which enrages Peter. He roars, "You shouldn't have killed my mom and squished my Walkman!" Cue slide whistle sound effect! Any tension or drama Peter was feeling was immediately deflated by that stupid Walkman aside, and was completely out of place here. Think how much more powerful that moment would have been without the quip!

Undercutting with a joke might be OK if he did it once, maybe twice, but he does it over and over. It's OK to have a heavy, serious line of dialogue once in a while.

• In the film, the Sovereign pilot their attack ships by remote control (using pods that look very much like video game consoles, complete with Galaga sound effects). Ayesha, the Sovereign leader, explains that they do this so as not to endanger the invaluable members of their society.

Although that works fine within the confines of the story, I wonder if there wasn't a real world reason for this. By having the Sovereign pilot their ships remotely, the Guardians could destroy as many of them as they wanted, without actually killing anyone. This prevented out heroes from becoming mass murderers!
 


• Kudos to James Gunn for sneaking an alien brothel, complete with hooker-bots, into a Disney movie. And in case there was any doubt as to what was happening, when we first see Yondu he's putting his pants back on as a sex-bot stands nearby.


• In the film, a Ravager named Taserface leads a mutiny against Yondu, claiming he's become too soft.

Believe it or not, Taserface is actually a character from the comics. He's a warrior from a cybernetically enhanced people called The Stark. This race got ahold of Iron Man technology that somehow ended up on their planet, and they worship Tony Stark as a god (!).

• Since the film premiered, fans have been trying to figure out just what Star-Lord's new t-shirt (that he apparently picked up in an alien boutique) is supposed to say. At first glance I thought it just said "Yeah Baby" in some weird font, but quickly realized that didn't make any sense.

Fortunately the internet sprang into action and solved the riddle. Supposedly the shirt reads "Gears Shift," which actor Chris Pratt says is the name of some kind of space candy (?).

This is allegedly the alien alphabet, which is called "Klyn." It's from Territory Studios, who did the graphics for the first film. I dunno... if this is supposed to be a simple "substitution alphabet," then something's off somewhere. According to this, the letter "G" looks like "Phi" in the Greek alphabet, but the "Gears Shift" shirt doesn't start with this symbol. Either this chart is seriously messed up or whoever made the shirt couldn't spell very well!

• James Gunn has become a master of knowing when to shut up and SHOW us what his characters are thinking, rather than have them needlessly explain their thoughts to the audience.


Case in point: Drax and Mantis sit on the steps of Ego's castle. She places her hand on Drax's arm, using her empathic powers to sense what he's feeling. She immediately starts weeping openly, as she experiences the overwhelming sadness Drax still feels over the death of his wife Hovat and daughter Kamaria. And yet Drax sits quietly as he stoically stares into the distance.

A lesser filmmaker would have written a five minute speech for Drax here, but it wasn't necessary. Mantis' reaction told us everything we needed to know.


• Even though I love this movie quite a bit, I have to admit it has its share of plot holes:

After Ego fathers Peter on Earth, he has to leave the planet to recharge his human body. He then hires Yondu to abduct Peter and bring him back to his own planet, to see if he carries the Celestial gene.


Yondu realizes what Ego's planning, and refuses to hand Peter over to him. Ego spends the next thirty years or so searching for Peter.


Why was it so hard for Ego to find him? Think of it this way: You hire a guy to abduct your son from his caretakers and bring him to you. Unfortunately he's never delivered to you. Don't you think the first thing you might do is knock on the door of the man you hired to abduct him in the first place? That seems like a good place to start! Plus... he even says he's a god ("Small 'g,' son"). A god can't find one guy?


The Sovereign use remotely-piloted drones to attack the Guardians, so as not to endanger their own people. Yet Alesha willingly travels to a dangerous frontier planet in person to offer Yondu a job. Couldn't she have just sent him a space text?

Where'd the Ravagers find a Baby Groot-sized jumpsuit? Do they have Star Trek-style replicators?


Yondu's wearing his signature red fin on his head when he's cremated at the end of the film. A few minutes later in the end credits, we see Kraglin wearing it as he practices using Yondu's arrow. Whoops!

I guess it's possible Yondu had a spare fin lying around in the ship.

There were probably other glitches, but those are the ones I remember off the top of my head. Honestly, they didn't bother me or dampen my enjoyment of the film any. 


Now I know what you're thinking— that I'm a huge hypocrite, as I routinely write fifty thousand word reviews that tear down films and list their dozens of plot holes in minute detail, but then I give this movie's mistakes a free pass.

See, it's all about the overall tone, and how a movie makes you feel while watching it. Guardians 2 is a well-written and well-directed movie, but it's also a hell of a lot of fun to watch. That goes a lonnnnng way toward forgiving the occasional flub.

• Ego claims he's an ancient being called a Celestial. He says that eons ago, he sprang into being as a big space brain and gradually built a planet around himself.

Both Ego and Celestials appear in Marvel comics, but there they're completely different things. In the comics, Ego is a Cosmic Entity, and takes the form of a sentient planet whose geographic features form a gigantic face.

Celestials are a race of gigantic and powerful beings who wear elaborate armor, and meddle with the development of life in the universe. We briefly saw a Celestial in the original Guardians Of The Galaxy.

Once again, I think Gunn is probably changing things for the sake of simplicity. It's much easier for general audiences to understand if Ego just says he's a Celestial, rather than going into a long, drawn out dissertation on the cosmic races of the Marvel Universe.

By the way, there's a shot in the film where Kraglin arrives at Ego's planet to save the Guardians. As his ship flies across the screen, we see the planet in the background, and it has a giant craggy face, exactly like in the comics. Awesome!

• So Ego is a giant space brain that just popped into existence out in space one day. This is called a "Boltzmann Brain," and it's supposedly a real theory. According to physicist Ludwig Boltzmann (1844-1906), a Boltzmann Brain is a hypothesized self-aware entity that arises due to random fluctuations out of a state of chaos. The theory has something to do with why there's such a degree of order in our universe, instead of just a state of nothingness.

I'm not even gonna pretend to understand any of that, and I don't know if James Gunn based Ego on it, but I just thought I'd throw it out there.

• Ego explains his master plan to Peter, saying he traveled the galaxy and sired thousands of children on many different planets. He illustrates this with a series of dioramas, which show Ego (who looks like Young Kurt Russell) hooking up with a variety of alien women with radically different body types. 

Did Ego really appear to these aliens as a human male? That seems unlikely, as a tentacled alien or a gelatinous blob would likely find him repulsive— not to mention their genitals would likely be incompatible.


I'm betting Ego probably altered his body to look like whatever race he was trying to get busy with, and his dioramas just showed him as a human for the sake of simplicity.


• Yondu's spaceship is controlled by a goddamned steering wheel, which is something only James Gunn could get away with in a movie.

• When Yondu's ship is destroyed, he and Peter somehow escape just in the nick of time. Peter uses his jetpack to land, while Yondu holds onto his Yaka arrow, which gently lowers him to the ground. Peter looks up at Yondu and laughs, and the two have the following conversation:


Peter: "You look like Mary Poppins!"

Yondu: "Is he cool?"
Peter: "Hell yeah, he's cool."
Yondu: "I'm Mary Poppins, y'all!"

I laughed harder at that line than I have at anything in a long, long time. And it made perfect sense! Of course an alien on the other side of the galaxy wouldn't know the character, or that Mary's a girl's name.

I know Disney's planning a Mary Poppins remake starring Emily Blunt. Forget her! I want a movie with Michael Rooker as Mary!


• There are quite a few cast reunions in Guardians 2, many of them involving Kurt Russell. Russell starred with Sylvester Stallone in Tango & Cash, and with Michael Rooker in Tombstone. Russell also appeared with Vin Diesel in Furious 7 and The Fate Of The Furious. And Michael Rooker and Sylvester Stallone worked together in Cliffhanger.


• Gregg Henry played Peter's grandpa very briefly in the first film.

Grandpa Quill actually makes an even briefer appearance in Guardians 2. When Ego's Expansion Project begins, a large blue blob blossoms on Earth. It threatens to engulf a blue SUV...

Fortunately Peter's able to defeat Ego, and the blob stops growing just in time. We then see a very quick cut of Grandpa Quill (and lady friend!) inside the SUV. Note that Gregg Henry's wearing old age makeup here, since he's twenty six years older than the last time we saw him!

Supposedly the Guardians will be in the upcoming Avengers: Infinity War films. Now that we know Grandpa Quill is alive and well, maybe we'll get a reunion between him and Peter. After all, the last time Grandpa saw him he was eight years old. He doesn't even know if he's alive or not.

• 
As the Ravager ships light up the sky with fireworks at Yondu's funeral, his burning ashes float out of the ship and form a crude arrow shape.


• During his battle with Ego, Peter's beloved Walkman (a gift from his mother?) was destroyed. At the end of the movie, Kraglin gives Peter a replacement he found in a junker shop: A Zune! Awesome! And it holds and amazing three hundred songs! Incredible!

The joke here of course is that the Zune was Microsoft's answer to the iPod, but ended up being an epic flop. Supposedly it was a decent device (other than a slight tendency to freeze up for no reason), but it didn't offer anything that the iPod didn't, making it pretty much obsolete the moment it was released. It premiered in 2006, and was finally discontinued in 2011. 

Peter wouldn't know any of that though, hence his wide-eyed wonder at the fact that this amazing device can hold three hundred songs.

Guardians Of The Galaxy Vol. 2 is the rare sequel that actually surpasses the original film. It's one of the most entertaining movies I've seen in god knows how long, and is incredibly fun to watch. It's also oddly emotional and moving, as writer/director James Gunn somehow takes these incredibly silly characters and turns them into real, flesh and blood people that the audience cares about. I'm give it an unapologetic A. Not because it's from Marvel Studios, but because it's a good movie. Get a good look at this grade, because I don't hand these out very often.

Sign Of The Times

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There's a really nice walking/running/biking trail here in my home town of Evansville. It's kind of a hidden gem, and one of the better things in this godforsaken burgh, er, I mean town. I walk on it every weekend that I can.

Last week I noticed this sign had been placed along the trail. 

At first glance, I honestly thought it was an urgent plea warning citizens NOT to exercise! Believe me, something like that would not be out of the question around these portly parts. After all, Evansville's not exactly Fitness Town, USA.

As I read it though, I realized it was a (supposedly) humorous sign encouraging people to get up and move. 

OK, I get the joke— exercise causes "side effect," but they're the good kind. Com-O-Dee! But the whole thing is written very, very awkwardly. For example, that second sentence is directly referencing something way down below the third sentence, which is the worst possible way to lay out a sign.

Why not just reword it to say:


WARNING!
Research has shown that exercise causes the following side effects:
• Increase In Energy • Weight Loss • Reduced Stress • Immunity Boost • Happiness
Brought to you by yadda yadda.

BOOM! Done! Finished! And much, much clearer and to the point. You're welcome, whoever paid for this sign.

And why is there so much extra leading (vertical spacing, for you non-graphic designers) between the second and third sentences? You generally increase the leading between paragraphs, not between random sentences. This is what we in the business call a "mistake."

One last thing about this sign: why the hell is it on the TRAIL to begin with? Why did they go to all the trouble and expense to put up a sign that encourages people to exercise on a walking trail where the only people who see it are ALREADY exercising?

Wouldn't it have made infinitely more sense to post this thing at the entrance of the local Big Belly Burger, comic shop or video game store?

Doctor Who Season 10, Episode 5: Oxygen

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This week on Doctor Who, the gang travels to a outer space, in yet another episode that echoes those of the Classic Series.

These "Base Under Siege" adventures were a staple of the old series, as they were easy to pad out into four episodes, and relatively cheap to make, as they only required one main set.

We also get quite a bit of Nardole in this episode, which is a good thing, but very little advancement (or even mention) of the Vault Mystery, which is a less good thing.

Oxygen isn't the best episode this season, but it's not bad, and miles ahead of the last time the Doctor wore a spacesuit in the execrable Kill The Moon, aka The Episode We Do Not Speak Of.

Since this season began, I've been saying the stories feel less like those of showrunner Steven Moffat and more like Russell T. Davies' (the man who revived the series in 2005) work. That's a good thing, by the way, as I enjoyed the Davies era quite a bit.

Davies was a master of creating "Armies Of Monsters" threats such as the Gelth, the Clockwork Men and the Scarecrows. This episode seems to definitely be inspired by his work, as it features a horde of Zombie Astronauts (or more correctly, autonomous spacesuits with dead astronauts inside them).

Unfortunately the Zombie Astronauts never quite gel as a threat, plus they're very, VERY similar to the Vashta Nerada, an army of spacesuit-clad skeletons seen in 2008's Silence In The Library/Forest Of The Dead. And guess who wrote those two episodes? That's right, it was our old friend Steven Moffat. Yes, I know Moffat didn't write this episode, but he's the showrunner, which means he approved it and no doubt gave it a polish before it was aired.

Doctor Who took a page from classic Star Trek this week, giving us a not-so-subtle "message episode" which could be seen as a metaphor for the current health care crisis in America. The Doctor discovers a ruthless, futuristic mining company who cares so little for human life that it literally kills its workers to increase profits and boost its bottom line!

BIG HONKIN' SPOILERS FROM THIS POINT ON!

The big news this week is that the Doctor is now blind! He goes blind about halfway through the episode, is still blind at the end and according to the previews, will be blind next week as well.

I don't for a minute think this is a permanent condition), but I could definitely see it lasting until the end of the season or until he regenerates, whichever comes first.

Some fans think this is how Capaldi's Doctor will go out— his actions will cause him to become more and more damaged over the course of the season, until he has no choice but to regenerate.

Sounds reasonable I suppose, but a blind Doctor's gonna have his work cut out for him if that truly is the Master inside that vault!

SPOILERS!

The Plot:
We begin with the Doctor lecturing his class on what happens to the human body in the vacuum of space. A student raises her hand and asks what any of this has to do with crop rotation (!).

Cut to the space station Chasm Forge, sometime in the future. A man and woman in spacesuits are walking along the outer surface of the station, trying to make it to the airlock before their oxygen runs out. The woman carries on a lengthy conversation with the man, saying she wants to have a baby with him. Unfortunately his comm unit's out, and he doesn't hear a word she's saying, He makes it to the airlock and as he opens it, he sees her helmet float by. He turns to look and sees a herd of space suited zombie astronauts have killed the woman and turned her into one of them. They then come for him.

Back on Earth in the present, the Doctor and Bill are in the TARDIS, which is parked in his office. Nardole enters and scolds the Doctor again, worried he's thinking of breaking his vow to guard the Vault and go off on another adventure. Just then the TARDIS receives a distress call, and the Doctor sets a course for it, taking Bill and the still-protesting Nardole along for the ride.

The TARDIS arrives on the Chasm Forge. As they start to exit, the Doctor stops them, noting that there's no air inside the station. He floods a section of the station with air from the TARDIS so they can move around. As they explore, they find a dead astronaut standing in the middle of a room. When Bill asks how he can still be standing, the Doctor explains that the man's magnetic boots are keeping him upright. Suddenly the corpse grabs the Doctor's sonic, destroying it.

The Doctor checks a computer and sees the station has a crew of forty, but all but four are dead. They find another astronaut moving boxes from one pile to another. The Doctor uses his sonic screwdriver to open the astronaut's helmet visor, and sees the suit is completely empty. He notes that it's an automated "smartsuit," capable of independent operation. The Doctor asks the suit what happened to the oxygen on the station. The suit's AI replies that there's never been any air there, as inhabitants carry their oxygen supply with them at all times. It also adds that air is available for personal use at "competitive prices," and "any unlicensed oxygen will be expelled to protect market value."

Just then warning sirens sound, as the station begins purging the oxygen the Doctor added. The airlock doors close, shutting the group off from the TARDIS. They have no choice but to quickly don three extra smart suits in a repair bay in order to survive. They get a call from Drill Chief Tasker, one the station's survivors, demanding to know who they are. The Doctor says they're responding to their distress call, and asks what happened to the station. Tasker says a few days ago the smartsuits received a line of code that ordered them to deactivate their organic components— meaning their human occupants.

The two groups meet in the main control room, as Bill's spacesuit begins malfunctioning. Tasker repairs her suit while the Doctor tries to figure out who hacked the station's suits. Suddenly the herd of zombie astronauts— really just mobile spacesuits with dead humans inside them— break into the control room and attack. One of them touches Tasker, which causes his suit to deactivate his oxygen field as well as electrocute him.

There's lots of typical running up and down corridors, and the group is finally forced to hide in an airlock. They realize the only way to survive is to exit the airlock, walk across the outside of the station and come back in where it's safe (just like the people at the beginning of the episode tried to do). The Doctor notes that the air forcefields won't work in a vacuum, and they'll need to wear proper helmets in space. 


As the airlock starts to open, Bill's suit begins glitching again, and removes her helmet. The Doctor tries to halt the airlock cycle, but it's impossible to stop once it starts. The airlock opens, as Bill gasps for breath and eventually passes out.


When she wakes, she discovers the Doctor gave her his own helmet to save her as they exited the station. Unfortunately, prolonged exposure to the vacuum of space caused the Doctor to go blind. He assures Bill it's temporary, and that he's got some "spare eyes" somewhere inside the TARDIS. Meanwhile, he tries to figure out what he's missing, and why anyone would want to hack the suits and kill everyone on the station, especially when there's nothing there to steal.

The station receives a message that a rescue ship is on its way, and the Doctor finally figures it out. The station wasn't hacked after all. The mining company decided the crew had become inefficient, so it was no longer cost-effective to keep them alive. The human crew was just a line in a spreadsheet, and were eliminated to maximize profits. The "rescue" ship isn't there to save them, but to bring in more efficient smartsuits.

Just then the zombie astronauts break in again, as the survivors run for it. Bill's suit malfunctions again, activating its magnetic boots and rooting her to the spot. The Doctor and Nardole try to move her or remove her from the suit, but it won't let them. Finally the Doctor tells Bill there's no choice but to leave her. He tells her to trust him though, and that she'll go through hell, but will eventually survive (?).

The Doctor and the others make a run for it, leaving Bill behind. The zombie astronauts pour in, and one touches her shoulder, seemingly killing her. She, or rather her suit, begins shuffling along with the rest of them.

The Doctor, Nardole and the last two station survivors barricade themselves into a room and make a last stand as the zombies try to break in. The Doctor says he has one last, desperate plan. He fiddles with the computer and links their life signs with the station's coolant system. The Doctor says that if they die, the station will be destroyed, taking every last penny the company will ever make off it. He gives a rousing speech about dying well and making a statement, working up everyone until they're with him.

The zombies break in, with Bill leading the parade. The Doctor tells the mining company (who are presumably listening through the smartsuits) that the station inhabitants' deaths will be "brave and brilliant and unafraid." But they'll also be expensive, as the station will blow if the suits kill any of them. The Doctor says a minute ago they were too expensive to live, now they're too expensive to die.

The suits falter for a second, then stop. Bill coughs and sputters back to life. The Doctor reveals that earlier he saw that her suit battery was low, and wouldn't be strong enough to electrocute her, so she was simply unconscious the whole time. That doesn't make a whit of sense, but let's just move on or we'll be here all day. Suddenly the station is flooded with oxygen, as the company provides it free of charge to keep everyone alive and prevent a costly disaster.

Back in the TARDIS, Nardole uses a device to fix the Doctor's eyes. Abby and the other astronaut are in the TARDIS as well. They ask the Doctor to take them to the company's home office, so they can "register a complaint."

Back in his University office, the Doctor tells Bill that if he remembers right, Abby's complaint worked, as six months after the incident (in the future!) there was a successful rebellion that took down the company. Bill leaves, and Nardole gripes at the Doctor again for leaving the Vault unguarded. He angrily tells the Doctor to look at him when he's talking. The Doctor says he can't, as he's still blind.

Thoughts:
• I don't really have a lot to say about this week's episode, which I guess is a good thing.


• This week the Doctor wears his horrible spotted shirt from a season or two ago. The one with the tiny holes in it, that looks like a car battery exploded all over it.

I've ranted about this shirt several times over the past couple seasons, and I freely admit I have no idea why it enrages me so much. It just does.


• On Earth, the Doctor wants to take the TARDIS out to investigate a distress call from space. Nardole says he can't, as the Doctor gave him a "fluid link" for safe keeping, which will prevent the TARDIS from dematerializing. The Doctor then tells Nardole he was lying about the link and takes off.


Way back in the 1963 episode The Daleks, we find out that the TARDIS actually can't fly without a fluid link! In that episode, the First Doctor has to invade a Dalek city to recover the TARDIS' fluid link.


Eh, this doesn't really bother me. I don't expect writers to remember a line from over fifty years ago. Plus the Doctor could have upgraded the TARDIS over the decades, eliminating the need for a fluid link.


• When the Doctor discovers the space station doesn't contain any oxygen, he floods it with air from inside the TARDIS.


This actually makes a bit of sense. The interior of the TARDIS is infinite after all, so it should have oxygen to spare!


For some reasonthe smartsuits generate an invisible (mostly) forcefield around the wearer's head, so they don't have to wear a helmet while inside the station. So why a forcefield instead of an infinitely more reliable and practical space helmet? 

I have a feeling it's because the producers didn't want the actors' beautifully emotive faces obscured by helmets for the bulk of the episode. That or the actors balked, not wanting to have to cram their heads inside poorly ventilated, stuffy helmets every day for a week.

• Speaking of the smartsuit helmet forcefield— it forms a bubble that glows briefly any time something touches it, like a hand or even breath. Doesn't it seem like Bill's ample hair ought to be sticking past the boundaries of the bubble, making it constantly glow?

• The futuristic mining company has space suits that can move around and function with no one inside them. They're essentially robots. The company realizes they no longer need a human crew, and orders the suits to eliminate them.

But why was there EVER a human crew in the first place? Why'd it take the company so long to realize they didn't need people?

By the way, how the hell can a spacesuit contain all the mechanisms necessary to move by itself, but still have room for a human inside it? That's one of the many, many problems I had with Iron Man 3.


• Bill meets her first proper extraterrestrial in this episode (the human-looking Doctor and Nardole not counting), a blue gentleman named Dahh-Ren, aka "Darren."

This isn't the first time the show's featured blue-skinned aliens. In fact blue seems to be quite a popular color in the Whoniverse. The revived series has featured the Moxx of Balloon and the Crespallions, both seen in The End Of The World, along with Dorium Maldovar, first seen in A Good Man Goes To War and the insectoid Fleming from The Husbands Of River Song.

• This isn't the Doctor's first visit to a space station, as they've been a staple of the series for decades. He first encountered one way back in 1968's The Wheel In Space. There was also the Nerva Beacon in 1975's The Ark In Space, as well as Platform one in 2005's The End Of The World and Satellite Five from The Long Game. I'm sure I'm missing a few others.

• The Sonic Sunglasses are back, after the Doctor's blinded. Oy. I'd hoped we'd seen the last of those things in Season 9. I have a feeling they're gonna be around for a while, at least until the Doctor regains his sight (if he ever does).

This Week's Best Lines:
The Doctor: "So, how does space kill you? I’m glad you asked. The main problem is pressure. There isn’t any. So, don’t hold your breath or your lungs will explode. Blood vessels rupture. Exposed areas swell. Fun fact! The boiling temperature of water is much lower in a vacuum. Which means that your sweat and your saliva will boil as will the fluid around your eyes. You won’t notice any of this because 15 seconds in, you’ve passed out as oxygen bubbles formed in your blood. And 90 seconds in... you’re dead. Any questions Yes?"
Girl In Class: "What’s this got to do with crop rotation?"
The Doctor: "Er, I dunno. But space is great, isn’t it?"

Bill:"You like distress calls?"
The Doctor:"You only really see the true face of the universe when it’s asking for your help."

Tasker: "Occupants of repair station, please identify."
The Doctor: "Hello there! You first."
Tasker: "I’m sorry?"
The Doctor: "Well, all your crewmates are dead. So, either you’re extremely lucky or you killed them. Which is it?"

Bill:"The measurements, are these in metres?"
Tasker:"Average breaths. The only unit worth a damn out here."

The Doctor: "Bill, I’ve got no TARDIS, no sonic, about ten minutes of oxygen left and now I’m blind. Can you imagine how unbearable I’m going to be when I pull this off?"

Abby: "Is that really the best you’ve got? Revenge?"
The Doctor: "Not just revenge. It’s revenge as bright as the sun. It’s revenge you can see across galaxies! Not bad for a blind man."

Abby:"Are you of your mind?"
The Doctor: "Uh, yes, completely, but that’s not a recent thing."
The Doctor: "I try never to tell the enemy my secret plan."

There Goes The Neighborhood!

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I typically see a movie in the theater every weekend of the year. Normally I go to the small cineplex that's just a couple of blocks from my house, as it's less crowded and there aren't quite as many seat-kicking adults, texting teens or shrieking babies there.

This past weekend however, I'd already seen everything at the local theater, so I went to the BIG cineplex way over on the other side of town.

Something I've noticed at that place— the quality of a particular movie is inversely proportional to its distance from the front entrance.

For example: Big budget summer blockbuster films will ALWAYS play on one of the screens ten feet from the lobby, next to the concession stand. Always, without fail. 


But if there's a watered down PG-13 "horror" film, a fart comedy or a slow moving Oscar-bait drama playing, then it'll be on Screen 16, which is LITERALLY as far back into the building as you can possibly walk. When I realize it's taking me two minutes to walk to a particular theater inside the cineplex, I know I probably should have picked a different film to see. 

It's almost like there's a "bad neighborhood" inside the cineplex, where they dump all the terrible or unpopular films!

The Flash Season 3, Episode 22: Infantino Street

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This week on The Flash, everything comes to a head a bit earlier than we all expected, as the long-awaited "Savitar Kills Iris" storyline finally played out.

I think most fans (myself included) were expecting the big Savitar showdown to happen next week, during the season finale. It was a logical assumption, and clever of the writers to subvert our expectations like that.

This was definitely one of the strongest episodes of the season (so far
 we've still got one to go!). The writers were on their "A" game here, and I only wish they could pump out shows like this every week.

The highlight of the episode was definitely the return of actor Wentworth Miller as Captain Cold. As always, Cold stole the show, and not one bit of scenery was left unchewed by the end. His appearance this week 
underscored the fact that The Flash is weaker without him. Cold absolutely BELONGS on this show. He and Barry have a wonderful chemistry together, and the sooner the producers bring him back permanently, the better.

Use time shenanigans to resurrect him, or bring the Earth-2 version of Cold to Central City, I dunno. Something, anything to get him back on a semi-regular basis.

SPOILERS REGARDING THE END OF THE EPISODE FROM HERE ON OUT!

I've been so preoccupied the past few months trying to figure out Savitar's true identity, that I've not really given much thought to Iris' situation, and how Team Flash could possibly save her. 


I'm calling it right now— despite what we saw, Savitar did NOT kill Iris this week. He killed HR, who used his facial transmorgafier to disguise himself as her. I'm not quite sure when he made the switcheroo, but I'm 95% certain that's what happened. More on this theory below.

Lastly, the writers missed a golden opportunity in this episode— they could have have given us an epic battle between Captain Cold vs Killer Frost! Damn that pesky TV budget!

SPOILERS!

The Plot:
Even though a couple weeks ago it was February on the show, it's now May, and twenty four hours before Iris West is doomed to die. We see the various members of Team Flash brooding or trying to come up with a way to save her. Barry and Iris are at home, enjoying their possible last moments together. Barry gets a call from Cisco, and says he'll be right over. As soon as he leaves, Iris secretly records a final video on his phone (which I guess he didn't take with him?).

Barry and Cisco meet with Lyla Michaels from Arrow, in front of the ARGUS HQ. Cisco tells her they need a massive energy source to power their Speed Force Bazooka, and he scanned the world (!) and discovered there's just such a thing inside ARGUS.

Lyla admits that they have an alien Dominator power source from the Invasion! crossover earlier this season. Given Barry's track record though (such as altering the timeline and turning Lyla's daughter into a son), she's reluctant to hand such a potentially dangerous item over to him. Barry pleads with her, saying that without it Iris will die, but Lyla says nope. Who could blame her?

Back at STAR Labs, Barry tells the Gang that if Lyla won't give him the energy source, he'll just steal it. Cisco says that's impossible, as ARGUS security is tighter than that of the Pentagon. There's even a power-dampening field inside that would prevent Barry from using his superspeed. Barry says he knows somehone who could help break him in.

Cut to Siberia, 1892, where Barry travels back in time (!) to enlist the help of Captain Cold, who's returning to the Waverider after a Legends Of Tomorrow adventure. Cold says he'll help Barry infiltrate ARGUS, with the understanding that he'll be in full charge of the caper. Barry agrees.

Barry brings Cold back to STAR in the present. Joe and the others are less upset about the fact that he sought the help of a known felon, and more outraged that he's screwing with the timeline YET AGAIN. Barry assures them he'll return Cold as soon as they save Iris, which seems to placate the Gang.

Meanwhile, Killer Frost meets with Savitar, and asks him if he's sure he really wants to go through with killing Iris, since she's the love of his life and all. Savitar says if he doesn't kill her, then he'll never be created, so yeah. Savitar suddenly gets a "memory flash" that Barry's working with Captain Cold to steal a power source to stop him. Temporally speaking this makes absolutely no sense, but let's just go with it or we'll be here all day. Killer Frost asks if he wants her to stop Barry and Cold, but he chuckles and says to let them steal their precious power supply, as it won't matter. This also robs the audience of seeing Killer Frost face off against Captain Cold. Boo!!!

Team Flash and Cold begin planning their ARGUS caper. Barry tells Joe to take Iris somewhere far away and not to tell him her location, so Savitar won't remember where she is. Cut to Earth-2, as Harry works in his version of STAR Labs. Suddenly a portal opens (with Cisco's help, I guess?), and Joe, Iris and Wally step through. Yep, hiding on a completely different Earth in another dimension ought to be far enough away!

Back on Earth-1, Lyla leaves ARGUS for the night. She returns a few seconds later with Cold in tow, saying she's personally taking him down to a metahuman holding cell. The guard's surprised to see her back so soon, and asks for her ID. He scans it and it checks out. He then asks her to submit to a retina scan, which also checks out. He then asks her for the day's code word. Lyla stammers and stalls, then suddenly punches out the two guards. She then transforms back into Barry, courtesy of HR's Earth-19 facial transmografier. He and Cold then enter ARGUS.

Barry and Cold make it down to the metahuman holding area. They pass several cells labeled. "Grodd,""Cheetah" and "Cupid." Barry sees the glowing red energy source at the end of the hall, behind a Montgomery 3000 vault door. Cisco, who's listening on Barry's comm system, recognizes the name, saying there's no way to open the twenty five ton door without three different pass codes (Maybe they should call Ant-Man! Oops! Wrong universe!). Barry turns and sees Cold's already got it open! HAW!

They open the door a bit, but stop when King Shark appears, sensing someone outside. Barry says he can't believe ARGUS is using one of its prisoners as a guard dog to protect the Dominator tech. Barry asks to use Cold's freeze gun to kill King Shark. Amazingly, Cold balks at murdering him, instead rattling off some stats about the body temperature of sharks, and suggests using the gun's core to cool down the room and make the monster simply go to sleep.

Back at STAR, HR tells Tracy Brand he doesn't really fit in with the rest of the Gang, but is grateful that they've accepted him and given him a home. He also says he can't imagine living without her, so he "proposes" to her by asking her to stay at STAR Labs and work there with him. She accepts and they kiss.

Back at ARGUS, Cold cools down the vault and King Shark topples and falls over. Barry grabs the Dominator power source. Suddenly an alarm sounds, and the vault door begins to close. Barry slides under it in the knick of time, but Cold's trapped inside, along with a rapidly awakening King Shark. Cold tells him the place will be crawling with guards within a minute. Barry now has to decide whether to leave Cold to certain death or save him and risk capture, which will doom Iris.

Barry calls Cisco on his comm, and tells him he has to figure out a way to open the Montgomery 3000 door. Sure enough, despite the fact that minutes before it was absolutely impregnable, Cisco hacks into it and opens it just enough for Cold to crawl through. King Shark grabs his leg and starts to pull him back in. Cisco slams the door shut, which severs King Shark's hand. But he's OK, as somehow he grows a new one in seconds.

Barry and Cold turn to leave, and are confronted by Lyla and a squad of ARGUS guards. In Lyla's office, she says she watched their entire caper on the security cameras, and is impressed that Barry saved Cold when he could have easily left him. Based on that action alone, she's prepared to give him a dangerously powerful alien energy source (!).

Barry returns Cold to 1892. Cold tells Barry to stop trying to beat Savitar at his own game, whatever that means. He says the Flash should always remain a hero.

At STAR Labs, Barry zooms in and tells the others he successfully stole the Dominator energy source. He asks where Iris is, and HR stupidly replies that they've stashed her on Earth-2. "Barry" turns around and we see the right side of his face is scarred, and he's really Savitar! He thanks them for the info and zooms away.

Somehow the Gang calles Harry on Earth-2 and tells them Savitar is on his way. Harry, Joe and Wally brace themselves to face him. A portal opens and Savitar steps through. Joe shoots his ineffective police special at him, while Harry tries to blast him with some kind of ray gun. Wally attacks and punches Savitar at superspeed. Savitar breaks Wally's leg and throws him across the room. He then grabs Iris and leaps through a portal with her.

On Earth-1, HR apologizes to Barry for tipping off Savitar, saying the whole situation is his fault and he's just plain no good. Cisco has a vibe vision of he and Killer Frost fighting in the woods. Barry tells him to go and meet her, and try to talk her into becoming Caitlin Snow again. Having no other choice, Barry and the rest of the Gang go to Infantino Street, the place where Savitar is destined to kill Iris. Everyone gets into position and waits.

Cisco meets Killer Frost in the forest. Cisco says he doesn't want to fight her. She says she doesn't want to fight him either— she wants to kill him. They begin firing their blasts at one another.

On Infantino Street, Savitar appears, holding Iris. He drops her momentarily (Plot Point Alert!) and taunts Barry, basically saying, "Come at me, bro!" Barry fires the Speed Force Bazooka at him. For a moment it looks like it's working, as Savitar seemingly doubles over in pain. He then straightens up as the gun sputters and dies. He holds up the Philosopher's Stone, which somehow protected him from the Bazooka.

Savitar picks up Iris and prepares to stab her, just as we've seen in the visions all season. Barry zooms forward, trying to reach Iris before Savitar's blade does. Cut to clips of Iris' secret video to Barry, as she records her wedding vows to him. Savitar runs her through and disappears. Barry catches Iris' dead form in his arms.


Thoughts:
• OK, let's get right to it and discuss the end of this week's episode. In the final seconds, Savitar picks up Iris and stabs her through the heart with his arm blade, just like we've seen him do in various visions throughout the second half of the season.


But is that really what we saw? Nope, I don't think so. 

I am 95% convinced that HR somehow took Iris' place when no one was looking, including the audience, and he was the one who Savitar actually killed.

I present the following clues and hints as evidence:

Exhibit A: HR's facial transmogrifier makes a surprise reappearance in this episode. It hasn't been seen or even mentioned since he first demonstrated it way back in Shade, the sixth episode of this season. Suddenly it's back this week, seemingly for no other reason than to remind the audience that it exists (yeah, I know, Barry used it to sneak into ARGUS, but Cold could have easily gotten them in there without it). 


Seems like suspiciously convenient timing, eh? Why dredge up the device again unless it's about to become a major plot point?

Note that in Shade, the transmogrifier just changed HR's face. In this episode it suddenly has the ability to alter a person's entire body, allowing Barry to perfectly impersonate Lyla (all the way down to her retinas!). If it can turn Barry into Lyla, it can surely turn HR into Iris.


Exhibit B: Earlier in the season, Cisco and Barry future-vibed to May 23, 2017 to scope out the situation and look for anything that could possibly help them alter the timeline. While there they spot HR on top of a nearby building, armed with what looks like the Speed Force Bazooka.

Note that HR is not on the roof when the actual event goes down. Joe's on the roof instead, firing his useless handgun at the armored Savitar. Why would HR not be in his predestined spot unless he decided to do something radical and impulsive?

Exhibit C: Over on The Walking Dead, any time a secondary character suddenly opens up and infodumps their backstory or professes their love for someone, they're torn apart by zombies before the end credits roll.

Earlier in this episode, HR "proposes" to Tracy, asking her to stay on at STAR Labs with him because he can't imagine living without her. Uh-oh...

Exhibit D: HR was feeling intense guilt over the fact that he screwed up and told Savitar where Iris was hiding. He also told Tracy that he doesn't really contribute anything to the team, and feels inadequate because he's not a big-brained scientist like the others.

I could easily see these feelings of inadequacy pushing him to do something heroic— like sacrificing his own life— to prove himself.

Exhibit E: HR was acting mighty squirrelly at the end of the episode. His happy-go-lucky doofus manner was suddenly replaced with an uncharacteristically serious and somber mood, as he had the following conversation with Cisco:


Cisco:"You gonna hold down the fort?"
HR:"Yeah."
Cisco:"Of course you are. Cause that’s what you do. You show up. You’re ready. Dependable, when we need you the most. You hear me?"
HR: "I hear you."
Cisco: "All right."
HR: "Till next time."

Note that this conversation feels very much like a final goodbye. Just look at their faces during their conversation! Those aren't people who are ducking out on a quick errand, those are the faces of two men who know they're never going to see one another again!

Exhibit F: It's a tradition on the show at this point to have a new version of Harrison Wells each season. HR sacrificing himself for Iris would leave a convenient vacancy for a new Wells in Season 4.

Exhibit G: There's one tiny little flaw in my theory I have absolutely no idea just how or when HR could have switched places with Iris. Maybe next week we'll find out that Killer Frost helped with the switcheroo when Savitar wasn't looking, I dunno.

That said, HR replacing Iris works perfectly within the established events of the show. Barry has no idea a switch took place, so that means Savitar's unaware of it too. As far as he knows he just killed the love of his live, which drives him mad and forces him to create himself later or whatever the hell happened. But it also means Iris gets to live. It's the perfect ruse.

The only downside though is that HR dies in the process. And Barry's gonna be in for the shock of his life when the transmogrifier wears off and he realizes he's cradling HR's dead body in his arms!

Exhibit H: There's no way in hell the producers would kill off a main character like Iris. HR on the other hand is expendable, as there's always a spare Wells somewhere out there in the multiverse. Maybe Harry will even return!

• The Infantino of the title of course refers to artist and editor Carmine Infantino, who was a massive creative talent at DC Comics during the Silver Age. Infantino helped revamp the Flash in the late 1950s, developing the Barry Allen character and designing his now iconic red and yellow costume. In 1961 he drew the landmark Flash Of Two Worlds issue, which introduced the concept of Earth-2 and the multiverse. A huge amount of what appears on the series was directly inspired by Infantino's work.

He was also instrumental in energizing and restoring Batman! It's hard to believe now, but in the early 1960s the Batman comics were low sellers at DC, and on the verge of cancellation. Infantino updated Batman's costume, and along with writer John Broome, jettisoned some of the sillier aspects of the comic, making it a bona fide hit again.

• Barry plucks Captain Cold from the middle of an adventure with the Legends in 1892 and brings him from the future. When Joe hears this he practically has a stroke from exasperation. Who could blame him? Barry's time travel shenanigans have already screwed over the entire cast at least twice this season, and now he's DOING IT AGAIN!


Barry assures Joe that he's not actually changing the timeline in this instance, as he plans to return Cold to the exact moment he picked him up when their caper is over. That's easy for him to say, but what if King Shark had killed Cold in the present, so he couldn't return to 1892? I bet that would have thrown a wrench into the ol' timeline!


• By the way, how the hell does Barry know to find Cold in 1892 Siberia? 

And why the hell did he go back to that particular year to pick him up? Why not just go to the first season of The Flash and snatch him during one of his guest appearances there?


Answer: Because in the first season of The Flash, Cold was still a dangerous and callous asshole. Barry needed the kinder, gentler, borderline heroic Cold from Season 1 of Legends Of Tomorrow.


• Barry shows up at STAR Labs with Cold. Team Flash then has the following conversation: 


Iris: "Barry, are you out of your mind?"

Joe:"I thought he was with the Legends."
Barry:"He is."
Cisco:"No, he dead."

Note that at this point Cold has just left the room, and can probably still hear them. So that comment doesn't warrant a reaction from him? If he heard them, now he knows he's gonna die sometime before May 23, 2017!


• Last week I noted that whenever Tracy was around, Barry and Wally both wore their full costumes. This implied that she was one of the few people in Central City that didn't know their secret identities.


This week's episode confirmed this fact, as Tracy walked into the Cortex and HR tried to cover her eyes so she wouldn't see Barry sans mask.


Of course Barry can't wait to reveal his secret identity to yet another person, and immediately tells her he's the Flash.


• As I've said many times in these Flash reviews, writing logical time travel stories is hard! Maybe even impossible. 


Case in point: Since Savitar is technically a future version of Barry, he has all his memories and knows exactly what he's going to do next. OK, that actually makes sense.


But in this episode Barry suddenly decides to enlist the help of Cold. For some reason, Savitar then gets a headache, as a brand new "memory" of this event forms in his brain. Wha...?


That doesn't make any sense. ANY decision Barry makes in the present is already known to Savitar. There's no "suddenly turning left instead of right" here to throw him off. From Savitar's future point of view, ANYTHING Barry does is automatically ancient history, no matter how many times he changes his mind or how many "new" ideas he comes up with.


• Ever since Barry saw Savitar kill Iris in the future, the Star Labs Gang has been doing everything in their power to alter her destiny and change the timeline. Nothing they tried worked.


A few months ago I said that since she's destined to die on Infantino Street, then why not do the obvious— take her as far away from that location as possible and makes sure she never goes there again. If she ain't there, he can't kill her, right? Of course he could kill her somewhere else, but one thing at a time.


Looks like I'm not the only one who thought of that. In this episode, HR suggest putting Iris on a plane to Paris, or somewhere else far away. Barry immediately dismisses this idea, saying, "There's nowhere on Earth that Savitar wouldn't find her."


Well, maybe he would and maybe he wouldn't. But isn't it worth a shot?


• Barry uses HR's facial transmogrifier to disguise himself as Lyla to sneak into ARGUS. It almost works, but he's tripped up by a password. Barry then beats up the two security guards at the desk in the middle of the ARGUS lobby and he and Cold go on their way. SOMEHOW a fight in the lobby doesn't set off any alarms in the ultra-secure faclity. Got it.

There may be an answer for this goof: after Barry and Cold steal the Dominator power source, they're captured by Lyla. She tells Barry she watched him steal the thing on the security cameras. So it's slightly possible she saw him beat up the security guards but didn't stop him because she was curious as to what he was up to. Giving him enough rope to hang himself, so to speak.


• Wow, Cold's time with the Legends Of Tomorrow really did change him for the better. Barry wants to use Cold's freeze gun to kill King Shark. Incredibly, Cold says nah, and comes up with a non-lethal way to stop him! Amazing!

• The best part of the episode was easily Captain Cold's reaction to seeing King Shark. 

In particular I liked the scene in which they flood his cell with icy mist to put him to sleep. As they slowly creep through the mist, which hides King Shark's unconscious form, Cold says, "Reminds me of Jaws. They didn’t show the shark because they couldn’t afford to make it look good."

This is of course a fun little meta-comment, as The Flash no doubt blows its effects budget every time King Shark shows up!)

• Barry plucks Captain Cold out of the timeline in 1892 Siberia. But just where exactly is Cold at that point in the Legends Of Tomorrow series?

The Legends visited Russia in White Knights, the fourth episode of Season 1. They went there in 1986 though, not in 1892, so that's no good.


When King Shark loses a hand in this episode, Cold says, "Ouch. Been there." Captain Cold really did lose his hand in Left Behind, the ninth episode of Season 1 (don't worry, Gideon regrew it for him). That means Barry had to pick him up at some point between episode ten and sixteen of Season 1.


• Was this REALLY the best time for Cisco to run off and fight Killer Frost? At a time when Barry and Iris need as much help as they can possibly get?


Earth-19 Watch:

This week HR mentions doing something "Mission: Improbable style," which is apparently the Earth-19 version of Mission: Impossible

Too bad this is probably one of the last Earth-19 references we'll ever get on the show.


"Don't cross the streams, Barry!"

• This Week's Best Lines:
Cisco: "Yeah, so, I tasked our satellite to look for anything that might have our specific power requirements, and wouldn't you know it we found something that has exactly what we need. And it's right there in that building. Crazy, huh?"

Lyla: "I really don't think you should be spying on me, Cisco."
Cisco: "Is it spying if we're friends?"


Cold: (after Barry asks him for help)"Why ask me?"

Barry: "Well, you have a particular set of skills."
Cold:"Great movie."

Cold: "There are only four rules you need to remember. Make the plan, execute the plan, expect the plan to go off the rails throw away the plan."

Barry:"I’m trusting you."

Iris:"We all are."
Cold: "Just don’t sit me at the single’s table at the wedding reception."

ARGUS Guard:"Captain Cold?"

Cold:"Always nice to meet a fan."

Barry: "I can’t believe ARGUS turned King Shark into a guard dog."
Cold:"King Shark. That’s adorable."

Cold: "Have you seen Shark Week, Barry? Me, I can’t get enough of it. Good thing the Waverider has cable."
Barry: "What’s your point?"

Cold: "Most sharks are cold-blooded, but the great white shark, like our friend in there, is partially warm-blooded. He’s susceptible to cold. Never strays into water colder than 53.6 degrees Fahrenheit. If we lower the temperature in that room to 53.5 degrees, King Shark should fall asleep like a little baby."
(this is actually true, so kudos to the writers, who must be fans of Shark Week!)

Barry: (referring to King Shark) "How long do you think he’ll stay asleep?"

Cold:"I like Shark Week. I’m not a marine biologist."
(possible George Constanza reference?)


Barry: "Tell me, Snart, did you think I had it in me? To leave you behind?"

Cold:"I wasn’t sure. Always known you had the potential to be as ruthless as they come. Your history made sure of that, same as mine. Who knows, maybe that’s why we get along. You see the good in me. I see the bad in you."

Cisco: (to Killer Frost) "I know you’re here! Come out and face me like a woman."

Marvel's Agents Of S.H.I.E.L.D. Season 4, Episode 22: World's End

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It's the season finale of Agents Of S.H.I.E.L.D.!

Overall this was one of the strongest seasons yet, in a series that gets better and better every year. Unfortunately this season's finale wasn't one of their strongest, as there were way too many loose ends to wrap up.

The whole episode felt rushed, and none of the big emotional moments had the room they needed to breathe. "What's that, Mack? You just lost your daughter Hope for the second time, in a heart-wrenching scene? That's too bad. Here's five seconds of screen time to grieve about it!"

It definitely should have been a super-sized two hour episode.

I wasn't a huge fan of The Framework storyline at first, but it grew on me, and became more compelling as it went on. There were a lot of missed opportunities though. The storyline allowed the writers to bring back old characters like Ward, Tripp and even Bakshi, for Stan Lee's sake. 

So I was hoping we'd get to see virtual versions of Mockingbird and Hunter pop up inside The Framework. Alas, no such luck. Maybe there was a scheduling conflict with actors Adrianne Palicki and Nick Blood. Or maybe ABC approached them, and the actors told them to f*ck off after being written off the series for their own pilot that never materialized (twice!).

So far I'm a big fan of Agents Of S.H.I.E.L.D.'s "story pod" approach, in which they break up their season into three separate arcs of six to eight episodes each. Having these "seasons within a season" means the storylines move along at a brisk pace, eliminating the wheel spinning and filler episodes that plague other series (Yeah, I'm lookin' at you, The Walking Dead!). Hopefully they'll continue this method in Season 5.

Now for some good news and bad news. The good news is that last week, ABC finally announced they were renewing Agents Of S.H.I.E.L.D. for a fifth season. Huzzah! The bad news is they're moving the show to Friday night at 9pm. Hmm....


Friday night has traditionally been seen as the "Death Slot," where older or low-rated series are sent to die. ABC denies this is what's happening (of course), as they claim they're attempting to turn Fridays into "a destination for fantasy and sci-fi fans," as S.H.I.E.L.D. will be paired with the long-running series Once Upon A Time.

Honestly I don't think a Friday night timeslot is the death-knell it once was. In this age of streaming and binge-watching, few people watch live TV anymore anyway, so it really doesn't matter what day a series airs.

One good thing about the move though—  Agents Of S.H.I.E.L.D. is scheduled to return in January of 2018 (which sounds like a really long time from now, but is really only eight months away) and all twenty two episodes will run consecutively, with no interminable mid-season breaks! Wow! I've been bitching about the goddamned months-long breaks (in which I forget what the hell's going on with the show) for years now, so this is the best news possible!

SPOILERS!

The Plot:
Robbie Reyes, aka Ghost Rider, finds his car in the S.H.I.E.L.D. impound lot, which is apparently a thing. He gets in, revs it up and roars off.

On Zephyr One, Simmons asks Fitz if AIDA, who's now flesh and blood, is human or Inhuman. Fitz says she's both, and neither. Helpful! He tells her he's still traumatized by his actions inside The Framework, where he tortured and killed countless Inhumans. Meanwhile, Daisy tries to locate Yo-yo's mind inside the virtual world so she can extract her. She's horrified to see that AIDA's deleting The Framework, as its program slowly starts disappearing line by line.

Inside The Framework, Yo-yo's strapped to a gurney in the Triskelion. A Hydra agent enters and starts to shoot her, but Radcliffe appears and rescues her. When she asks how he knew she was here, he tells her Daisy's apparently altering the code of The Framework, causing actual yo-yos to appear in his pockets and clue him in (!). He warns her that she shouldn't have come, as things are beginning to disappear as the virtual world winds down.

AIDA and the Superior discuss their plan to use the Darkhold to make the Hydra-controlled world of The Framework a reality. Suddenly the Hell Charger roars up, and Ghost Rider emerges from it. He's there for the Darkhold, and "kills" several of AIDA's LMD henchmen. He attacks her with his flaming chain, which burns her arm before she can teleport away.

Coulson gets a call from General Talbot, saying it's time for the government's annual "Shut Down S.H.I.E.L.D." meeting, and he needs him to testify before a committee to defend the organization. Coulson politely R.S.V.P.s, saying he's way too busy to attend. Meanwhile, Daisy somehow tracks down Robbie and meets up with him.

AIDA's puzzled as to why her accelerated healing factor hasn't fixed her arm. The Superior says it's because Ghost Rider burned her, and he comes from the same darkness that made her.

Daisy brings Robbie to Zephyr One. He tells Coulson there was a tear in the dark world when AIDA was created, which allowed him to escape. He says Ghost Rider wants to find AIDA and the Darkhold and send them back to the hell from whence they came.

In The Framework, Radcliffe takes Yo-yo to S.H.I.E.L.D. HQ to see Mack. She approaches him, but he has no idea who she is. Mack says people and things are starting to disappear from the HQ as The Framework winds down, and tells everyone left that they need to evacuate immediately.

The next morning, Talbot attends the government meeting. The Superior and another LMD are there as well. The Superior accuses S.H.I.E.L.D. of breeding an Inhuman army, as Talbot tries to defend them. The Superior shows them the Darkhold, saying it has the power to destroy S.H.I.E.L.D. and eliminate the Inhuman threat once and for all. Suddenly Daisy enters the meeting, shoots Talbot in the head (!) and immediately runs off.

Just then Coulson, Daisy (?) and the other agents arrive. They shoot the Superior and his LMD henchman and take the Darkhold. Daisy confronts her LMD duplicate, who was the one who actually shot Talbot. AIDA's there as well, chortling that she'll 
enjoy watching Daisy have to kill "herself." Suddenly Ghost Rider appears and he and Daisy take out the LMD.

Talbot's assistant examines him and says there's still a pulse (?). She calls for her guards to arrest S.H.I.E.L.D., but Coulson says it was an LMD who shot Talbot. She doesn't believe him of course, and Coulson and the others beat a hasty retreat.

Back on Zephyr One, Coulson says the video of LMD Daisy shooting Talbot will cause fear and distrust toward S.H.I.E.L.D. and Inhumans both, creating the fascist state of Hydra that existed inside The Framework. Coulson asks Robbie if he can borrow the Darkhold to use as bait against AIDA. He's reluctant, but agrees. Coulson says their only hope now is to return to their ruined S.H.I.E.L.D. HQ to defeat AIDA once and for all.

In The Framework, Mack, Hope, Yo-yo and Radcliffe are on a bus, trying to make it to safety. Suddenly the bridge in front of them disappears. Yo-yo tries to convince Mack that The Framework is dying, and he has to come back with her to the real world. He refuses to leave Hope, of course. Suddenly Hope screams, and they see everyone in the bus except for the four of them has disappeared. Yo-yo asks why they're still alive, and Radcliffe says Daisy must be temporarily protecting them.

At S.H.I.E.L.D., Coulson and May wait for AIDA. He finally tells her that her LMD duplicate made a move toward him, and she says maybe it had the right idea (!). Daisy tries to program a backdoor out of The Framework for Mack and Yo-yo. FitzSimmons lock themselves in the server room, to keep The Framework running as long as possible (so... so it's inside S.H.I.E.L.D.?). Suddenly AIDA teleports into the room.

She grabs Simmons and jabs a screwdriver partway into her chest. She taunts Fitz, saying she'll make him pay for what he did to her by killing everyone he loves. Fitz begs her to stop, saying he'll do anything she wants. AIDA electrocutes Simmons and teleports away (!).

Back in The Framework, Mack returns to his home with the others. Yo-yo tells Radcliffe that she can't believe Mack is ready to die for a daughter who isn't real. Hope overhears and goes crying to Mack.

AIDA teleports to the S.H.I.E.L.D. portal room (that she created earlier in the season). She grabs the Darkhold from Coulson, and just as she's about to blast him, Simmons appears and shoots her from behind. Apparently the Simmons AIDA killed was an LMD, but don't ask me where they got it.

AIDA moves toward Simmons to kill her for real, but suddenly Coulson transforms into Ghost Rider! It seems Robbie temporarily loaned him out to Coulson for a bit. Coulson Rider wraps his chains around AIDA as she teleports away with him in tow. She teleports to various locations, but can't seem to dislodge the demon. Finally she teleports back into S.H.I.E.L.D., where Coulson Rider grabs her and burns her to ash.

Well then. That was... disappointing. Somehow I was expecting a more grandiose demise for the Big Bad who's plagued the agents all season.

In The Framework, a door appears in the wall of Mack's house. Radcliffe says Daisy must have programmed an escape for them. Yo-yo begs Mack to come with her, but he still refuses to leave Hope. She says if that's what he wants, then so be it, and sits down beside him, so they can all die together. Mack hugs Hope, but she vanishes in his arms. He wails in agony, as Yo-yo tries to comfort him.

Yo-yo wakes up inside Zephyr One. Daisy says she can't see Mack's code anymore, and that they've lost him. Suddenly Mack gasps and wakes up.

Coulson thanks Robbie for loaning him Ghost Rider. Robbie asks if he knows why the demon made the deal, and Coulson says he does, but he'd like to keep it between them "for now." Robbie says goodbye to everyone, takes the Darkhold and uses his chain to open a portal. He steps through into the Dark Dimension, Doctor Strange-style.

Mack & Yo-yo discuss what happened in The Framework. They receive word that Talbot somehow survived, but is in a coma (?). Oh, and the government is coming after S.H.I.E.L.D. Fitz tells the others to go, and he'll stay behind and take the fall for them, as penance for what he did in The Framework. Daisy tells him to forget about it, saying they're all in this together. Coulson suggests they all get a bite to eat before what's coming.

In The Framework, Radcliffe sits on a beach, watching the sunset. He starts to toast his old flame Agnes, but suddenly winks out of existence.

The S.H.I.E.L.D. agents sit in a diner, enjoying their meal. Suddenly the lights go out, and a squad of soldiers, lead by a shadowy figure, appears behind them. The shadowy man uses a glowing device to freeze everyone, and tells the soldiers to hurry, as "the window closes in two minutes."

Some time later, Coulson wakes up in what appears to be a cell. He pushes a button and opens a window, revealing he's in outer space, an asteroid field in the distance. He stares at the view a moment, then says, "All right, Phil, enough sight-seeing. Get back to work."

Thoughts:

• I'm still VERY confused as to actual physical location of The Framework in the real world. It's a sophisticated simulation of the entire Earth, so one would expect it would be stored on a massive server somewhere.

A couple weeks ago we finally found out that AIDA had the S.H.I.E.L.D. agents hooked up to The Framework inside the Superior's secret oil rig headquarters. So I simply assumed The Framework server was in that location as well. Seems logical, right?

This week though, AIDA starts shutting down The Framework, causing people, places and objects to start vanishing inside the virtual world. FitzSimmons announce that they're locking themselves inside the server room at S.H.I.E.L.D. HQ to keep The Framework running long enough for Yo-yo to rescue Mack and bring him back. 

So... so I guess that means The Framework has been running on a server at S.H.I.E.L.D. all this time? Does that seem right? 

Daisy also works feverishly to program a new backdoor into The Framework so Yo-yo and Mack can escape, which again implies that it's stored there at S.H.I.E.L.D. But if Daisy can start messing with The Framework's code NOW, why couldn't she have done that weeks ago, and rescue the various agents that way instead of risking her life by entering it herself?

I'm very confused here. And I get the feeling the writers aren't even sure where The Framework is either, and just hope the audience doesn't think about it.

• Welp, so much for AIDA, I guess. She's been plaguing the cast for the entire season, and then Coulson Rider grabs her arm and burns her to a cinder in two seconds! That certainly seemed... anticlimactic. Somehow I was expecting a much more epic demise for such an awesome and interesting supervillain. 

Would it have killed them to have had AIDA and Coulson Rider punch each other a few times before he incinerated her? I'm betting this was a budget issue. Those flaming head effects probably ain't cheap, so they just couldn't afford a prolonged battle. Still, AIDA's death was way too easy and abrupt, and she deserved a better sendoff.

On the other hand, Radcliffe's "death" inside The Framework at the end of the episode was absolutely perfect. He sits on a beach and simply vanishes. All things considered, simply winking out of existence doesn't seem like a bad way to go.


• By the way, how awesome was Coulson Rider? When he first appeared I thought Robbie had somehow gained the power to disguise himself as other people, and simply made himself look like Coulson. Then I remembered that way back in Deals With Our Devils, Mack was briefly possessed by Ghost Rider, implying that the demon can jump from person to person, or be loaned out like some sort of garden tool.

At the end of the episode Coulson returns Ghost Rider to Robbie, and thanks him for the loan of his demon. Robbie says "You know why he made the deal in the first place, right?" Coulson assures him he does, and asks him not to mention it to the others.

So what was Ghost Rider's mysterious deal? Was it something specific, like he made Coulson promise to be his new host if Robbie's ever killed? Or was it vague, tit-for-tat Godfather-type promise? You know, "Someday, and that day may never come, I'll call upon you to do a service for me. But until that day, accept this justice as a gift on my daughter's wedding day."

Could the deal have something to do with how Coulson (and the other agents?) ended up in space in the tag scene?

I'm hopeful that Coulson' deal means we'll see the return of Ghost Rider sometime next season. I have to admit that last year when I first heard he was appearing on the show, I thought it was the stupidest idea ever. A supernatural demon anti-hero on what is ostensibly a spy show? Ridiculous! It sounded like the worst mash-up concept ever! Imagine my surprise though when Ghost Rider fit right in with the tone of the series, and was the best thing about the entire season.

• At one point an LMD of Daisy busts into a government meeting and shoots General Talbot right in the middle of his head. With a real gun too, not an ICER! Amazingly, Talbot survives, although he's in a coma.

I always suspected Talbot had a thick skull, but this proves it!

So what's the verdict here? Is this another example of comic book "science," or can a person really survive a direct gunshot to the head? 

Turns out it IS possible, but extremely unlikely. Survival depends on a number of factors, like the type of gun used, the caliber of the bullet, the angle that it enters the skull and even the region of the brain it hits. 

Sometimes a bullet will shatter when it comes in contact with the skull and do relatively little damage. Sometimes it will penetrate the skull (which is never a good thing) but pass harmlessly through a non-critical area of the brain (!). There have even been cases where a bullet entered a subject's head, ricocheted off their skull and then traveled under the skin before exiting harmlessly out the back of their head, giving the impression it went clean through their noggin!

• Yo-yo asks Radcliffe how he found her in The Framework, inside the Triskelion. He says apparently Daisy altered The Framework's code, causing actual toy yo-yos to appear in his pockets to clue him in! Haw!

• So Yo-yo does her best to talk Mack into coming back with her to the real world, but he refuses, choosing instead to stay in The Framework with his fake daughter Hope. It isn't until Hope's sudden "deletion" that Mack realizes there's no point in staying any longer, and he finally agrees to leave.

I'm not a fan of this resolution to Mack's Framework storyline. It lacks any sense of drama, as he's never placed in the position where he has to make a difficult decision. He decides to stay until Hope disappears and then says, "Welp, I guess I better go back to this "real" world everyone keeps talking about."

Wouldn't it have been a hundred times better if Yo-yo's appearance had jogged Mack's memory of the real world? That way he'd have had a hard choice to make— return to the real world and lose his daughter a second time, or stay and die with her.

• Somehow, Fitz creates an expendable LMD of Simmons for AIDA to kill in the server room. Just how the hell he accomplished this, I have no idea. AIDA created an LMD of Daisy earlier in the episode, but that makes sense, as she and the Superior obviously have some sort of secret LMD-making machine in his new headquarters (wherever that is). 

But how is S.H.I.E.L.D. churning out fresh LMDs? Is there an LMD printer that we never heard about before somewhere inside S.H.I.E.L.D. HQ? 

Earlier in the season, LMD Fitz planned to replace Simmons with a robotic duplicate. Is that the one we see in this episode? I have no idea, and I don't think the writers do either. It's another one of those things they hope we don't think too hard about.

• I'm VERY disappointed that the series didn't give Framework Ward a proper sendoff. This season the writers did something I believed was impossible— they completely redeemed the Grant Ward character and found a logical and compelling way to bring him back to the show.


And then he simply walked off the screen a couple weeks in All The Madame's Men, never to be seen again. No goodbyes, no heroic death, nothing. He doesn't even go out with a whimper. He's just suddenly no longer on the show! Talk about a letdown!

When AIDA revealed that the purpose of her Project Looking Glass was to build herself a flesh and blood body in the real world, I was convinced that this is how the writers would return Ward to the show permanently. Just run him through the machine and BAM! Hero Ward's back on the team again. It would have been a clever and perfectly reasonable way to resurrect the character.

We later found out that wasn't possible, as A: Project Looking Glass was destroyed, and B: It used dark matter energy to build strong bodies twelve ways, and Ghost Rider would probably have killed Hero Ward the instant he saw him.


But as we saw with the Simmons-bot in this episode, S.H.I.E.L.D. apparently has the ability to make their own LMDs. Why couldn't Daisy whip one up, and then download Framework Ward's mind into it? Sure, he'd be a robot from then on, but he'd still be back on the show.

No one even mentioned him since his last appearance. You'd think at least Daisy would have said something about the guy, considering they were living together inside The Framework. His sudden disappearance and lack of a proper goodbye is one of the worst character exits I think I've ever seen on a network TV show! They Chuck Cunninghammed him!

• Ever since Fitz got out of The Framework, he's been freaking out over the things he did there. He tells Simmons, "
I performed lethal experiments on approximately two dozen people innocent people, people we've known from this world. Lincoln Campbell, Vijay Nadeer, Gordon from the Afterlife... I can still hear the screams."

It seems like he'll be dealing with the fallout of his virtual actions for months, if not years.

Then at the end of the episode, Daisy gives him a rousing pep talk about teamwork, one worthy of The Flash. And just like that Fitz seems all better! That was easy!

• So far I have absolutely no idea who the mystery people were who abducted Coulson and the others at the end of the episode, or why he ends up on a space station.

Actually I'm not even sure it was a space station, as it looked like he was in some kind of prison cell. And is he the only one in space, or are the rest of the agents there as well? These are all good questions right now.

Many fans are convinced the mystery people work for S.W.O.R.D., another secret agency with a tortured acronym that stands for "Sentient World Observation and Response Department." They're a counterpart to S.H.I.E.L.D., except they protect Earth from extraterrestrial threats. 

That's not a bad theory, except I would expect an organization that protects Earth to be orbiting the planet. Wherever Coulson was at the end, it wasn't anywhere near Earth, as there was a freakin' asteroid field outside his window.

It's also possible his outer space visit has something to do with the Royal Family of the Inhumans, who have their own series this fall on ABC. Marvel Studios swore the two series wouldn't cross over or have anything to do with one another, so that's probably not the answer.

We'll have to wait until this fall to find out. See you then!

This Week's Best Lines:
Yo-yo: "How did you find me?"
Radcliffe: (pulling actual yo-yos out of his pockets) "I kept discovering these in my pockets, in the streets. I felt like a PAC-MAN gobbling up biscuits. Somebody wanted me to find you."
Yo-yo: "Daisy."

The Superior:"Why are you so upset? You created us."
AIDA:"A decision I regret."
The Superior: "There is that word again, 'regret.' You built an empire by eliminating the regrets of others. How does it taste on your tongue?"
AIDA: "I want to burn this world to the ground."

Talbot: "Three of my finest aren't so fortunate, and I have no idea what killed them."
Coulson:"We lost good people, too. The short answer is they were murdered by a vanishing banshee made of matter from another dimension."
Talbot:"You expect me to put that in my report?"
Coulson: "I have a cybernetic hand. I've been to an another planet. This stuff happens in S.H.I.E.L.D."

Daisy: "What's new?" 
Robbie: "Nothing much. Beat up a couple dudes. Turned out to be robots."

The Superior:"This book opened my eyes to the truth about Inhumans. It contains a plan to defeat them, and you can all be a part of it."
Talbot: "I smell a load of L. Ron Horsecrap!"

AIDA:"I had a lot of time after you shattered my spine to think about what I'd do when I saw you again. I decided it might be fun to watch you kill yourself."
Daisy: "Aida, seriously, therapy. Just consider it."

Daisy:"This must be Aida's payback 'cause I quaked her skinny ass out that window."

May: "This is a terrible plan."
Coulson: "You know, Robot May was way more supportive."

AIDA: "Now I understand why humans have written so many sad songs."
Fitz: "Yeah! Hey, that's a great example. There are lots of ways to express sadness and pain. There's music and art..."
AIDA: "And smashing heads on the floor. That's the one I like the best so far."

AIDA: (after Simmons shoots her multiple times) "Your weapon can't stop me."
Simmons: "I know. I just really wanted to do that."

Coulson: (after Daisy and Robbie wipe out a room full of AIDA's henchmen) "I missed it, didn't I? You two together, and we missed it. Damn."

I Find Your Lack Of Faith... Refreshing

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Last month I reviewed the dreadful new Power Rangers movie, saying that Lionsgate Studios took a fast-paced, colorful and exciting kids' show from the 1990s and turned it into a dull, dour, desaturated and overlong teen angst-fest that's completely devoid of any sense of fun.

somehow takes a colorful, exciting and beloved property from the 1990s and turns it into a dull, dour, desaturated teen angst-fest, that's completely devoid of any sense of fun whatsoever. 

Looks like I'm not the only one who was less than happy with the new movie. Apparently Fisher-Price agreed with me and thought it sucked as well. I was in Target last night and saw this action figure playset, based on the characters from the Mighty Morphin' Power Rangers show. 

Note that I looked all around on the shelf, and didn't see a single toy (from Fisher-Price at least) based on the movie. Ouch!

It's definitely a bad sign when a toy company would rather make figures from a twenty four year old TV show instead of ones from your brand new big budget Hollywood movie.

By the way, get a load of the massive meat hooks on that Rita Repulsa figure! She definitely ain't related to Emperor Trumpy!

Doctor Who Season 10, Episode 6: Extremis

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This week on Doctor Who, our favorite Time Lord gets a visit from the Pope himself, there's another sect of evil monks, a trip to a virtual world and even a prelude to an invasion by someone.

The biggest news though is that the mystery of Who's Inside The Vault was finally resolved this week. And as most fans suspected all along, it's Missy! The most obvious and absolute least interesting occupant possible. It figures.

I was hoping the writers would surprise us and reveal it was someone totally unexpected, like Susan Foreman or even the First Doctor himself. There've been numerous little shoutouts to Susan all season, which made me think it might somehow be her inside the Vault. Since it's not, now I'm wondering why the writers keep referencing her?

So far the first five episodes of this season have felt very much like classic old school Doctor Who. Smile and Knock Knock in particular could have been episodes starring the Fourth Doctor.

As a result of this, I've been very surprised by showrunner Steven Moffat the past few weeks. His stripped-down, back to basics approach has made this the strongest season in years. Gone are all his typical trappings— the companion who's The Most Important Girl In The Universe, the baffling, nonsensical storylines and the tons of impenetrable continuity.

Alas, that streak couldn't last forever, as this week we get the most Steven Moffatiest episode so far. In fact I didn't even have to look at the credits to know he'd written it. It's not the worst episode I've ever seen, and as Moffat scripts go it's actually pretty decent. It's just not quite as good as the previous five episodes.

Part of the problem may be that this is the first entry in a three-part story arc, so it consists largely of setup. So it's hard to judge this one on its own merits, and may actually improve once we see the next two episodes.

Funny that this episode prominently features the Doctor and Co. stuck inside a virtual, computer simulated world. Over on Agents Of S.H.I.E.L.D. they just concluded their multi-part Framework storyline, which tacked the exact same subject! Great minds and all that, I guess.

SPOILERS!


The Plot:
We begin "a long time ago" on an alien planet, where the Doctor's being escorted by a group of Monks. The head Monk excitedly explains that his planet specializes in executions, and he's honored to have the privilege of killing a Time Lord. He breathlessly shows the Doctor their version of a Time Lord electric chair, saying it'll stop both hearts, destroy all three brain stems and prevent regeneration. The Doctor hisses that he knows how it works.

The Monk continues, saying that after a Time Lord's death, the body is placed in a Quantum Fold chamber, where it's required to be under constant guard for a thousand years. The last stipulation is that a Time Lord can only be executed by another of his kind.

The Monks then bring out Missy, aka the Master, the Doctor's arch enemy. She makes snarky small talk with the Doctor for a bit, and then the Monks tell the prisoner to kneel. Missy lowers herself to her knees, and we realize that it's not the Doctor being executed, but her! GASP! Plot Twist!

Cut to the present, as the Doctor (who's still blind, after the events of Oxygen) sits outside the Vault he's been guarding under the University for the past fifty years or so, as he mumbles to Missy. Welp, I guess now we know who's inside the Vault— the most obvious person possible! 


The Doctor's wearing his sonic sunglasses, which give him a crude form of electronic vision. Suddenly he gets a mysterious email through his glasses, titled "Extremis."

The Doctor then gets a visit from none other than the Pope himself, who says he needs his help. There's an ancient text called the Veritas, (which means "The Truth") that's older than the Church itself. It's written in a forgotten language, but recently a group re-translated it. Problem is, anyone who reads it immediately kills themselves. The Pope wants the Doctor to read the Veritas and find out why. This might be a problem for him, since he can't see.

Meanwhile, Bill brings a date home to her flat. The woman, named Penny, is feeling guilty about having a one night stand or being gay or maybe both, it's not clear. Suddenly they hear the TARDIS materialize, and the Pope emerges from Bill's bedroom. Penny flees in terror. Bill angrily enters the TARDIS and tears the Doctor a new one for ruining her date.

Back in the flashback, the Doctor's about to pull the lever and execute Missy. Suddenly a hooded priest shows up, demanding an audience with the Doctor. The priest turns out to be Nardole! He has a message for the Doctor from the late River Song, who "gave him full permission to kick his arse." The Monks insist that the Doctor carry out the execution. Missy begs the Doctor to spare her life, promising she'll be good.

The Doctor, Bill, Nardole, the Pope and his entourage of cardinals then travel to the Vatican in the TARDIS. Cardinal Angelo takes them to a deep underground library called the Haereticum, which is filled with forbidden and heretical books. The Doctor's wearing his sonic sunglasses, which help him see vague shapes and images. Bill comments on the fact that he's wearing them. Nardole asks the Doctor why he's keeping his blindness a secret from Bill.

They reach the center of the library, where the Veritas is kept in a protective cage. A light appears around a corner, and they see a shadowy figure standing there. As they approach the figure it walks into the light and disappears. Suddenly a Priest runs out of the cage, shouting, "I sent it! I sent it!"

Bill examines a laptop in the cage, and says the Priest emailed the Veritas to CERN, the world's largest particle accelerator lab. The CERN scientists reply, "Pray for us." The Doctor wonders what would scare both particle physicists and priests. 


He sends Bill and Nardole off to find the Priest, while he uses a device that "borrows" sight from his future incarnations so he can read the Veritas. As he starts to read the book, a group of mummified Monks appear and surround the Doctor. He takes the laptop and runs. He sees another light portal and jumps through it.

Back on the Executioner Planet, Missy's still begging the Doctor to spare her life. He pulls the lever and electrocutes her. He vows to guard her body for a thousand years. Missy then wakes up and brushes herself off. The Head Executioner protests, saying the Doctor lied. The Doctor says he promised to watch over her body, but no one said it had to be dead.

Bill and Nardole find the Priest, who's shot himself. They then see another bright portal, and enter it. They find themselves in a circular room with a ring of obelisks in the center, and a dozen or so portals along the walls. They walk through one of the portals and come out inside the Pentagon. When a woman asks for their ID, they quickly return to the portal room. They go through another portal and come out inside CERN.

A scientist walks by and welcomes them, and they follow him to a large cafeteria inside the lab. The scientists all drink champagne as a large clock counts down to zero. Nardole notices there are huge bundles of TNT under each table and tells Bill they need to leave now. Bill asks the scientist why they're killing themselves. He tells her to think of a random number, and she and Nardole come up with the same one, over and over. Eventually everyone in the room is able to chant the same "random" numbers they are, which I have to admit is kind of creepy.

Bill and Nardole run out of CERN just before it explodes and re-enter the portal room. Nardole says he doesn't think the portals on the wall are really doorways, but holographic projections. He sticks his arm into the middle of the ring of obelisks, and he derezzes like a TRON character and vanishes!


Bill freaks the hell out and runs through another portal. She finds herself in the Oval Office of the White House. She sees the Doctor sitting at the desk, while the President is slumped over dead in a chair by the window. The Doctor explains that he read (well, listened to) the Veritas , which says they're living inside a simulation, designed as a "practice run" for an alien invasion of Earth. He says as proof, the Veritas invites you to write down a series of random numbers, then turn the page. Your digits will be the same as the ones listed in the Veritas every time, since computers have trouble generating truly random numbers.

Bill realizes this means she's not real either. One of the Monks sneaks up from behind and touches her, causing her to derezz like Nardole did. The Doctor tells the Monk the invasion will never succeed in the real world. The Monk says there's nothing the Doctor can do about it, as he's not even real. The Doctor reveals he used his sonic sunglasses to email his real world counterpart and tell him everything that's going on.


Cut to the Doctor in the real world, slumped in front of the Vault as he's just received the email from his simulation. He talks to Missy in the Vault, telling her he needs her help to stop the coming invasion.

Thoughts:
• At the beginning of the episode, the Executioner explains to the Doctor how the Time Lord electric chair (or whatever it's called) functions. Among its features— it requires another Time Lord to operate it.


That seems like a pretty big design flaw. A fatal one, even (heh). Up until just a few years ago, the Doctor was the Last Of The Time Lords. What would have happened it he'd done something worthy of the death penalty back then? There'd be no one to pull the switch and execute him!


• This week we learn that in addition to having two hearts, Time Lords also have 3, count 'em three brain stems. That doesn't make the least bit of sense, but let's just move on.


• The Doctor's still blind this week (and next as well, according to the preview), but he's getting around by using his sonic sunglasses as sort of a crude Geordi LaForge VISOR.


I'm OK with this! Last year I blasted the thrice-damned sonic sunglasses as the stupidest thing Steven Moffat ever came up with (which is really saying something!), but he's finally found a good use for them here. Makes perfect sense that the Doctor would program them to function as his eyes.


• Nardole was a lot of fun this week, as he tried to nonchalantly serve as the Doctor's eyes. "Oh, look, it's a mysterious light, shining round a corner, approximately ten feet away!"


• It looks like after the events of Knock Knock, Bill apparently gave up on the idea of sharing a flat with her college pals. This week she's back living with her snooty roommate from The Pilot.


• At one point we get a brief shot of the TARDIS flying toward the Vatican. Note that it doesn't just materialize in the Pope's office, it actually flies through the air.

This highlights one of the bigger inconsistencies on the show— just how the hell does the TARDIS actually work?


Ninety nine percent of the time there appears to be no physical motion involved, as it simply dematerializes from one spot and reappears in another (accompanied by its characteristic wheezing sound).


On very rare occasions, we actually see it flying through the air (check out The Runaway Bride for a prime example). Every now and then we'll also see it slowly spinning along in outer space.

The flying vs. dematerialization thing has never been consistently depicted in the series or explained (imagine that!) as it seems to switch back and forth as the script demands. 

Maybe it dematerializes when its traveling in time, and flies when it moves through space?


• During his visit from the Church, one of the Bishops mentions Pope Benedict IX, who endorsed the Doctor back in 1045. The Doctor reminisces briefly, saying, "Pope Benedict. Lovely girl. What a night! I knew she was trouble, but she wove a spell with her castanets!"


OK, I don't know about Pope Benedict, but there are rumors and legends of Pope Joan, a female pontiff who reigned for a few brief years in the Middle Ages. Supposedly she was a learned woman who disguised herself as a man, and rose through the ranks of the Church until she was eventually elected Pope. 


The jig was up when she allegedly gave birth during a holy procession, and she died shortly afterwards. The Church supposedly removed her name from the records after that. 


The story was widely believed for centuries, but most modern scholars dismiss Pope Joan as fictional.


By the way, the entrance to the Haereticum is guarded by a large portrait on the wall, much like in the Harry Potter books. This particular portrait s of the aforementioned Pope Benedict, who for some reason looks a LOT like Angelina Jolie in the Whoniverse!

• Kudos to the makeup department for their work on the Monks in this episode. They were very effective, as they looked less like masks and more like REAL desiccated corpses or mummified bodies. Very disturbing and creepy!

Whenever the head Monk speaks, his mouth gapes open and a whispery voice emanates from it. Note that his lips don't move in sync with his speech (possibly because he no longer has lips!).

You know what other Doctor Who villain spoke like this? The original Cybermen from the planet Mondas, who first appeared in The Tenth Planet way back in 1966. 

I wonder... a few months back the BBC announced that the Mondasian Cybermen would be making an appearance on the show this season. Is it possible that the Monks are somehow these Cybermen in disguise? Creating a virtual world so they can practice invading would definitely be in the Cybermen's wheelhouse.

I'm probably way off base here, as it would be tough for the Cybermen to hide their bulky headgear under those hood. Still, I thought it was worth noting that both species do the "gaping mouth" thing.

• Evil Monks seem to be a very popular adversary in the Whoniverse. You can't swing a sonic screwdriver around without hitting some sort of sinister sect.

There were the Ninja Monks way back in Season 2's Tooth And Claw.

And of course the Headless Monks from Season 6's A Good Man Goes To War.

There're probably even more evil Monks from the Classic Series that I don't know about.


• There's a theory going around the internet lately (allegedly posited by actual scientists) that our universe is actually an elaborate Matrix-type simulation. There's supposedly some flimsy evidence (which I confess I don't understand) to back it up.

I am 99% percent sure that Steven Moffat read an article about this theory and was inspired to write these episodes.


• When Bill and Nardole visit CERN, they discover that all the scientists here have read the Veritas are prepared to kill themselves. In order to do it, the scientists have rigged all the tables in their cafeteria with huge bundles of dynamite.


Um... where the hell did the scientists get that? Do they really keep large quantities of TNT in the CERN supply closets?


• In order to read the Veritas without endangering anyone else, the Doctor uses a device that somehow borrows vision from his future incarnations. He wonders if this will damage them, or if he'll even be able to regenerate anymore.

Eh, I wouldn't worry about it, Doc. As we find out later, all that happened inside the simulated world, after all, so who cares?

• In the end, the Doctor doesn't read the Veritas, but rather listens to it, as he finally figures out the text-to-speech function on his stolen laptop (something I kept screaming at the screen). 


Note that he doesn't attempt to kill himself after listening to it. Is that because he possesses an ironclad alien willpower? Or is listening to it instead of reading it a form of cheating?

• At one point Bill goes through a portal that exits in the Oval Office. She sees the President slumped dead in a chair, an open bottle of pills spilled on the floor next to him. Note that this particular Commander-In-Chief is relatively fit and has black hair, so it's definitely not our current "President."

I'm jealous of the residents of the Whoniverse, who don't have to put up with a rotted orange pumpkin for a leader.

Now that I think about it, there's no way in hell Trump would ever bother to read the Veritas. It's been confirmed by White House staffers that he refuses to read anything more than a few paragraphs long. He'd get some poor aide to do it for him.

• The Doctor tells Bill that neither of them are real, and they're living inside The Framework, er, I mean a virtual world. He says the Veritas proves it, by challenging the reader to think of a string of random numbers and then revealing those exact digits on the next page. He says this proves the world is a simulation, because "computers aren't good at generating random numbers."


Believe it or not, this is a real thing. According to MIT Professor Steve Ward, computers are deterministic, which means if you ask the same question over and over, you get the same answer every time. They're specifically designed to eliminate randomness.


You can program a computer to generate random numbers, but because of the way they're built, they always start with a "seed" number and then follow a pattern. This results in "pseudo-random" numbers that appear arbitrary, but really aren't.


And that's one to grow on!


• So the virtual Doctor can use his sonic sunglasses to "email" the Doctor in the real world. Sure, why not? That's no more ridiculous than anything else that happens in the episode. But if I ever get an email from Franklin in Grand Theft Auto 5, I'm tossing my PS3 in the trash!


Yes, I still have a PS3.


• So just when did the episode switch from the real world to the simulated one happen? It's never quite clear, which I'm sure was Moffat's intention.

About two thirds into the episode, Nardole starts freaking out when he realizes they're in a computer simulation, saying, "I don't know. Maybe when we arrived at the Vatican? But I programmed the TARDIS myself, we were on target. We went to the Vatican, the real one, I'm sure of it." Based on that, it would seem they entered the simulation AFTER they got to the Vatican.


I don't think so though. At the very beginning of the episode, the Doctor sits in front of Missy's Vault, and gets an email titled "Extremis" on his sonic sunglasses. The very same email that the Virtual Doctor sends to him at the end of the episode (timey-whimey!).

So I'm thinking that EVERYTHING after that point happens in the virtual world!

The ONLY parts of the episode that happen in the real world are the flashbacks with Missy, the Doctor slumped against the Vault, and his phone call to Bill, in which they discuss Penny.

Remember that earlier in the episode Bill scolded the Doctor for ruining her date with Penny. But now he's asking her if she knows someone by that name. This implies that the Doctor screwed up Bill's date in the simulation, and she hasn't even asked Penny out in the real world.

• This Week's Best Lines:
Cardinal Angelo: "Good evening, Doctor. We have come here today direct from the Vatican."
The Doctor:"Oh, right. That's nice Well, if you've got a collecting tin, I'm sure I can find something. Leaky roof, is it?"

Cardinal Angelo:"On behalf of every human soul in this world, of any creed, of any faith with the utmost respect and in complete secrecy His Holiness, the Pope, the Bishop of Rome, requests, most urgently, a personal audience."

The Doctor: "Well, if he's so keen to talk to me, why doesn't he come here himself?"
Nardole: (whispering) "He IS here. He's standing right in front of us."
The Doctor: "Hello, ah, the Pope. I'm sorry that I didn't recognise you there."

The Doctor: "Assume nothing! Assumption makes an "ass" out of you, and 'umption."


Penny:"That was the Pope! Bill, that was the Pope!"

Bill: "Yeah, yeah, give me a minute, I am about to have a truly awesome word with someone."

Bill: "Here's a tip. When I am on a date, when that rare and special thing happens in my real life, do not do not under any circumstances, put the Pope in my bedroom!"

The Doctor: "OK. Now I know."

Cardinal Angelo: "Pope Benedict said that you were more in need of confession than any man breathing. But when the offer was made, you replied, 'It would take too much time."


Nardole: "OK, so you're blind and you don't want your enemies to know. I get it. But why does it have to be a secret from Bill?"

The Doctor: "Because I don't like being worried about. Around me, people should be worried about themselves."
Nardole:"Yeah, shall I tell you the real reason?"
The Doctor: "No."
Nardole: "Because the moment you tell Bill, it becomes real. And then you might actually have to deal with it."
The Doctor:"Good point. Well made. Definitely not telling her now."

Cardinal Angelo: (talking about the 
Haereticum) "The layout is designed to confuse the uninitiated." 

The Doctor:"Sort of like religion, really."

Cardinal Angelo:"The very center of the Haereticum. Home of the Veritas for over a thousand years."

The Doctor:"Truth in the heart of heresy."
Cardinal Angelo: "And death in the heart of truth."
Nardole: "You'd be wizard at writing Christmas crackers, you two!"

The Doctor:"Particle physicists and priests. What could scare them both?"


Nardole:"You're to walk behind me now, like the Doctor said."

Bill: "Yeah, totally not happening!"
Nardole: "OK, Bill, Miss Potts, I am the only person you have ever met, or ever will meet, who is officially licensed to kick the Doctor's arse. I will happily do the same to you, in the event that you do not align yourself with any instructions I have issued which I personally judge to be in the best interests of your safety and survival. OK, Bill?"
Bill: "OK."
Nardole: "Good-oh!"
Bill: "Nardole, are you secretly a badass?"
Nardole: "Nothing secret about it, babydoll."
(he shrieks as they spot the dead priest)

The Doctor: "Thing about the universe is, whatever you need, you can always borrow . . as long as you pay it back. I just borrowed from my future. I get a few minutes of proper eyesight, but I lose something. Maybe all my future regenerations will be blind. Maybe I won't regenerate ever again. Maybe I'll drop dead in 20 minutes. But I will be able to read this!"


The Doctor:"You know, I've read a lot of books that this chair would be quite useful for. Moby Dick! Honestly, shut up, and get to the whale!"

The Doctor: "I AM the Doctor. I am what stands between you and them."
Monk: "You are not the Doctor. You are not real."
The Doctor: "Oh, you don't have to be real to be the Doctor. Long as you never give up."

Monk:"What are you doing?" 

The Doctor: (who's realized he's a simulation) "I'm doing what everybody does, when the world's in danger. I'm calling the Doctor."

Missy: "Oi! Get Get off! I've just been executed! Show a little respect."

Executioner:"You are unarmed?"

The Doctor:"Always."
Executioner: "You stand alone?"
The Doctor:"Often."
Executioner: "You're the one who should be afraid.:
The Doctor: "Never."
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